In the Pale Moonlight (0)
This episode manages all that, and that's why it is something really special.
One of the things that I like about Sloan is that I don't quite see him as a villain even though I disagree with everything he stands for. All things considered, Sloan is no more a villain than Garak, both are willing to do unconscionable things for the preservation and enhancement of their peoples. But we've grown so used to Garak that we no longer consider him a villain, and because he's a Cardassian so we can disassociate him from his actions. But because Sloan is a human we find it more distasteful, because he's one of us. How could one of our kind possibly do such things?An effective villain needs to challenge the hero, and Sloan is permitted to do that; not only directly but by rebutting Bashir's idealized worldview for the audience. Sloan is the villain who offers temptation, who speaks what sounds reasonable, and that's the sort of danger we need in the antagonist if we're going to be addressing the issues Section 31 is concerned with.
One of the minor flaws I have with this episode is that it's a bit late in the series to be introducing a group like Section 31.
Somewhere in the ether there is a version of DS9 where the creators get to go back to season one and start over from scratch with all the ideas that cropped up over the course of seven seasons in mind... and that show is the platonic perfection of sci-fi shows![]()
Agreed.However, does that also imly that somewhere else in the ether is a version of DS9 set in a Risan resort in the rain, where the main character arcs involve Quark's casual sex-change operations, Dax's romance with a dull Meridianite, and Rumpulstiltskin participating in a Wadi games tournament?
I had completely forgotten about The Coming of Shadows review and had to reread it to figure out what you were talking about. I probably shouldn't laugh at my own jokes as much as I did rereading that.In the Pale Moonlight (0)Good to see you're still doing this joke. I've only been fooled by it once (in your B5 thread;, which I'm going through right now as I watch the show for the first time, you got me with your rating for "The Coming of Shadows"), but I still like it. Anyway, yeah, In The Pale Moonlight is brilliant.
That's something I considered, but it didn't bother me too much because the inquisition into Bashir by "Starfleet" was still real and led up to a killer revelation. If it had been revealed to have been a ploy by the Dominion instead then it wouldn't have held up nearly as well.Inquisition is... good, though I wish they hadn't fallen back on the tired *virtual reality that dissipates* scenario here.
Ira Behr said:The quality of the show is not apparent to everyone, and that's really, really sad. Because that show is as perfect an episode as we ever did. You would be hard-pressed to find moments that don't work. It does exactly what it's supposed to. As loony as the show might seem, it's a real triumph. I'm not saying it's the only triumph by any means, but it's the one that's most masked, I guess, the one that's toughest for the audience to recognize.
So a being that doesn't need to breath advises another being that doesn't need to breath that the key to relaxing is simulating an unnatural process for both of them. Okay.VIC: Sit down. Relax. Take a couple of deep breaths. You do that and everything you want will come to you.
ODO: That's all it takes?
VIC: Try it. Go on.
I'm pretty sure it's illegal to use someone's image without consent for use in a dating sim. And if it's not, it should be.VIC: Do you know how difficult it was for me to get a holographic image of Major Kira? Lucky for you, Julian used her image in one of his spy programmes, though it did take me an hour to get rid of the Russian accent.
Why is Kira meditating in a holosuite? We've seen her meditate in her quarters and in the temple, but never before in the holosuite. Does she not realise that a half-hour ago there was a Benzite in that same room getting a blow-job from a holographic Vulcan princess? I can hardly imagine a less appropriate place to meditate.KIRA: I'm trying to meditate.
VIC: And I don't mean to interrupt.
KIRA: Good. Then leave.
Odo, you're a policeman with a hard-on for justice, surely you know how wrong it is to secretly date a hologram of your best friend.VIC: I need to talk to you. I want you to come to the holosuite tonight.
ODO: Why?
VIC: I've done a complete overhaul on the Lola hologram or should I say the Kira hologram? I'm telling you, Odo, you're going to think she's the real thing. She walks like Kira, she talks like Kira.
Kira and Odo are different, overwrought melodrama suits them better for whatever reason.
I'm likely to have tomatoes thrown at me for saying this, but I'd argue His Way is just as daring of an episode as the one that preceded it in challenging Trek conventions. Only... the other way.On the one hand, I can actually see why Ira Behr likes the episode: it's different from what Trek usually does, and I think it does work, if you like this sort of thing. For the most part, I don't.
I'm likely to have tomatoes thrown at me for saying this, but I'd argue His Way is just as daring of an episode as the one that preceded it in challenging Trek conventions. Only... the other way.
If you're a fan of 60s lounge singers, this episode was meant for you, and I sincerely hope you enjoy it. But this episode wasn't written to suit my tastes.
I agree, there's an opportunity with Kira and Odo to explore something deeper about love in general because of what Odo is. How does a being like Odo, a being so different than the humanoid races, a being with no understanding of gender, sexuality or reproduction, why does he experience love? I'm not saying that love is purely about those things, but they are a major component and quite possibly the origins of those emotions. What does Odo get out of being with Kira? Why her and not somebody else?I think it's because as a *couple* from the standard perspective, Kira/Odo doesn't work at all and makes no sense, but if you make it about something deeper, like the two characters' changing identity, then it really works and can become almost profound at times.
I agree completely. Everyone acts like Vic is the coolest cat in town, but the problem is that nobody says things like "cool cat" any more unless they're being ironic. Admittedly, nobody is going to mistake me with the arbiter of coolness, I do watch Star Trek after all. But Vic is just a guy that's literally stuck in the past and, from my perspective, most of the things he says are cringe-worthy, not cool. But that's largely a generational thing that can't be helped.I just... don't like that whole vibe all that much. I don't really like Vic, or think he's cool. But it's basically assumed that it's all 100% awesome and I should like it.
But seriously, I think Kira would like an answer to those questions before hooking up with Odo and not after. I think she would have been more impressed by Odo answering those questions in a meaningful way than by learning he can sing and dance.
That's certainly an interesting way of looking at things. It still doesn't improve His Way much, though.So, His Way is like the bad, but understandable reflex that Odo would have to pretend he's something he isn't, in order to attract Kira, and Chimera is about Odo finally not needing to pretend anymore.
Okay, I have a lot of respect for Ira Behr, but reading that quote on MA left me with the feeling that he doesn't quite get the complaints against this episode.
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