Not quite sure Death's Angel is precisely a Mary-Sue.
I'd say that book's Elizabeth Schaefer is the most textbook example of a Mary Sue I've ever seen in professionally published Trek fiction, rivalled only by Triangle's Sola Thane.
Not quite sure Death's Angel is precisely a Mary-Sue.
Another pretty bad Trek novel is Spock Must Die by James Blish. The premise was ok. But the execution was so wrong. And the characterizations were way off the mark.
Dean Wesley Smith/Kristine Kathryn Rusch books. By The Book and Section 31: Shadow stood out as particularly painful to me.
Dean Wesley Smith/Kristine Kathryn Rusch books. By The Book and Section 31: Shadow stood out as particularly painful to me.
I have to say, I really enjoyed "By the Book". I thought it cleverly avoided the problems that beset early original novels such as "TNG: Ghost Ship" by concentrating on a few likeable crewmembers who may or may not have become semi-regulars.
Knowing that Dean Wesley Smith was the coordinator of the annual "Strange New Worlds" contest, I found it a bit tricky that I didn't really enjoy his ST writing much. The first book I read of theirs would have been "The Big Game", the one they wrote as "Sandy Schofield" (to save putting six author names on the cover). Ultimately forgettable, but okay.
Their contributions to the "New Earth" mini-series seemed to be the more annoyingly repetitive, inconsistent ones, IIRC. (I loved the concept of "New Earth", but it really seemed to fall down due to the saga-written-by-many problem. Maybe these sweeping sagas need more lead time, with the authors given more time to read each others' drafts?)
But one of the most disappointing DWS books was one with one of my favourite pieces of cover art: "A Hard Rain", the Dixon Hill whodunnit. Originally announced as the second serialized novel (it was going to be one chapter at a time, over twelve monthly books, like "Starfleet: Year One"), I was very pleased to see it re-announced as a single novel instead. But where "Starfleet: Year One" had worked much better in its expanded, omnibus form (due, for me, to all the new characters being introduced into the serial, then seemingly forgotten in the next instalment), this lightweight Dixon Hill story would have been a lot of fun as twelve separate bits staggered over a year. Together, they kind of became repetitive, fluffy mush.
With regards to By the Book, I didn't really have any problem with the use of minor characters, and I understand why they took that path. It was a pretty tall order to write the first original novel considering how new the series was then (had Broken Bow even aired when they put pen to paper?).
We use essential cookies to make this site work, and optional cookies to enhance your experience.