• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

News Bewitched reboot in the works at ABC

Enterprise is Great

Vice Admiral
Admiral
Deadline.com

Just before he recently departed ABC Studios to embark on a rich overall deal at Netflix, Black-ish creator Kenya Barris sold one last high-profile project to ABC: Bewitched, a single camera, interracial blended family comedy based on the popular 1960s sitcom of the same name.

In Bewitched, written by Barris and Taylor, Samantha, a hardworking black single mom who happens to be a witch, marries Darren, a white mortal who happens to be a bit of a slacker. They struggle to navigate their differences as she discovers that even when a black girl is literally magic, she’s still not as powerful as a decently tall white man with a full head of hair in America.

It's getting hard to keep up with all these reboots. Where's my Manimal reboot?
 
Honestly, I'm surprised this hasn't happened sooner. I guess that film wasn't received enough to warrant one right away.
 
Oh my god...

That's PERFECT!

What many people don't remember is that the original Bewitched was supposed to be a metaphor for mixed marriage, and the whole first season was a culture clash comedy. It was the network suits that made it more about the magic hijinx and less about the metaphor. Making the modern version a mixed marriage comedy is utterly brilliant.

Of course, it's on the same network that dumped the messaage of the last one, so let's see what the modern suits do with it.
 
Bewitched was always an allegory for blended families, though I think the original was more about class differences than race. The first season had a fair amount of allegorical social commentary, before the original showrunner left and the network insisted on dumbing it down to just goofy magical antics all the time. This reboot sounds like an attempt to make the allegory more overt. To the point that it's hardly even an allegory anymore.

But I guess I can see the parallel, after a bit of thought. As I said, the original show was conceived as an allegory for class conflict. Sam was like a pampered rich girl who gave up her privilege and legacy to marry a working-class man her family disapproved of. Yet in the world of mortals -- with '60s gender values -- it was Darrin who was seen as the dominant, naturally superior one, and the show was about the tension between Darrin's (and his society's) assumption of his greater power and the reality of Sam's greater power. It sounds like the remake may be doing much the same dynamic, but substituting racial hierarchy for gender hierarchy. Though presumably this Darrin will be a less active enforcer of that hierarchy, since he presumably wouldn't have married this Sam if he were a racist.
 
Bewitched was always an allegory for blended families, though I think the original was more about class differences than race.

Socially speaking, a marriage of people from two different classes is about the same as a marriage of people from two different races. It's still a mixed marriage.

The first season had a fair amount of allegorical social commentary, before the original showrunner left and the network insisted on dumbing it down to just goofy magical antics all the time. This reboot sounds like an attempt to make the allegory more overt. To the point that it's hardly even an allegory anymore.

And I'm all for that. I want to see how the dynamic is handled when it's all out in the open and that's the goal of the creators. Like I said, to me this is perfect.
 
Eight replies - no one mentions the nose twitching gimmick!

We're clearly dropping the ball there. Twitch.

By coincidence, I recently watched BELL BOOK AND CANDLE, which was one of the "unofficial" inspirations for the original BEWITCHED tv series, and that was about a culture clash, too: between mainstream "square" society (mortals) and the more bohemian hipster crowd down in Greenwich Village (witches). Alas, the ending, in which Kim Novak has to give up her powers (and her chic fashion sense) and basically transform herself into Doris Day in order to marry James Stewart has not aged well . . .
 
Last edited:
"They struggle to navigate their differences as she discovers that even when a black girl is literally magic, she’s still not as powerful as a decently tall white man with a full head of hair in America."

Yawn!
 

That's not much of a response, but here's some backup:

https://zvbxrpl.blogspot.com/2006/03/bewitched-year-of-danny-arnold.html
Most of the first-season "Bewitched" episodes use that idea of magic and fantasy as a metaphor for everyday domestic problems or social issues. It's very familiar now, thanks to "Buffy the Vampire Slayer" and other shows that tell everyday stories but replace the everyday elements with fantasy elements. But at the time, it was unusual to have this kind of storytelling outside of science-fiction shows like "The Twilight Zone." The most similar thing was Bell, Book and Candle, where witchcraft metaphorically stood for homosexuality (in the play) or the Beat generation (in the movie). But what was new was the way Arnold tied the magical elements so closely and to real life and invited us to see the parallels.
...
Other episodes are about the issue of racially or culturally mixed marriages and genteel upper-class prejudice, as when we meet Samantha's father Maurice (Maurice Evans), whose patrician good manners barely conceal a vicious, violent prejudice against non-witches.

https://zvbxrpl.blogspot.com/2006/03/unexpected-greatness-from-bewitched.html
Despite -- no, not despite, because of -- the fantasy elements, the episode has some interesting things to say about what happens when a man is married to a woman who doesn't need him to be the breadwinner; it takes the gender and class issues that were always a part of "Bewitched" (we all agree that Darrin's kind of a jerk, and that Samantha is sort of like a rich woman adjusting to suburban housewifery after a life of upper-class idleness) and brings them to the surface.

https://zvbxrpl.blogspot.com/2006/03/more-aardvark.html
The prototype script has a central dialogue exchange with a much nastier tone than the episode they finally wound up with; in this exchange, magic is very explicitly a metaphor for money (with Darrin explicitly portrayed as a man ready to sponge off his rich wife) and Samantha comes off quite unsympathetically. This was dropped in the episode proper, and the metaphor was changed to something less on-the-nose, but it's still interesting to read as a reminder of how much more grown-up Arnold's "Bewitched" was than the other fantasy sitcoms:
 
I liked the idea from years ago of doing s sequel series that deals with the grand-daughter being a witch and marrying or dating a moral.
 
I liked the idea from years ago of doing s sequel series that deals with the grand-daughter being a witch and marrying or dating a moral.

There actually was a sequel series called Tabitha in 1977, starring Lisa Hartman as Sam & Darrin's now-adult daughter, even though it was only 5 years after the original show ended. It also retconned their younger, magical child Adam into the older, mortal sibling, and added a never-before-seen aunt to the family. It only lasted half a season.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top