But that doesn't really work on any reasonable level that isn't horribly insulting to real "natives." Even in the heart of Africa people have become dependent on cell phones because they make instant communication over long distances not only possible, but very convenient. Pots, pans, glassware, steel axes, guns, and other such things were snatched up by natives everywhere because they're useful. American plains Indians switched to firearms for buffalo hunting, since even flintlock muzzle loaders proved superior to bows and arrows. So we're presented with a Na'vi who are too stupid to even realize what would be useful to them, so we pretend that they don't really need anything to make the story work. Such a situation could exist as a stand-alone science fiction piece but Cameron went to great lengths to make the story an allegory about how Westerners interacted with native cultures, which is what causes the jarring disconnect. Not only does this ignore so many realities about native cultures, it casts them into a role in a Western fantasy about what natives would be like if they had been invented by Westerners for our own artistic amusement.
When Cameron wrote the story, way back when, such a misconception was popular in Hollywood and elsewhere. The sentimental idea of the noble savage living in perfect harmony with his environment, ala Rousseau, is best left in the eighteenth century where it belongs.
They see the humans come to their beloved planet and rape it with the same technology they're trying to sell to them, and you wonder why they don't want anything to do with it? And keep in mind that the Na'vi are not like Native Americans and they are not human. People keep saying that, but they're not a direct equivalent. Unlike humans, they are living extensions of their planet's own ecosystem (ie through their tail connection thingy). No doubt, that would affect their outlook.
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