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12 Upcoming Remakes Of Hollywood Sci-Fi Classics

Quantum

Captain
Captain
When Worlds Collide
Steven Spielberg is one of the producers and Stephen Sommers (“The Mummy,” “Van Helsing”), infamous for his “give me more” attitude toward CGI effects, is directing. Like the original 1951 film produced by George Pal, this “Worlds,” due in theaters next year, is about the mad scramble to build a spaceship to save humanity before Earth is destroyed by a rogue planet entering its orbit. The problem comes when there aren’t enough seats for everybody on Earth.

The Terminator
It’s not a remake, but filmmaker McG’s plan to revive the killer robot franchise with a new sequel next summer starring Christian Bale as John Connor has been circled by fans after a strong showing this past summer at Comic-Con International. “Terminator Salvation” is set in the future and shows the grim war between humans and Skynet with its murderous metallic armies. The plan is for a full trilogy — which means a certain California politician may well live up to that long-ago promise: “I’ll be back.”

Robocop
If the Terminator can get tuned up for a revival, why not that other 1980s mechanical hero? After several fits and starts, MGM announced in March that a reboot of “Robocop” would be in theaters in 2010. Darren Aronofsky (“The Wrestler,” “Requiem for a Dream”) is directing the remake of Paul Verhoeven’s bloody movie about a Detroit cop who is gunned down but then put back on patrol as a cyborg with troubled soul.

Ghostbusters
There’s talk of making a third installment in the hugely successful sci-fi comedy franchise and bringing back the original crew -- Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson -- as well as some new-blood, second-generation busters. Lee Eisenberg and Gene Stupnitsky, writers for “The Office,” are at work on the script for Columbia Pictures and Murray, in the past the most reluctant to return to the franchise, has said publicly that he’s open to the idea. There was talk of Seth Rogen being a likely cast addition but don’t bother calling him: “It sounds,” he said in October, “like the worst idea ever."

The Creature from the Black Lagoon
Breck Eisner, the director of “Sahara” and son of former Disney chief Michael Eisner, is directing while screenwriter Gary Ross is on board to retell the story of an Amazon River expedition that crosses paths with a prehistoric amphibian humanoid. The presence of Ross gives the 2009 release a link to the original 1954 film — that Universal classic was written by his father, Arthur A. Ross. Bill Paxton's name has come up as one of the rumored cast members.

Flash Gordon
After the “Black Lagoon” remake, director Eisner is planning to revive Flash Gordon for Columbia, bringing back the brand that hit the silver screen in 1980 with the campy Dino DeLaurentiis production that so memorably featured the music of Queen, not to mention Topol with wings and Timothy Dalton in tights. Alex Raymond’s classic space hero, originally created as a comic strip rival to Buck Rogers, celebrates his 75th anniversary in pop culture next month but it's not clear that his retro appeal still holds. Earlier this year, Sci Fi canceled its “Flash Gordon” series, which had ratings that proved that Ming isn’t the one who is merciless.

Westworld
The late Michael Crichton wrote and directed the 1973 sci-fi thriller about a theme park where rich visitors can live out fantasies like engaging in Old West gunfights, thanks to the park’s androids, such as the menacing robot cowboy memorably portrayed by Yul Brynner. Just like in his “Jurassic Park,” though, you know things are going to go badly for the smug and boozy tourists. Crichton had worked recently on a script for a remake (and, at one point, Quentin Tarantino was approached to direct) but the author’s death in November may mark the end of the reboot effort.

Logan's Run
This is a remake that can’t seem to find sanctuary even after a decade of attempts. A few years ago, Bryan Singer (“The X-Men,” “The Usual Suspects”) was all set to re-imagine the 1976 movie about a society where everyone submits to state-ordered execution parlors on their 21st birthday or gets hunted down by agents called Sandmen. Singer dropped out to make “Superman Returns,” though, and now producer Joel Silver (“The Matrix” films) appears intent to regenerate with a newcomer as director, namely Joseph Kosinski, who has made his name in television commercials.

Forbidden Planet
Producer Silver is also behind a planned revival of this 1956 classic that gave a sci-fi twist to Shakespeare’sThe Tempest” and starred Walter Pidgeon, Anne Francis and Leslie Nielsen long before his career tilted toward comedy. It also introduced the world to Robbie the Robot, a machine man who would show in film and television shows for decades. At one point James Cameron (“Titanic,” “Aliens”) had flirted with a “Forbidden” remake but right now it’s not clear who will be directing. In October, it was announced that screenwriter J. Michael Straczynski (“The Changeling”) is on board.

Frankenstein
Mary Shelley’s classic horror tale of science gone awry has given Hollywood shambling visions of cemetery horror for decades, among them Boris Karloff’s iconic 1930s performances and Robert DeNiro’s very different take in the 1994 Kenneth Branagh remake. Next up? Guillermo Del Toro says that after he finishes the two-film version of “The Hobbit” he will turn his attention to the gothic morality tale and that actor Doug Jones (Abe Sapien in “Hellboy”) might play the patchwork man. This one is still a long way off; “The Hobbit” films are due in theaters in 2010 and 2011. Del Toro has also talked about making a “Slaughterhouse Five” remake.

Fahrenheit 451
It’s been 55 years since the publication of Ray Bradbury’s dystopian novel about Guy Montag, a “fireman,” a term for state-employed book burners of the future. Francois Truffaut brought the story to the silver screen in 1966 and there have been numerous efforts over the past decade to cook up a remake, with Mel Gibson, Tom Cruise and Brad Pitt among the stars who have flirted with the Montag role at different points. Writer-director Frank Darabont (“The Green Mile,” “The Shawshank Redemption”) is on the job now with a planned 2010 release even though his announced star, Tom Hanks, dropped out of the project in March.

The Illustrated Man
Another Bradbury work that is planned for a 2010 release (the year the author will celebrate his 90th birthday) is this project from the “Watchmen” duo of director Zack Snyder (who also directed “300”) and screenwriter Alex Tse. “The Illustrated Man” was a 1951 book of 18 short stories (including one, “Rocket Man,” that inspired the Elton John hit) that were linked by a bizarre framing device — a bum who is covered into tattoos from the future that move and represent the characters in the tales. It was made into a 1969 film starring Rod Steiger but it’s not clear what direction Snyder is taking the property.

http://www.astroengine.com/?p=2195

I think When Worlds Collide has the most potential!
 
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I've always wanted to see a proper adaption of Fahrenheit 451, one of my favourite books. The last movie version wasn't so hot IMO

For ones like When Worlds Collide & Logan's Run it's been a while to be fair so I wouldn't really mind seeing an updated version.

Whereas I just don't get remaking Robocop. Especially when its such a stone cold killer classic
 
They missed out Fantastic Voyage to be remade by Roland Emmerich for a 2010 release... oh dear.

And for me... The Illustrated Man is the most interesting because if you're going to re-adapt a book (i.e. give it another hollywood going over) then it should be to help wash away the bad taste of the first attempt. Barring Rod Steiger, the 1969 adaptation was iffy at best. There's lots of promise in the material and depending on how Snyder does with the oh-so-sacred Watchmen then he might be ready for some Bradbury.


Hugo - Each person who tries to see beyond his own time must face questions to which there cannot yet be absolute answers.
 
Edited to add: NUTS! Someone typed faster that I did...

Just a nit...



Flash Gordon
.... featured .... Topol with wings and Timothy Dalton in tights.


Actually it was Brian "DIVE!" Blessed.

I look forward to all the remakes, in theory, and reserve judgment until I see a trailer.
 
Is Hollywood really so creatively bankrupt that instead of coming up with new ideas, they're simply remaking old ones?
 
Westworld is actually a good idea for a movie that could benefit from a modern remake.

When's somebody going to tackle The Demolished Man?
 
Thank you Quantum. You just unintentionally helped me out with a paper I'm going to write about sci-fi looking backward instead of forward.

Generally speaking, I think the 21st Century needs to come into its own instead of rehashing the 20th. Sci-fi movies shouldn't be an exception either.
 
I'm too young for terminal nostalgia and too old not to have seen these movies. This list is really depressing.
 
Thank you Quantum. You just unintentionally helped me out with a paper I'm going to write about sci-fi looking backward instead of forward.

Generally speaking, I think the 21st Century needs to come into its own instead of rehashing the 20th. Sci-fi movies shouldn't be an exception either.

Glad to hear it I got a paper due Sunday on Clinical Decision Support Systems your turn to help lol.
 
Logan's Run
This is a remake that can’t seem to find sanctuary even after a decade of attempts. A few years ago, Bryan Singer (“The X-Men,” “The Usual Suspects”) was all set to re-imagine the 1976 movie about a society where everyone submits to state-ordered execution parlors on their 21st birthday or gets hunted down by agents called Sandmen. Singer dropped out to make “Superman Returns,” though, and now producer Joel Silver (“The Matrix” films) appears intent to regenerate with a newcomer as director, namely Joseph Kosinski, who has made his name in television commercials.

Actually it was their 30th birthday.

Or did Singer want to drop the bar and make it 21?
 
Logan's Run
This is a remake that can’t seem to find sanctuary even after a decade of attempts. A few years ago, Bryan Singer (“The X-Men,” “The Usual Suspects”) was all set to re-imagine the 1976 movie about a society where everyone submits to state-ordered execution parlors on their 21st birthday or gets hunted down by agents called Sandmen. Singer dropped out to make “Superman Returns,” though, and now producer Joel Silver (“The Matrix” films) appears intent to regenerate with a newcomer as director, namely Joseph Kosinski, who has made his name in television commercials.

Actually it was their 30th birthday.

Or did Singer want to drop the bar and make it 21?

In the novel it was 21, the original movie changed it to 30.
 
Is Hollywood really so creatively bankrupt that instead of coming up with new ideas, they're simply remaking old ones?

A lot of these were books (RIP OFFS), and at least one of them is a remake of a Shakespeare play (RIP OFF).

I really think people need to get over the whole "remakes are bad" thing and judge them based on their own merits. People have been recylcing story ideas for as long as we've been telling stories. It's amazing how many movies that have been remade in the past ten years were based on originals that were themselves remakes of movies from the 20s-40s and no one gave a shit.

A lot of these are great, great stories. You can either rip them off and call it something else, in which case everyone will point out they are ripping them off and you probably get sued, or you can keep the title and core story and go in a slightly different direction (like TDTESS) and avoid trying to pretend you weren't heavily influenced by the original when you obviously were.

Like it or not, there is not a lot of money to be made trying to sell black and white movies from the 1950s to a young, modern audience who has probably never seen the original (unless they're "into" sci-fi like we are). For that matter, I doubt half of these movies would even be available at your local Blockbuster.

Some of them I don't get, like Robocop. Great concept, but the movie still holds up well, even the very 80s TV ads. The new one better be violent and sarcastic as hell too.

Don't any of you think it's remotely cool and a bit flattering that modern filmmakers hold these classics in high enough regard that they desire to remake them? And the remakes don't diminsh or erase the originals, if they suck you can still watch them. If they don't suck, you get a new great movie to watch.

And it's not like the majority of movies are remakes, they most certainly aren't.
 
Terminator, in many ways, can be considered a remake. They're rewriting a lot of the background history of the series for the new film.
 
I'm wondering what a decent director and script could do for "Buck Rogers", that's well overdue.

Maybe 10 more years...then Gil Gerard can get the same type of cameo Buster Crabbe did when he guest starred on the series -- a great nod to the past!
 
^Sure, if you chose to completely ignore the dozens and dozens of Hollywood movie like Zack and Miri that aren't, but that's your problem. :)
 
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