...
My opinion is that there is one linear time line and that Nero's presence and actions have erased, written over, the previous Trek time line. Even Uhura's "alternate reality" phrase doesn't sound like it is synonymous with an "alternate universe."
I'm inclined to read it the same way... with the caveat that the reality from which Nero and SpockPrime originate isn't necessarily the "original" Trek universe with which we're familiar.
If Alternate Reality does not mean Ulternate Universe (as in Multiverse), then what does she actually mean?
Obviously, that's an open question. IMHO the line is just one more example of the movie's clunky dialogue, since from Uhura's POV the reality isn't "alternate" to anything at all. It's the history she's always lived in, regardless of the underlying physics, and of whether the next word she utters is "reality" or "timeline" or "universe."
Seriously: if we suddenly discovered that a time-traveler had been responsible for (say) the bombing of the Marines in Beirut in 1982, would your immediate reaction be "OMG, we're living in an alternate reality"? That whole sequence of dialogue has no psychological credibility. It's just an expository infodump to fill in the slow-on-the-uptake members of the audience. (And at that, it still leaves some less-than-self-evident details regrettably ambiguous.)
OneBuckFilms said:
The "overwritten" reality scenario violates cause and effect, and for that reason alone, should be rejected.
You keep repeating this, but that doesn't make it any more accurate. The entire history of time travel in Trek, as well as in most other science fiction, quite simply does
not need to be "rejected" for violating causation. I've pointed out before that there
are theoretical justifications for such an approach, and explained how the key to reconciling the paradoxes you see as insurmountable lies in recognizing the differences between the worldlines of the time-traveler(s) and of the universe as a whole.
I've cheerfully agreed that the MWI is
one legitimate approach that can make for good stories... just not necessarily the one that fits
this fictional setting. Why are you so reluctant to reciprocate?
(And even if the MWI
were the only legitimate scientific approach, just for the sake of argument... given all the
other scientific whoppers in this film, why be stubborn about authenticity over
this point?)
I swear that if Rick Berman's name had been attached to this film everyone here would've been screaming about plot holes and the overuse of time travel.
Hear, hear!
I agree with your attitude and hope that the next film can settle the dispute.
Don't hold your breath. If any hint of a previous Trek timeline is even
mentioned in any sequels, I'll be astonished.
There are those (like me) who subscribe to the theory that the whole Abramsverse is an alternate universe in and of itself. When Spock and Nero went through the black hole/wormhole/temporal whatever, they actually emerged into an alternate universe and changed the events of that timeline, not the original (problem is, OldSpock and Nero treat the Abramsverse as if it is their universe with altered events). There are even those who think that "Spock Prime" may not even be the Spock from the original universe. There is evidence to support both theories. Personally, that's what I go with. It helps to reconcile some of the differences between the Abramsverse and the original that can't be resolved any other way.
Quite so. I'm partial to the second possibility you mention, in particular ("prime" does not equal "original"), since it reconciles more of the film's inconsistencies.
I-Am-Zim said:
Either way, no matter what you think or believe, these are not the same people we have come to know over the last 40-odd years of Star Trek history. They are alternate universe/reality/timeline versions of those characters. The Kirk, Spock, etc. that we know are still trotting merrily along in the good ol' TOS universe that we loved. Unfortunately, we will never see them again. And that's too bad. Because I would really like to see how they all met and came to be aboard the Enterprise together. That would be a story worth seeing. I could care about that. I have no reason to care about NuTrek because, like the Mirror Universe, they are not the ones I know.
Indeed. A genuine, canonical "Trek origin" story would have been fascinating to me, if told well.
OTOH, in all fairness, if it were told as badly as this film, I'd still have been disappointed with it. And conversely, had we been treated to a brilliantly inventive and thoughtful film about a completely fresh "alternate reality," I could have enjoyed that as well. This picture just offered the worst of both worlds: neither the actual characters and concepts for which I have affection, nor the quality of storytelling that could make me overlook that.
Not directly. But the conversation between Spock and Uhura leading up to the Alternate Reality refers to the fact that their destinies have changed, which tells me two things:
1) That they had a destiny to be changed.
2) That SOMETHING changed it.
That's actually another thing that bugs me about the film... all of its insinuations about "destiny." It undermines the notion that the character's paths are the result of their own free-will decision-making. The conversations between OldSpock and Kirk have the same problem.
(And the film's conclusion just underscores it: Kirk will inevitably wind up as Captain, no matter what, no matter how implausible, because that's how it Has To Be. Call it "destiny" or call it writers' fiat; either way, it's not dramatically satisfying.)
DonIago said:
I'll wait for TPTB to make that explicitly clear.
Already done:
Orci said:
Our story is not based on the linear timeline of Einstein’s general theory of relativity upon which most movies about time travel are based (like, say, BACK TO THE FUTURE or TERMINATOR, both of which I LOVE). The idea of a fixable timeline has been a wonderful staple of sci-fi since the 50’s, but in reading about the most current thinking in theoretical physics regarding time travel (Quantum Mechanics), we learned about the speculative theories that suggest that if time travel is possible, then the act of time travel itself creates a new universe that exists in PARALLEL to the one left by the time traveler. This is the preferred theory these days because it resolves the GRANDFATHER PARADOX, which wonders how a time traveler who kills his own younger grandfather would logically then cease to exist, but then he’d never be around to time travel and kill his grandfather in the first place. Quantum Mechanically based theories resolve this paradox by arguing that the time traveler, in killing his grandfather, would merely split a previously identical universe into a new one in which a man who is his grandfather in another universe is killed in the new one. The time traveler does not cease to exist, although he is no longer in his own original universe (where he is now missing).
First of all, Orci is simply
wrong here, in several ways: the MWI is not the "most current thinking" (it dates to 1957, and quite a bit of other theoretical work on time travel has occurred in the intervening decades), nor is it really even related to time travel (it has more to do with resolving quantum uncertainties), much less the "preferred theory." All he really demonstrates in this quote is a fairly simplistic understanding of the grandfather paradox.
Second, as
Space Therapist noted, all of this is behind-the-scenes dicta, and thus in no way decisive. No matter how strongly Orci (and Kurtzman) may have felt about the value of this theoretical approach, they didn't actually put a single word about it
in the story. They (or other writers) could choose to clarify our debate here in a completely different way in a future story without contradicting a single thing about this film. (Not that I think anyone ever will... but it's certainly possible.)
Nero goes through the black hole first, before Spock Prime. At this point in “single timeline” theory the timeline is already altered, placing the very existence of Spock Prime and the Jellyfish in doubt.
Actually, that's a plot problem regardless of which theoretical model one prefers. If we assume Nero arrived in the past of his own reality and created a completely distinct universe starting from 2233, then the question becomes: how did OldSpock cross over to that one, rather than arriving in the past of the same reality he left from?
If you aim low, you pretty much hit everyone. And that's exactly what they did.
Precisely! Although it is more accurate to say that if you aim to produce a movie that has multiple levels you hit everyone.
Thanks for the qualification. I'd like to insist that, contrary to the assumptions of Hollywood execs, "low" is
not where we
all reside.
Pauln6 said:
Edit: I forgot nudity. A bit of nudity or partial nudity rarely hurts.
The old formula for successful lowest-common-denominator filmmaking: defy authority, destroy property, and take people's clothes off.

This film dutifully obeyed all three.