Moving on...
I like Vons (er, "Vons"

), he's a strange sort of villain in this chapter. I can't quite put my finger on it (it's late here) but his brief scenes gave him a rather amusing character. "Beware, for it is... the
Assistant Director!" In other words, he's pleasantly mundane, and doesn't
quite have the gravitas to live up to his role as the bad guy here (this is a good thing, I want to make clear - it adds a slight edge of surreality and ho-hummity to the whole thing). He has just enough little quirks to amuse, and there's something
off about him. Of course, this
isn't Vons but I don't think we know this yet. So for now, we'll imagine that he is merely the Assistant Director. He certainly interested me when I read this scene, so that's good.
The directors are probably a bit less successful, in my mind (although they too all have distinct characters). They remind me of the League of Non-Aligned Worlds in
Babylon Five, being needlessly argumentative and counterproductive, to the point where you wonder what exactly they're doing representing their peoples at all. Given Mayweather's reaction, I grant that this is sort of the point, but I feel it's just a
little too much. The scene's suggestion of a complex history to the Rigel worlds and their inhabitants' interrelations is nice - the scope and sprawl of it distilled to four people in a room bickering - but it's not my favourite scene so far. Still, it
is a crisis situation and they're on edge for obvious reasons, so I suppose they have cause to be particularly snippy with each other. They're all scared and far less secure than they were, after all. Besides, Mayweather asking "as innocently as he could" whether the Chelon director knows anyone with the right political ties was certainly amusing. Play the game, Travis. It definitely plays to the idea that Mayweather wins through by just being friendly and honest, so that no-one ever reads him as hostile (as explicitly observed by Archer in the first book).
I'd be totally torn about living in Rigel. It seems to be a place that I'd both hate and find compelling all at once.

Archer's reaction to the description of the Rigelian way of doing things, of this somewhat ludicrous system they've arrived at through the long process of their various intertwining histories, pretty much sums it up, doesn't it?
Anyway, now we're well and truly immersed in this Rigelian wonderland, we're off to see if the Chelons have any room at the tea party.
"NO ROOM! NO ROOM!"