I've just started reading James Patterson's Along Came a Spider. It's the first book of his that I'm reading, hopefully I'll enjoy it enough to continue the rest of his books.
Along Came a Spider and Kiss the Girls are the best Cross novels. There are some other really excellent ones (Roses are Red is a standout), but once you get to the more recent ones, I definitely concur with PKTrekGirl--the quality just isn't there. It's too bad, but I think a lot of authors just run out of steam. And Patterson produced 3-4 books a year now (or more maybe now that he has a YA series going), so I don't think the time goes into each novel that it should.
Has anyone else read his Women's Murder Club series? I loved the first three books, felt the fourth was so-so and haven't read the fifth, sixth or seventh. Anyone gotten that far in them, and if so, how are they? Worth picking up?
^ Seriously? I must admit I don't keep up with any drama in the writing world and so might very well be WAY out of the loop here.
Are you saying that someone else ghost-writes James Patterson's books?
That really would surprise me.
He has a lot of co-authors, and it's been said--and I can't remember the source, so take this with a big grain of salt!--that Patterson gives them outlines for the novels and then they ape his style and write the books. Not sure that's the way it actually happens, but it sounds plausible. AFAIK, though, he writes all the Alex Cross ones on his own.
So I finished The Meaning of Night.
I honestly don't know how to express my praise for the book; it was fantastic, I enjoyed it very much, and if you are interested in Victorian fiction (particularly what they called 'sensation literature') or indeed just good stories you have to give this novel a try. For myself a great deal of the pleasure came from the style of the writing: it's actually quite difficult to write in genuinely Victorian language, but Michael Cox makes it seem effortless--and without forsaking substance for superficiality either. From what I can tell with regards to his resume (he's edited numerous collections of Victorian fiction) that doesn't come as too much of a surprise. There are more than a few twists and turns, so I won't say much about the plot. Identity, truth, and love are all themes explored in a genuinely literary way beyond forming the backbone of the narrative. There's quite an interesting interview with the author here if you're interested. No huge spoilers.
I had been planning on taking a break between The Meaning of Night and it's sequel, The Glass of Time, but I decided to just jump right in. (And Top41: I think you said earlier you had picked that one up? You should read this one first; if you love Wilkie Collins...)
I have a copy of The Glass of Time but not The Meaning of Night. But The Meaning of Night sounds really good--and I absolutely adore Victorian sensation fiction. So I might have to look into picking that up either at the library or the bookstore!