That makes sense, I did not buy this one direct from Lalaland Records as I have done with all my other sets. The hole is an annoyance more than anything.The hole usually means that the set has been sold once before already.
I hadn't realized those were newly-sourced cues. I thought they were alternate cues. Time to re-organize my TOS playlist!I wonder if it'll be fully identical to the 2012 masters. They did find some better-quality copies of a few TOS tracks that went on their 50th anniversary collection, I would expect them to slip those in as replacements.
Heh, I thought they were just re-releases, I snagged that set for the TAS music so didn’t pay great attention to the rest of it.I hadn't realized those were newly-sourced cues. I thought they were alternate cues. Time to re-organize my TOS playlist!
I might buy this soundtrack before I watch the episode. I may enjoy the episode more.Lakeshore Records has released the soundtrack from SNW's "Subspace Rhapsody" today! Careful with that link; the song titles are listed. I don't think they're overly spoilery, but don't click if you're cautious.
Meanwhile, I got my 1701 Collection Volume 1 a couple weeks ago and it's excellent, as all of the La-La Land releases have been. The sound quality is amazing for a 56 year old show. The liner notes are quite informative. It's also interesting to see where some of the often-used cues came from in the first place, like Ruk Protect / Ruk Attacks from "What Are Little Girls Made Of?" and several cues from "Charlie X" which I remember in other episodes. (Others, like the music from "The Corbomite Maneuver", were more obvious in their source episode.)
La-La Land's got two more entries in the 1701 Collection since the last post: Volume 2 and Volume 3.
Volume 2 largely completes the re-release of Season 1's music from the 15-disc collection, though it omits a few library cues and the sound effects. It also includes the first Season 2 disc from that collection (Catspaw/Friday's Child). Unfortunately, it also omits Nichelle Nichols' Beyond Antares. According to a post on FSM, they "didn't want to deal with clearances again" for some of the vocal tracks, which is a shame (especially since Uhura is on the cover!). On the plus side, the post does confirm that they're using the new masters released in the 50th Anniversary Collection where appropriate.
Volume 3 jumps around and collects most of the remaining Fred Steiner music (from Discs 8 and 12 of the 15-disc collection - everything but a few Season 2 library cues on Disc 10 that were re-released on the 50th Anniversary Collection from the new masters). It does include the missing track from Spock's Brain that was included on the 50th Anniversary Collection, so we might get those library tracks on another release.
They're planning on three more releases in this collection, which looks like more than enough room to collect everything that hasn't been re-released yet. Based on that FSM post, it seems like the major omissions aside from vocal tracks will be a number of cues from Where No Man Has Gone Before, Amok Time, and The Doomsday Machine that GNP/Crescendo doesn't include on their releases.
You also need to subtract The Doomsday Machine and Amok Time.Only three more? I knew that The Cage and Where No Man... had some rights issues or something and thus wouldn't carry over from the original 15-disc collection, which I sadly missed.
Correct. The rights to those four episodes are still held by GNP/Crescendo, which has only released them as incomplete faux-stereo mixes (as opposed to the full original mono releases in the 15 disc set). Taking out the vocal tracks and some other odds and ends (such as special effects) and putting slightly more music on each disc than the 15 disc set is enough to remove another disc and get the rest on 12.You also need to subtract The Doomsday Machine and Amok Time.
I agree that early TNG had some of the best scores of Berman-era Trek (McCarthy had some good stuff in the early seasons too) and his decision to dull down the music was shortsighted and dumb, but I do think that there are some bangers in the later years. A few that come to mind quickly: The soundtrack to Dark Frontier is a great action piece. Year of Hell has a beautiful track when Janeway decides to stay on Voyager. For the Uniform had a fun track when they're leaving the station manually. Badda-Bing, Badda-Bang is a nice period piece. They seemed to let up even more in Enterprise, which has some good stuff such as Regeneration (composed by Brian Tyler, who went on to much bigger things) and much of the fourth season (especially In a Mirror Darkly).Listening to them just goes to show that, movies aside, great Star Trek scores kinda died off when Ron Jones stopped doing TNG, or respectively Berman issued his decree that scores going forward had to be sonic wallpaper. Just released got one of the DS9 collections from LaLaLand, and boy is that a chore to sit through. Bland as bland can be.
You also need to subtract The Doomsday Machine and Amok Time.
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