Honestly it seems weird how attached to things that are largely the result of being made in a certain decade at a certain budget trek fans are to the point of needing a explanation either for it or why they dare update things when they have access to better SFX and money.
It's not weird if there's story value in it. As I said, in the case of
Titan it provided an opportunity to make an allegorical comment about inclusion and accessibility and the mental blocks that can cause people to unconsciously undermine such things.
Star Trek has always been about social commentary and allegory, so why should this be any different?
The problem is is that whats on screen consists of the relative handful of crew 2 starships and 1 space station as well as the even small samples of personal for various starships, space stations, and planet bases meaning a tiny drop in the great pool that is starfleet.
So it feels kind of weird that said tiny cross section is being treated as the sum total of the Star Trek universe.
Ever heard of statistical sampling? A small cross-section can effectively represent the whole if it's random or unbiased enough to be representative. We've seen a bunch of Starfleet vessels over the 700-odd Trek shows and movies, so if the nonhumanoids were as evenly distributed as you suggest, then statistically speaking we should've seen more of them than just Arex.
Plus they weren't too consistent with the TV shows since the Enterprise finale seemed to shoot down the Andorian four sexes thing among other thing that were pretty much flat out rewritten for "The Good Men Do"
I don't agree that it did anything of the kind. Certainly the show treated Andorians as "male" and "female," but that's quite easily reconciled with the novels, since two of the Andorian sexes are effectively male and the other two effectively female.
And if the show
had overtly contradicted the four-sex paradigm, then the novels would have been obligated to follow that lead and either abandon it or find some convoluted way to reconcile it. That's what I've been saying all along: That the books have to acknowledge what's in the show. You seem to be arguing backward, because you're using the shows' choice to ignore something from the books to assert that the books should be free to ignore things from the show. That's not how it works. They're not equal. The canon is the "reality" of the Trek universe, while tie-ins are an interpretation of it. The books follow the shows' lead, always.
Which would be nice if not done in a way that screams nitpicky fans trying to explain inconsistencies likely based on budget concerns, or being made in a certain decade when sfx tech wasn't as advanced as it is today.
You're absolutely wrong about that. It's not about nitpicking continuity details, it's about people like Marco Palmieri and myself (I shouldn't speak for him, but I believe we were on the same page about this) feeling that the shows had failed to live up to the diversity that
Star Trek is supposed to celebrate and that
Titan was an opportunity to correct that.
Remember, I personally am the one who, in
Orion's Hounds, called the most attention to the lack of diversity in prior Starfleet crews and the desire of Captain Riker and the
Luna class's designers to do a better job of inclusion. So I'm not guessing about the reasons why that decision was made, because I'm the one who made it. (That is, I presume it was a factor in Marco's and Andy's and Mike's thinking too, but I chose on my own initiative to spell it out more clearly in OH.) So you can rest assured that I didn't do it for the sake of continuity porn -- I did it because, looking around me in the real world, I saw how much racial exclusion and discrimination continued to exist, not out of deliberate malice, but simply because of people not noticing the problem and not making an effort to look beyond their own ethnic or cultural type for potential friends or employees. I saw a problem in the world today that I wanted to comment on through the allegory of science fiction. Which is what
Star Trek is for. And it was also an opportunity to critique and question the decisions of the shows' creators, which is often what tie-ins or other literary pastiches are for. Not about continuity or anything so superficial, but about principle and commitment to ideals.
I mean, DS9 was able to fill its Promenade scenes with all sorts of exotic background aliens on a weekly basis, and TNG and VGR were able to do so with various alien space stations and taverns and the like in quite a few episodes. It would've been just as easy to put a few of
Voyager's or the
Defiant's background crew in alien masks as it was to do it for scenes in Quark's or on the Promenade. But they didn't. Instead, they reflexively assumed that anyone in a Starfleet uniform would be human unless the script specified otherwise. It was a conceptual double standard, not a budgetary issue. They coded Starfleet as a predominantly human organization. I don't think they did so consciously, but they did. That bothered me a lot, and
Orion's Hounds was my chance to confront it and comment on it.