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The Classic/Retro Pop Culture Thread



50th Anniversary Viewing



The Six Million Dollar Man
"The Winning Smile"
Originally aired December 21, 1975
Peacock said:
Oscar's trusted secretary may be leaking secrets. [DRINK!]

The camera focuses on a pendant as its wearer, secretary Peggy Callahan (Jennifer Darling's second appearance in the role established last season), talks to her mom on the phone about the prospective fiancé who gave it to her. Baddies listen in to Oscar briefing Steve about recently retired OSI scientist Emil Losey, who'd been working on a hydrogen fusion generator, and has offered to return to work on a breakthrough if Steve escorts him in from Maryland. The chief baddie, billed as Hector (Harry Lewis), sends an agent named Agee (Ben Andrews) to get Losey before Steve does. Agee takes a couple of operatives with him to knock on Dr. Losey's (Milton Selzer) door posing as his replacement escort to Washington. When Losey asks to see credentials, he's forced into their car at gunpoint. Steve arrives in time to block the vehicle and bionic-tosses around Agee and the Agents, to Losey's astonishment. Steve races away with Losey, who deduces that Steve must be bionic. Steve calls Peggy with the name of the safehouse he's taking Losey to.

Oscar calls in an expert named Tom Dempster (Bob Delegall) to have his team scan for listening devices...which they don't find, because Peggy's just coming in as they're wrapping up. But Steve and Oscar realize at the same time that she may be the leak. Not wanting to upset Peggy, Steve offers to check her apartment himself. He proceeds there while she's working, jumping into an open window to meet her dog Pierre (possibly a shepherd type), who's initially friendly but bites into one of Steve's legs as he looks around, which sends Pierre whimpering back to his bed. Steve's sweeping the place with a bug detector when Peggy comes home and catches him hiding behind a curtain. He explains the situation while the baddies listen. An upset Peggy objects that she wouldn't divulge secrets even to her mother, and she insists on a lie detector test to prove her loyalty. While Dempster mans the polygraph, Peggy expresses some anger at Oscar while explaining that Pierre was a gift from her beau, dentist Gene Finney. After she passes the test, she takes Steve to meet Gene (Stewart Moss) at his office and shows Steve the pendant.

Losey calls Steve about leaving the safehouse to put in an hour a day on a non-portable computer; and the baddies listen in as Steve discusses this with Oscar. Agee and an Agent are waiting for Losey at the computer facility and abduct him. Steve finally realizes that Peggy herself may be bugged, so he and Oscar nonverbally cue her in and take her to Dempster's lab, which is transmission-proof, where Dempster inspects the pendant only to find no transmitter. They proceed to inspect other belongings, and when Peggy mentions Gene having done some dental work on her, Dempster's detector hits the jackpot in her mouth, which Dempster backs up by playing what they're saying on a receiver set to the bug's frequency. While Steve's trying to find Gene, he calls Peggy--who's been crying over his betrayal--and she agrees to a restaurant rendezvous.

When Steve finds a sub at Peggy's desk, he has Oscar meet him in Dempster's lab, where they pick up his receiver and listen in on the bug while they drive around trying to find what restaurant with a bar Peggy's confronting Gene at. Agee walks in and takes Peggy to his car with a concealed gun. Gene apologetically explains in the back seat how the baddies financed his private practice. When something he says reminds Peggy of Dempster's receiver, she starts slipping in verbal clues as to their location, enabling Steve and Oscar to locate the garage that she's taken to. Steve busts in through the roof and takes down Agee and an Agent primarily via hurled objects while also nabbing Hector before Oscar brings in backup.

In a restaurant coda, Steve sets up a disenchanted Peggy, her bug now removed, with a date named Ted Harter (James Ingersoll), reassuring her that he works for OSI security.

This will be the last new episode for nearly a month, until the week after The Bionic Woman premieres.



All in the Family
"Birth of the Baby: Part 2"
Originally aired December 22, 1975
Frndly said:
Arriving at the hospital to deliver their baby, Gloria and Mike are met by the nervous grandparents-to-be.

MeTV's trigger warning is repeated at key points. The onscreen title of the episode (not normally displayed) is simply "The Baby: Part II".

Nurse Dorothy Winslow (Barbara Cason) is preoccupied by having to cancel a rendezvous with a married doctor because of her sister and fellow nurse Bernice, whom she lives with but despises, when Edith rushes in and is confused by Gloria having not checked in. What gets the nurse's attention is Archie's arrival in his blackface costume, which he explains he's wearing because he was in a menstrual show. When Archie spots a Miss Stipic (Sudie Bond) in the registration book, he insists on visiting the woman's room, and thinking he's a rapist, she agrees to let him have her cold cream. While the nurse is trying to get ahold of Dr. Shapiro, the Stivics arrive, late but with no immediate explanation about last episode's cliffhanger.

Mike (to Archie): Didn't I see you in Show Boat?​

Archie's getup causes Gloria to break into uncontrollable hysterical laughter, which spreads to the others, including the nurse.

Mike and Gloria become tense after six hours of waiting in the labor room, while we meet Dr. Seymour Shapiro (Gene Blakely), whose assisting nurse turns out to be Bernice (Priscilla Morrill). Out in the waiting room, Archie has finally gotten rid of his shoe polish, though he's still in costume; while Edith frets that she's not as worried as she should be.
AITF12.jpg
Archie initiates an affectionate moment about Edith becoming a grandmother, but is quickly annoyed when it makes her cry. Finally in the delivery room, Gloria encourages Dr. Shapiro to take her mind off of what's happening by sharing some soapy gossip about Dorothy and Bernice. As Gloria begins pushing, Mike goes into panicky mode, and soon the doctor is informing the Stivics that they have a baby boy. When Mike brings up having another, Gloria quickly develops a headache.

In the coda, Barney Hefner arrives at the hospital still in full minstrel costume with a gift basket and news that Archie won't be kicked out of the lodge for ducking out on the show. Mike comes out wearaing his surgical mask, leading Archie and Edith to believe he's a doctor as he announces the birth of their grandson. Edith pushes Mike and Archie into a hug, which Archie goes along with.



M*A*S*H
"Dear Ma"
Originally aired December 23, 1975
Wiki said:
Radar writes to his mother about the 4077th's monthly foot inspection, B.J. getting scammed by a patient, and Colonel Potter's bullet wound.

Radar settles into his bunk with a Coke and pretzels to write his letter, which is sprinkled with verbal mishaps. His first story is about assisting Hawkeye with monthly foot inspections, in which Potters soles prove to be ticklish and the colonel mentions having learned about foot inspections from Harry Truman in WWI.

Hawkeye (to Radar): Come along, Robin.​

An introduction to Klinger segues into an incident in which Sergeant Callan (Redmond Gleeson), a patient of B.J.'s being loaded onto the evac bus, gives B.J. a story about a wife who needs an operation and sells him what turns out to be an innardless watch for $20. Hawkeye promptly informs B.J. that he's been had.

Hawkeye looks forward to inspecting Major Houlihan--who's caught with Frank, natch--though she proves to have fungus. In the mess tent, Radar takes an interest in a food-hoarding Korean soldier's (Byron Chung) Russian rifle, and only realizes after the soldier runs that he's a North Korean...though a mishap with Major Burns thwarts Radar's attempt at pursuit. Later Burns tackles South Korean General Park (Rollin Moriyama)--who's accompanied by Colonel Kim (John Fujioka)--mistaking him for the enemy. When Burns attempts an apologetic handshake, he finds himself on the receiving end of a martial arts grip that brings him to his knees.

Klinger reads a letter he's written to President Eisenhower (placing this one in 1953) during his inspection. Mulcahy's inspection reveals a scar from when his sister the sister bit his toe as a child. After Potter leaves with Houlihan to deliver supplies to a local village, Mrs. Potter calls, having had a premonition. Houlihan later returns with a sniper-wounded but conscious colonel. Potter watches with a mirror as Hawk and B.J. operate on his posterior. Not wanting his wife to know what happened, Potter takes a call from her in the OR via a long extension. Sgt. Callan makes a return visit to the OR and B.J. gets in a little revenge by saying things to make his patient nervous.

B.J. assists Hawk in giving Frank, who's been holding out, a forceful inspection. He turns out to have nail polish on from a session with Margaret. Walter signs his letter while a guinea pig named Dopey eats on his clipboard.



50th Anniversary Midnight Special

December 26, 1975
Hosted by Helen Reddy

"Jolene," Dolly Parton
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Of course, it's been half a century since I've seen it, but it was my strong impression that they were setting them up for engagement and marriage. And this business of him being away on business or whatever is very anticlimactic after the big setup.
They didn't do anything with Joe that made him stand out to me from other occasionally recurring romances.

You're going to Hell, Hippie. :rommie:
I didn't even know what psychedelia was at that age, but I lamely attempted to disguise that I was drawing the Batmobile by giving it a multicolor paint (crayon) scheme, which for some reason I associated with Jesus.

Indeed, there's very little you can point to in Christmas that is uniquely Christian. And there are actually some hardcore sects that eschew all that stuff for a very bare bones celebration-- and I use the word celebration in the very broad sense. :rommie:
It's the reason why it's such a schizo holiday--because it really is two different holidays mashed together.

No brag, just Jack:
TGOWS107b.jpg
(The Guns of Will Sonnett, "A Son for a Son," Oct. 20, 1967; also guesting Virginia Gregg, among others)
 
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Peggy Callahan (Jennifer Darling's second appearance in the role established last season)
She should have been on a lot more often.

recently retired OSI scientist Emil Losey, who'd been working on a hydrogen fusion generator, and has offered to return to work on a breakthrough if Steve escorts him in from Maryland
"As long as it doesn't interfere with my social security benefits."

When Losey asks to see credentials, he's forced into their car at gunpoint.
"Credentials? Credentials?! We don't need no stinking credentials!"

Steve races away with Losey, who deduces that Steve must be bionic.
He asked for credentials, he figured out Steve's bionics-- this is a smart guest star.

But Steve and Oscar realize at the same time that she may be the leak.
No, not Peggy! She seems so nice.

Not wanting to upset Peggy, Steve offers to check her apartment himself.
"I don't want to upset Peggy. I'll just break into her apartment and go through her personal stuff when she's not there."

but bites into one of Steve's legs as he looks around, which sends Pierre whimpering back to his bed.
Ouch.

Steve's sweeping the place with a bug detector when Peggy comes home and catches him hiding behind a curtain.
You'd think they'd arrange for the gate guard to give him a heads up or something.

An upset Peggy objects that she wouldn't divulge secrets even to her mother
I believe her.

Losey calls Steve about leaving the safehouse to put in an hour a day on a non-portable computer
Computers back then were like space telescopes are today. :rommie:

Agee and an Agent are waiting for Losey at the computer facility and abduct him.
No need for bodyguards just because there's already been one kidnapping attempt and there's a likely security breach in progress.

Steve finally realizes that Peggy herself may be bugged
Oh, she's bugged, all right! :rommie:

he and Oscar nonverbally cue her in and take her to Dempster's lab, which is transmission-proof
"Hey, I've got no bars."

Dempster inspects the pendant only to find no transmitter. They proceed to inspect other belongings, and when Peggy mentions Gene having done some dental work on her, Dempster's detector hits the jackpot in her mouth
That's actually a pretty good twist.

they drive around trying to find what restaurant with a bar Peggy's confronting Gene at.
I can't help imagining what a transmission from a tooth bug would really sound like. :rommie:

Gene apologetically explains in the back seat how the baddies financed his private practice.
Selfish, Gene.

Steve busts in through the roof
That's cool.

In a restaurant coda, Steve sets up a disenchanted Peggy, her bug now removed
They should have let her keep it. Then she'd technically be bionic and could be called in to eavedrop on the transmissions of enemy agents. Or just listen to the radio, like Gilligan.

reassuring her that he works for OSI security.
Personally, I don't find that very reassuring. :rommie:

he explains he's wearing because he was in a menstrual show.
I remember that. And Edith clarifies for the nurse in a stage whisper.

While the nurse is trying to get ahold of Dr. Shapiro, the Stivics arrive, late but with no immediate explanation about last episode's cliffhanger.
We learn of their escapades in the upcoming four-issue mini-series, The Stivics' Lost Adventure.

Archie's getup causes Gloria to break into uncontrollable hysterical laughter, which spreads to the others, including the nurse.
I don't remember that, but I can picture it. :rommie:

Mike and Gloria become tense after six hours of waiting in the labor room
She seriously needs a c-section.

Edith frets that she's not as worried as she should be.
Don't worry, Edith, it's 1975. Although she is post dates with a slowly progressing labor, so it might be nice if they offered her a c-section.

As Gloria begins pushing, Mike goes into panicky mode, and soon the doctor is informing the Stivics that they have a baby boy.
I remember that scene. And that's the real reason she wasn't offered a c-section. I think this was the first birth shown on a sitcom.

When Mike brings up having another, Gloria quickly develops a headache.
I remember that too. :rommie:

Barney Hefner arrives at the hospital still in full minstrel costume with a gift basket and news that Archie won't be kicked out of the lodge for ducking out on the show.
Whew!

Edith pushes Mike and Archie into a hug, which Archie goes along with.
Awww.

Radar settles into his bunk with a Coke and pretzels to write his letter
Not a great combo. Of course, pretzels are not my favorite snack to begin with.

Hawkeye (to Radar): Come along, Robin.
Now that would be Dynamic Duo casting so horrendous that it would be classic. :rommie:

Sergeant Callan (Redmond Gleeson), a patient of B.J.'s being loaded onto the evac bus, gives B.J. a story about a wife who needs an operation and sells him what turns out to be an innardless watch for $20. Hawkeye promptly informs B.J. that he's been had.
He's the Dark Knight Detective, all right.

Hawkeye looks forward to inspecting Major Houlihan
You'd think they'd have female personnel doing the female personnel inspections.

who's caught with Frank, natch--though she proves to have fungus.
I'm surprised they didn't say Frank had the same fungus-- the only two in camp.

Radar takes an interest in a food-hoarding Korean soldier's (Byron Chung) Russian rifle, and only realizes after the soldier runs that he's a North Korean
Definitely not the Dark Knight Detective.

a mishap with Major Burns thwarts Radar's attempt at pursuit.
Points for bravery, though.

Later Burns tackles South Korean General Park (Rollin Moriyama)--who's accompanied by Colonel Kim (John Fujioka)--mistaking him for the enemy.
Points to him, too, to be fair.

Mrs. Potter calls, having had a premonition. Houlihan later returns with a sniper-wounded but conscious colonel.
Interesting. I don't think they ever followed up on her super powers.

Hosted by Helen Reddy
They should have called it The Helen Reddy Show. :rommie:

"Jolene," Dolly Parton
An okay C&W song.

They didn't do anything with Joe that made him stand out to me from other occasionally recurring romances.
Well, in his initial appearance there seemed to be great emphasis on her really loving him and on him giving up his preferred lifestyle for her. I mean, she called Rhoda and everything. :rommie: Plus, there was the other stuff like him palling around with the guys. That was my impression, anyway.

I didn't even know what psychedelia was at that age, but I lamely attempted to disguise that I was drawing the Batmobile by giving it a multicolor paint (crayon) scheme, which for some reason I associated with Jesus.
Maybe you were thinking of Joseph. <-- See, I have some religious knowledge. :D

It's the reason why it's such a schizo holiday--because it really is two different holidays mashed together.
It's a big melting pot of stuff. :rommie:

No brag, just Jack:
View attachment 50867
(The Guns of Will Sonnett, "A Son for a Son," Oct. 20, 1967; also guesting Virginia Gregg, among others)
Herrrre's Jackie. :rommie:
 
50 Years Ago This Week


December 28
  • In the first confrontation between the naval forces of the UK and Iceland in the Third Cod War over fishing rights in the North Atlantic Ocean, the Icelandic Coast Guard vessel ICGV Týr rammed the Royal Navy frigate HMS Andromeda while Andromeda was escorting two British fishing trawlers in what Iceland claimed as its territorial waters. Other authors claim that Andromeda deliberately rammed the Týr.

December 29
  • Eleven travelers were killed and 74 others injured by a terrorist bomb placed in a luggage locker at New York's LaGuardia Airport. The time bomb had been placed inside the coin-operated locker inside the baggage claims section used by both TWA and Delta, and at 6:33 pm, the explosive, equivalent to 25 sticks of dynamite, detonated. Nobody claimed responsibility for the attack and the crime remains unsolved.

December 31
  • The U.S. Postal Service increased the price of a postage stamp by 30 percent, from 10 cents to 13 cents.

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:beer: The Classic/Retro Pop Culture Thread Salutes the Bicentennial :beer:

January 1
  • Venezuela took formal possession of its oil industry, nationalizing the operations of 30 foreign oil companies, including Exxon, Gulf and Mobil, as part of the state-owned oil company Petróleos de Venezuela, S.A. (PDVSA).
  • The #1-ranked team in college football, the undefeated (11-0-0) Ohio State Buckeyes, was upset by the #11 UCLA Bruins, 23 to 10, in the Rose Bowl in the afternoon. The loss, coming more than a week after #2-ranked Texas A&M had lost its two final games of the season, placed the #3-ranked Oklahoma Sooners in position to win the unofficial NCAA championship if they could beat the #5 Michigan Wolverines in the Orange Bowl that evening. The Sooners won, 14 to 6, and were voted #1 by both the AP writers' poll and the UPI coaches' poll the next day.
  • Shortly after the new year began, the Liberty Bell was moved to a new location after 223 years at Philadelphia's Independence Hall. The temporary relocation was made to a pavilion 100 yards from the Hall, deemed too small to handle tourists who would come for the U.S. bicentennial celebration.

January 2
  • The Overseas Citizens' Voting Rights Act was signed into law by U.S. President Gerald Ford after having been passed by Congress, primarily because of the lobbying of Andy Sundberg. Although the new law did not grant voting rights to citizens who were residents of U.S. territories (such as Puerto Rico), it did allow the citizens registered to vote in one of the 50 states of the United States to vote in federal elections while temporarily living overseas.

January 3
  • Gale-force winds of up to 105 miles per hour (169 km/h) swept across Western Europe, killing 55 people, including 26 in the UK, 12 in West Germany, and 17 in other nations).


Selections from Billboard's Hot 100 for the week:
1. "Saturday Night," Bay City Rollers
2. "I Write the Songs," Barry Manilow
3. "Theme from Mahogany (Do You Know Where You're Going To)," Diana Ross
4. "Love Rollercoaster," Ohio Players
5. "Let's Do It Again," The Staple Singers
6. "Convoy," C. W. McCall
7. "Fox on the Run," Sweet
8. "That's the Way (I Like It)," KC & The Sunshine Band
9. "I Love Music, Pt. 1," The O'Jays
10. "Fly, Robin, Fly," Silver Convention
11. "Love to Love You Baby," Donna Summer
12. "Times of Your Life," Paul Anka
13. "Walk Away from Love," David Ruffin
14. "Country Boy (You Got Your Feet in L.A.)," Glen Campbell
15. "Sing a Song," Earth, Wind & Fire
16. "You Sexy Thing," Hot Chocolate
17. "Rock and Roll All Nite," Kiss
18. "Fly Away," John Denver
19. "Sky High," Jigsaw
20. "Evil Woman," Electric Light Orchestra
21. "Nights on Broadway," Bee Gees
22. "Love Machine (Pt. 1)," The Miracles
23. "Over My Head," Fleetwood Mac
24. "For the Love of You (Part 1 & 2)," The Isley Brothers
25. "Love Hurts," Nazareth

27. "Wake Up Everybody, Pt. 1," Harold Melvin & The Blue Notes
28. "Breaking Up Is Hard to Do," Neil Sedaka
29. "Baby Face," The Wing and a Prayer Fife and Drum Corps
30. "Somewhere in the Night," Helen Reddy
31. "Part Time Love," Gladys Knight & The Pips
32. "Island Girl," Elton John

34. "50 Ways to Leave Your Lover," Paul Simon
35. "Hurricane, Pt. 1," Bob Dylan
36. "Let It Shine"/"He Ain't Heavy, He's My Brother," Olivia Newton-John

38. "Full of Fire," Al Green
39. "The Way I Want to Touch You," Captain & Tennille
40. "Squeeze Box," The Who

42. "Our Day Will Come," Frankie Valli

44. "Golden Years," David Bowie
45. "My Little Town," Simon & Garfunkel

50. "Slow Ride," Foghat

53. "Theme from S.W.A.T.," Rhythm Heritage
54. "The Last Game of the Season (A Blind Man in the Bleachers)," David Geddes
55. "Take It to the Limit," Eagles
56. "All by Myself," Eric Carmen
57. "Deep Purple," Donny & Marie Osmond

61. "Tracks of My Tears," Linda Ronstadt

63. "Fanny (Be Tender with My Love)," Bee Gees
64. "Feelings," Morris Albert

72. "Sweet Love," Commodores

74. "December, 1963 (Oh, What a Night)," The Four Seasons

77. "The White Knight," Cledus Maggard & The Citizen's Band

79. "Love Is the Drug," Roxy Music

81. "Bohemian Rhapsody," Queen
82. "Sweet Thing," Rufus feat. Chaka Khan

85. "Only Sixteen," Dr. Hook


95. "I Believe in Father Christmas," Greg Lake

97. "Who Loves You," The Four Seasons
98. "Dream Weaver," Gary Wright

Leaving the chart:
  • "Blue Eyes Crying in the Rain," Willie Nelson (18 weeks)
  • "Eighteen with a Bullet," Pete Wingfield (19 weeks)
  • "I Want'a Do Something Freaky to You," Leon Haywood (17 weeks)
  • "Low Rider," War (15 weeks)
  • "Secret Love," Freddy Fender (11 weeks)
  • "Venus and Mars/Rock Show," Wings (9 weeks)

New on the chart:

"Bohemian Rhapsody," Queen
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(#9 US; #1 UK; #163 on Rolling Stone's 500 Greatest Songs of All Time [2004])

"Only Sixteen," Dr. Hook
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(#6 US; #14 AC; #55 Country)

"Sweet Thing," Rufus feat. Chaka Khan
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(#5 US; #1 R&B)

"Dream Weaver," Gary Wright
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(#2 US; #14 AC)


And new on the boob tube:
  • Hawaii Five-O, "Legacy of Terror"
  • The Mary Tyler Moore Show, "Not With My Wife, I Don't"
  • The Bob Newhart Show, "No Sale"



Timeline entries are quoted from the Wiki page for the month, with editing as needed.



She should have been on a lot more often.
She can only endanger OSI security so many times.

"Credentials? Credentials?! We don't need no stinking credentials!"
More or less.

He asked for credentials, he figured out Steve's bionics-- this is a smart guest star.
He can afford to be smart, he's got Oscar to be stupid for him.

"I don't want to upset Peggy. I'll just break into her apartment and go through her personal stuff when she's not there."
I hit the same logic snag.

Steve apologized.

You'd think they'd arrange for the gate guard to give him a heads up or something.
She seemed to return home all too soon for no specified reason. Steve should have had a half-day to kill.

Computers back then were like space telescopes are today. :rommie:
It's a sign of the times that they even established that he was using a portable computer; which was said to be less reliable.

No need for bodyguards just because there's already been one kidnapping attempt and there's a likely security breach in progress.
He had a two-man escort. Agee's Agent was in a sniper position, prepared to shoot Losey if they didn't cooperate.

That's actually a pretty good twist.
They totally faked out the audience there.

I can't help imagining what a transmission from a tooth bug would really sound like. :rommie:
Now that you mention it. Her own talking must sound like the Voice of God.

Selfish, Gene.
But think of the children!

Personally, I don't find that very reassuring. :rommie:
What I was thinking, natch.

We learn of their escapades in the upcoming four-issue mini-series, The Stivics' Lost Adventure.
Archie made an offhand reference in the waiting room to Gloria having been stuck in a phone booth, indicating that they were filled in between scenes.

Don't worry, Edith, it's 1975. Although she is post dates with a slowly progressing labor, so it might be nice if they offered her a c-section.
TGOWS101.jpg

I remember that scene. And that's the real reason she wasn't offered a c-section. I think this was the first birth shown on a sitcom.
That's interesting if true. It did catch my attention that they inserted a couple of shots of an actual newborn in there.

AITF13.jpg

Not a great combo. Of course, pretzels are not my favorite snack to begin with.
I disagree on that one.

You'd think they'd have female personnel doing the female personnel inspections.
Apparently they have be doctors, and they don't have any female ones at the 4077th.

Definitely not the Dark Knight Detective.
And a soft touch for false messiahs, we'll soon learn.

Points to him, too, to be fair.
He only gets to act brave when he's being a complete idiot who's absolutely in the wrong.

An okay C&W song.
It made the RS list.

Well, in his initial appearance there seemed to be great emphasis on her really loving him and on him giving up his preferred lifestyle for her. I mean, she called Rhoda and everything. :rommie: Plus, there was the other stuff like him palling around with the guys. That was my impression, anyway.
Another thing I've been catching in recent days is early episodes of Here Come the Brides. In the second episode, they made a big deal of introducing a doctor character who was brought to Seattle at the demand of the titular half of the population, to provide proper care for their eventual pregnancies--the catch being that the only doctor who could be rounded up was...a woman!!! Which, in a twist, even the women had issues with. I'd just seen a Christmas episode from several episodes later that was aired out of order for the holiday, which dealt with a new birth in the settlement, and had no recollection of the doctor being present. Looking it up, it turns out that this was the doctor's only appearance in the entire series...after they devoted an entire early episode to establishing her character.

Maybe you were thinking of Joseph. <-- See, I have some religious knowledge. :D
I wouldn't have known about that, either. I think it may have been a vague Jesus/hippie association. Jesus freaks were a thing at the time, and hippies tended to look like him.

Herrrre's Jackie. :rommie:
He had a very blink-and-miss-it role, too.
 
Last edited:
In the first confrontation between the naval forces of the UK and Iceland in the Third Cod War
Now that's just embarrassing. :rommie:

Eleven travelers were killed and 74 others injured by a terrorist bomb placed in a luggage locker at New York's LaGuardia Airport. The time bomb had been placed inside the coin-operated locker inside the baggage claims section used by both TWA and Delta, and at 6:33 pm, the explosive, equivalent to 25 sticks of dynamite, detonated. Nobody claimed responsibility for the attack and the crime remains unsolved.
That's bizarre. Maybe it was planted by a lone wolf who was killed in the blast because it went off prematurely.

The U.S. Postal Service increased the price of a postage stamp by 30 percent, from 10 cents to 13 cents.
I remember that. I recall wondering if anybody objected because of the bad luck angle.

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I definitely watched this live.

:beer: The Classic/Retro Pop Culture Thread Salutes the Bicentennial :beer:
Happy Bicentennial. I loved being around for the Bicentennial. That's when I decided I wanted to live at least long enough to see the Tricentennial-- which seems even more likely now than it did then.

Shortly after the new year began, the Liberty Bell was moved to a new location after 223 years at Philadelphia's Independence Hall. The temporary relocation was made to a pavilion 100 yards from the Hall, deemed too small to handle tourists who would come for the U.S. bicentennial celebration.
I hope they were careful with it. The thing is already cracked.

The Overseas Citizens' Voting Rights Act was signed into law by U.S. President Gerald Ford after having been passed by Congress, primarily because of the lobbying of Andy Sundberg. Although the new law did not grant voting rights to citizens who were residents of U.S. territories (such as Puerto Rico), it did allow the citizens registered to vote in one of the 50 states of the United States to vote in federal elections while temporarily living overseas.
It's kind of amazing that this happened so recently.

"Bohemian Rhapsody," Queen
I think I heard this on Lost 45s once. Just kidding. Uber Classic. Strong nostalgic value.

"Only Sixteen," Dr. Hook
Kinda sweet. Strong nostalgic value.

"Sweet Thing," Rufus feat. Chaka Khan
Good one. Strong nostalgic value.

"Dream Weaver," Gary Wright
Very good one. Strong nostalgic value.

She can only endanger OSI security so many times.
Never underestimate Peggy Callahan!

He can afford to be smart, he's got Oscar to be stupid for him.
Wow. :rommie:

Steve apologized.
I can see that. That's the kind of guy he is.

She seemed to return home all too soon for no specified reason. Steve should have had a half-day to kill.
Maybe she's psychic, like Mrs Potter.

It's a sign of the times that they even established that he was using a portable computer; which was said to be less reliable.
"There's not enough RAM in this stupid thing! I need to do math!"

He had a two-man escort. Agee's Agent was in a sniper position, prepared to shoot Losey if they didn't cooperate.
Ah, okay, that's good.

They totally faked out the audience there.
The pendant red herring was heavy handed and totally effective. :rommie:

Now that you mention it. Her own talking must sound like the Voice of God.
The Voice of God eating a Sandwich. :rommie:

But think of the children!
True. We must encourage them to brush after every meal. Come to think of it, that would be a good theme for SHAZAM or Isis.

What I was thinking, natch.
:rommie:

Archie made an offhand reference in the waiting room to Gloria having been stuck in a phone booth, indicating that they were filled in between scenes.
I was thinking they were briefly kidnapped by aliens or something. What I was actually thinking of was a little bit in an old X-Men comic-- this is a very vague memory so I can't tell you much, but I think it was shortly after John Romita Jr took over the art. Cyclops and a couple of other X-Men suddenly appeared in the middle of a battle, wearing unfamiliar clothing, for no apparent reason. Somebody says, "What happened to you guys?" and Cyclops replies, "No time! I'll tell you later!" And then there was a footnote to watch for an upcoming mini series that never happened. You might actually remember this better than I do.

:D

That's interesting if true. It did catch my attention that they inserted a couple of shots of an actual newborn in there.
Interesting. I don't remember that part, but I do remember some intense close ups of Gloria pushing-- and this was only about twenty years after Lucy couldn't even say the word "pregnant." :rommie:

Awww. :adore:

I disagree on that one.
Everybody is entitled to their own snacking beliefs. :rommie:

Apparently they have be doctors, and they don't have any female ones at the 4077th.
I could see maybe if it was a full-scale physical, but a nurse is qualified to do a foot exam. These days, nurses can be PCPs, but it's a different world now.

And a soft touch for false messiahs, we'll soon learn.
I am intrigued.

He only gets to act brave when he's being a complete idiot who's absolutely in the wrong.
True, but in his mind he was subduing a North Korean soldier, so it counts as brave.

It made the RS list.
Oh, I'm sure it's good, just not really my thing.

In the second episode, they made a big deal of introducing a doctor character who was brought to Seattle at the demand of the titular half of the population, to provide proper care for their eventual pregnancies--the catch being that the only doctor who could be rounded up was...a woman!!! Which, in a twist, even the women had issues with.
Actually, that's quite accurate if it's a period piece. One reason that no Feminist movement got any real traction until the 1920s was that most women weren't into it. Most everybody was pretty happy with the roles that their religion and society had assigned to them.

I'd just seen a Christmas episode from several episodes later that was aired out of order for the holiday, which dealt with a new birth in the settlement, and had no recollection of the doctor being present. Looking it up, it turns out that this was the doctor's only appearance in the entire series...after they devoted an entire early episode to establishing her character.
Weird, especially if pregnancy and birth were to be frequent themes in the show. Makes you wonder if it was bad planning, deadlines, or something else going on behind the scenes. That's one thing I have to say seems to be done better with contemporary shows.

I wouldn't have known about that, either. I think it may have been a vague Jesus/hippie association. Jesus freaks were a thing at the time, and hippies tended to look like him.
Actually, the main reason I know about Joseph is because of Joseph and the Amazing Technicolor Dreamcoat. :rommie:
 


50th Anniversary Catch-Up Viewing



Happy Days
"Fearless Fonzarelli: Part II"
Originally aired September 30, 1975
Edited MeTV said:
Part I: Trying to revive his slumping "cool," Fonzie plans a televised motorcycle jump over a record 14 garbage cans in the parking lot of Arnold's Drive-In.

Part II: Surgery fixes the Fonz's injured knee, but the Cunninghams' coddling and his fear that pain will make him appear "uncool" keep him lying on the couch, until Richie resorts to extreme measures to get Fearless Fonzarelli walking again.

I've picked up a handful of recordings from the Season 3 episodes that get shown in the streaming lineups...starting with this second-parter, which is the fourth episode of the season. Erin Moran is now hula-hooping in the opening credits; Fonzie has moved into the apartment over the Cunninghams' garage (though we don't see it in this episode); and Pat Morita has joined the cast in the recurring role of Arnold.

The episode commences with Jack Smith (himself), host of You Wanted to See It (IRL, You Asked for It, which was still running in the '70s), announcing as the titular daredevil prepares to jump over a line of fourteen garbage cans in Arnold's parking lot. Fonzie makes the jump, but skids out into an outdoor chicken stand. Fonzie is carried in by the guys and held up by a couple of chicks as Smith interviews him about the record-breaking jump--Fonzie admitting on camera that he was a jerk and a nerd to make the jump because he felt that he had something to prove. When it becomes obvious that Fonzie has a serious leg injury, he opts for taking an ambulance to the hospital rather than be seen in Howard's DeSoto.

After examination, a tense Fonzie breaks it to the guys, who are visiting to try to cheer him up, that he has a torn cartilage and needs an operation. With wishy-washy encouragement from Richie, Fonzie decides to go through with it despite his trepidations. Howard and Richie visit Fonzie the next day just before the operation, when he's zonked on sodium pentothal, which makes him a bit truthful--Yes, he is cool. He asks Sister Catherine (Peggy Doyle) about Heaven, as he doesn't want to get stuck on a cloud with nerds. As he's being wheeled out, Fonzie grabs his hanging leather jacket.

A week after the operation, Fonzie's staying on the Cunninghams' couch (at Marion's insistence), and house-call-making Dr. Bliss (Peter Hobbs) is concerned when Fonzie insists that he can't move his knee. The doctor advises the Cunninghams that they have to motivate him, as they've been waiting on him hand and foot. He sees through their first attempt, and admits that he won't get up because he doesn't want people to see him dealing with the pain, which would be uncool. Richie invites a group of girls over out of Fonzie's little black book (including Susan Lawrence and Kristine Greco) to motivate him to want to get back on his feet. After they leave disappointed, Fonzie agrees to try to walk in front of Richie only, lurching stiffly around the living and dining rooms while working on looking cool doing it. His effort falls comically short, but with Richie's encouragement, he lurches outside in his leather jacket and pajama bottoms to see the girls.

In the coda, Fonzie and the Cunninghams watch as the jump is rebroadcast on Smith's show, the shot not including the skid-out.



Delayed from 50th Anniversaryland, It's Saturday Night!



NBC's Saturday Night
Season 1, episode 1
Originally aired October 11, 1975
Host: George Carlin
Guests: Janis Ian; Billy Preston; Valri Bromfield

I'd previously posted clips of the opening skit and monologue. Note that at this point, the Not Ready for Prime Time Players (misannounced as the Not-For-Ready Primetime Players) are being presented in a list in the opening credits, rather than getting individual billing. The exact list varies by episode, and sometimes includes one or two less familiar names. This episode's list:

Jane Curtain
Garrett Morris
Laraine Newman
Gilda Radner
Dan Aykroyd
John Belushi
Chevy Chase
George Coe
Michael O'Donoghue

There's only one short commercial spoof skit (for the New Dad insurance policy) between the monologue and the first musical performance--Billy Preston doing "Nothing from Nothing".

Following another short sketch, we get Andy Kaufman famously miming part of the Mighty Mouse theme (alas, not available); then more standup from George:
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Janis Ian then performs "At Seventeen".

The skits are generally very short at this point, and seem like they're there to support the monologues and musical performances. After a couple more brief skits, there's an announcement from Paul Simon about next week's show; followed by our first Weekend Update with Chevy Chase, who begins mocking Ford from the news desk.

After that we get a longer-running Muppets sketch featuring Ploobis and his subjects in the primeval land of Gorch. This is the first of a series of sketches in that setting, which is sometimes titled "Dregs and Vestiges". Every sketch includes Ploobis consulting the Mighty Favog, a god idol who seems to be a Godfather spoof.

A third standup segment with George:
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Films by Albert Brooks are also a recurring feature. The first one explores The Impossible Truth about subjects such as a blind cabbie and Israel switching places with the state of Georgia.

Then there's the first Bees skit, about a Bee Hospital with expectant fathers waiting for their drones. I never got the early use of the bees; I guess somebody thought they were funny.

Valri Bromfield does a standup segment in character as a gym teacher and one of her students. Another filmed segment features citizens being invited to show their guns.

A fourth standup segment from Carlin isn't available. It covers various religious subject, including God being depicted in our image, dashboard Jesuses, whether God is subject to physical laws, questioning the Almighty's perfection, and likening religion to putting lifts in your shoes.

Billy Preston and Janis Ian return to perform songs called "Fancy Lady" and "In the Winter," respectively. In-between, a mock commercial features Dan Aykroyd and Garret Morris selling Trojan Horse Home Security to a captive couple played by John Belushi and Gilda Radner.

The early final bow segments tend to feature just the host on stage. George briefly plugs his new album.



NBC's Saturday Night
Season 1, episode 2
Originally aired October 18, 1975
Host: Paul Simon
Guests: Randy Newman; Phoebe Snow; Art Garfunkel

The second episode opens with Paul singing "Still Crazy After All These Years" (the title track of his new album, but not yet a single); which is punctuated by Chevy doing a pratfall onstage to get in his "live from New York" intro.

EIW in the format is really prominent in this one, which plays like a Paul Simon & Friends music special with occasional skits thrown in. Following the opening credits, it's on to Paul introducing the Jessy Dixon singers, who accompany him in "Loves Me Like a Rock".

After a commercial segment of somebody playing Jerry Rubin selling "Up Against the Wallpaper," it's back to Paul, who performs a song called "Marie" on guitar as an introduction to Randy Newman, who performs "Sail Away" on piano. Then the cast comes out in their bee suits only for Paul to inform them that the skit has been cut. Other than Chevy, this is literally the only time that the NRFPT Players even appear in the episode!

The top story in Weekend Update is Ford's latest accident. Chevy's getting mileage out of the recent assassination attempts, commonly reporting how, when Ford has mishaps, Secret Service agents seize various people and things and wrestle them to the ground. The news segment segues into a long and dry filmed skit about Paul having a one-on-one basketball game with Harlem Globetrotter Connie Hawkins, the game accompanied by "Me and Julio Down by the Schoolyard". Comically, Paul wins.

Pics of Paul & Art that appear to go back to their earliest years together are shown against "Mrs. Robinson" as a lead-in to Paul bringing his old partner onstage.

Paul: So, Artie, you've come crawling back.​

They perform "The Boxer" and "Scarborough Fair" sitting on stools; and after a cut, come back on their feet for "My Little Town". Cut again to Paul introducing Art soloing "I Only Have Eyes for You".

"Dregs and Vestiges" gets its title in this one. The Albert Brooks film features Al screening invasive home movies shot by his father, followed by him showing examples of the types of films he doesn't intend to use on the show.

Paul introduces Phoebe Snow, who's said to be seven months pregnant. She performs an old tune formerly recorded by Billie Holiday, "No Regrets"; then they duet on "Gone at Last," backed by the Jessy Dixon Singers.

After a brief filmed commercial segment demonstrating the Try-Hard Battery being used to keep a single senior citizen's heart running, we return to Paul performing "American Tune" from There Goes Rhymin' Simon.

In the final bow segment, Paul thanks his guests and is presented with a trophy from Bill Bradley of the New York Knicks.



NBC's Saturday Night
Season 1, episode 3
Originally aired October 25, 1975
Host: Rob Reiner
Guests: Penny Marshall; The Lockers; Mark Hampton and Denny Dillon

The growing pains continue, as in stark contrast to the previous installment, this one features no major musical guests, though there are musical segments. The opening has Chevy as a wheelchair-bound man who's able to get up and walk without thinking about it, but falls on his face when he tries it again.

A wig-wearing Rob comes out in character as a Wayne Newton-style lounge performer, engaging in a cheesily arranged cover of "Blowin' in the Wind" with a long intro and interruption. He then takes off his wig to address the audience out of character. This is followed by a brief commercial with John Belushi as a man dealing with a pancreatic condition.

Rob's then-wife Penny Marshall appears onstage to co-host a mock fashion show with him, the Players serving as the models. Another mock commercial sells acupuncture as an alternative to various surgeries.

Andy Kaufman mimes a record of "Pop Goes the Weasel," including a spoken-word segment.

Hosting a talk show called Dangerous but Inept, Jane Curtin interviews Laraine Newman as Squeaky Fromme, who brandishes a pistol that she can't get to fire.

A filmed segment features a taste test of tuna casserole made out of cat food.

An acrobatic street-dancing group called the Lockers--which includes Toni Basil--performs to the B.T. Express instrumental "Express".

The Weekend Update:
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This continues into a filmed commercial for a moving company that picks up the house's occupants and loads them on the van; followed by the resumption of Weekend Update, with the first instance of Garrett Morris yelling the top story for the hard of hearing.

Rob introduces an unnamed rock star who turns out to be Belushi doing his famous Joe Cocker impression--sadly not available from the SNL site.

"Dregs and Vestiges" has Ploobis dealing with a son who's getting high smoking craters. When he goes to the Mighty Favog, the idol appears to be under the influence himself, quoting "Blowin' in the Wind".

Chevy makes a public service announcement as a Drooler. Another sketch has Dan Aykroyd as a square dance caller.

The comedy team of Mark Hampton and Denny Dillon perform as nuns hosting a convent talent show.

Rob introduces avnew feature, "What Gilda Ate"; followed by a film by Albert Brooks, whom Rob describes as his best friend (which appears to be true--their friendship went back to high school). The film shows Al realizing his dream of performing a heart bypass on an elderly patient; which is held up by a late anesthesiologist and complicated by an argument with an assisting surgeon who knows what he's doing. Al brings in the patient's wife to watch for a bit; the anesthesiologist dies of a heart attack during the surgery; and Mr. Porter, starting to come out of the anesthesia, sings deliriously while the operation is still in progress.

The final skit features Rob, Penny, and the Bees:
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This goes straight into closing credits without a final bow segment.



Now that's just embarrassing. :rommie:
We'll see the Cod Wars saga through to its ignominious end.

I definitely watched this live.
I probably did, at least in part.

Happy Bicentennial. I loved being around for the Bicentennial. That's when I decided I wanted to live at least long enough to see the Tricentennial-- which seems even more likely now than it did then.
Alas, the Semiquincentennial is certain to be a complete shitshow under our current Asshole-in-Chief.

I hope they were careful with it. The thing is already cracked.
Relax, they had OSI handling it.

I think I heard this on Lost 45s once. Just kidding. Uber Classic. Strong nostalgic value.
I don't recall having any in-the-day exposure to this. I think it first really came to my attention in the Wayne's World film.

Kinda sweet. Strong nostalgic value.
The main thing this has going for it is that it's a cover of Sam Cooke.

Good one. Strong nostalgic value.
This one isn't particularly memorable to me.

Very good one. Strong nostalgic value.
An ethereal soft rock classic.

Maybe she's psychic, like Mrs Potter.
"Ms. Callahan, it's vital to national security that you put in at least four hours before going on lunch."

I was thinking they were briefly kidnapped by aliens or something. What I was actually thinking of was a little bit in an old X-Men comic-- this is a very vague memory so I can't tell you much, but I think it was shortly after John Romita Jr took over the art. Cyclops and a couple of other X-Men suddenly appeared in the middle of a battle, wearing unfamiliar clothing, for no apparent reason. Somebody says, "What happened to you guys?" and Cyclops replies, "No time! I'll tell you later!" And then there was a footnote to watch for an upcoming mini series that never happened. You might actually remember this better than I do.
I don't recall the exact details, but especially given the timing, that sound like the tease for Secret Wars, which occurred in various Marvel books the same month. The teases featured the books' characters disappearing and coming back changed in various ways (Spidey's black costume; the Hulk's broken leg), leaving the reader to check out SW to see the stories behind these changes.

Everybody is entitled to their own snacking beliefs. :rommie:
To clarify, pretzels aren't my favorite snack, but they do go good with Coke.

I am intrigued.
It'll be a previously skipped episode covered in my next catch-up post.

Actually, that's quite accurate if it's a period piece.
It is--a Western set in the settlement of Seattle, population 257, I think it is; and that's after they bring in the hundred prospective brides. It's notable in these parts because its main cast included no less than three TOS guests--Robert Brown, David Soul, and Mark Lenard. All that and Bobby Sherman, too!
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One reason that no Feminist movement got any real traction until the 1920s was that most women weren't into it. Most everybody was pretty happy with the roles that their religion and society had assigned to them.
It was a good comic twist, after Brown's lead character went through some trouble to persuade the men to act grudgingly welcoming.

Weird, especially if pregnancy and birth were to be frequent themes in the show. Makes you wonder if it was bad planning, deadlines, or something else going on behind the scenes.
I don't know how many marriages or pregnancies will actually be featured on the show, though that's supposed to be where it's all going. From what I've seen, the series seems to stay stuck in the courting phase. The couple having a baby so early on were already residents before the brides were brought in.
 
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host of You Wanted to See It (IRL, You Asked for It, which was still running in the '70s)
I wonder why they didn't plug the actual show.

announcing as the titular daredevil prepares to jump over a line of fourteen garbage cans in Arnold's parking lot
For a second I thought it was going to be the shark. :rommie:

Fonzie admitting on camera that he was a jerk and a nerd to make the jump because he felt that he had something to prove.
He must have landed on his head.

When it becomes obvious that Fonzie has a serious leg injury, he opts for taking an ambulance to the hospital rather than be seen in Howard's DeSoto.
:rommie:

house-call-making Dr. Bliss
Good name for the man with the sodium pentathol. :mallory:

concerned when Fonzie insists that he can't move his knee.
These days a few weeks of physical therapy would automatically be scheduled, but this is probably an accurate portrayal of how it was in the 50s. "Git on yer feet!" :rommie:

Fonzie agrees to try to walk in front of Richie only
That's kind of touching. Of course, he could have tried it at any point when he was alone too.

His effort falls comically short, but with Richie's encouragement, he lurches outside in his leather jacket and pajama bottoms to see the girls.
We're darn close to shark territory here. :rommie:

at this point, the Not Ready for Prime Time Players (misannounced as the Not-For-Ready Primetime Players)
I guess they also used a not-ready-for-prime-time announcer. :rommie:

Billy Preston doing "Nothing from Nothing".
That's a good one.

Janis Ian then performs "At Seventeen".
Very good one, but it seems odd for it to be on SNL.

After that we get a longer-running Muppets sketch featuring Ploobis and his subjects in the primeval land of Gorch. This is the first of a series of sketches in that setting, which is sometimes titled "Dregs and Vestiges".
Whoa, did I know the Muppets were on SNL? I don't think I did.

I guess somebody thought they were funny.
I think that about so many things. :rommie:

A fourth standup segment from Carlin isn't available. It covers various religious subject, including God being depicted in our image, dashboard Jesuses, whether God is subject to physical laws, questioning the Almighty's perfection, and likening religion to putting lifts in your shoes.
That sort of thing is when he's at his best. Unlike the moments like when he thinks he discovered oxymorons. :rommie:

Host: Paul Simon
Guests: Randy Newman; Phoebe Snow; Art Garfunkel
Poor Art Garfunkel. First the name, now this.

EIW in the format is really prominent in this one, which plays like a Paul Simon & Friends music special with occasional skits thrown in.
Maybe Simon had a lot of demands. :rommie:

Other than Chevy, this is literally the only time that the NRFPT Players even appear in the episode!
I guess they weren't ready. :rommie:

Chevy's getting mileage out of the recent assassination attempts, commonly reporting how, when Ford has mishaps, Secret Service agents seize various people and things and wrestle them to the ground.
:rommie:

Comically, Paul wins.
That would be pretty comical, yes. In real life, Paul would be the basketball. :rommie:

Paul: So, Artie, you've come crawling back.
Ouch, man. I wouldn't blame Artie for giving him a Will Smith. :rommie:

"Dregs and Vestiges" gets its title in this one.
"Ohhh, oh, bitter dregs...."

In the final bow segment, Paul thanks his guests and is presented with a trophy from Bill Bradley of the New York Knicks.
That's pretty funny. :rommie:

The growing pains continue
I was just thinking how amazing it is that the show lasted fifty years. :rommie:

in stark contrast to the previous installment, this one features no major musical guests
No NRFPT Players in the last one, no musical guest in this one. They need to put all the episodes in a bottle and shake well. :rommie:

Andy Kaufman mimes a record of "Pop Goes the Weasel," including a spoken-word segment.
Wow, he was on there pretty early.

Hosting a talk show called Dangerous but Inept, Jane Curtin interviews Laraine Newman as Squeaky Fromme, who brandishes a pistol that she can't get to fire.
That's a good one. :rommie:

An acrobatic street-dancing group called the Lockers--which includes Toni Basil
That's interesting.

a film by Albert Brooks, whom Rob describes as his best friend (which appears to be true--their friendship went back to high school)
I actually did know that from somewhere.

The film shows Al realizing his dream of performing a heart bypass on an elderly patient; which is held up by a late anesthesiologist and complicated by an argument with an assisting surgeon who knows what he's doing. Al brings in the patient's wife to watch for a bit; the anesthesiologist dies of a heart attack during the surgery; and Mr. Porter, starting to come out of the anesthesia, sings deliriously while the operation is still in progress.
All is chaos.

The final skit features Rob, Penny, and the Bees:
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I can't help but think that everyone showed up about a half hour before curtain call and started writing. :rommie:

We'll see the Cod Wars saga through to its ignominious end.
Holy Ma-- oops, I almost did it again.

Alas, the Semiquincentennial is certain to be a complete shitshow under our current Asshole-in-Chief.
I'll try to ignore the media and have my own. More incentive to live to be 115.

Relax, they had OSI handling it.
Excellent. They can rebuild it, make it gongier than before.

I don't recall having any in-the-day exposure to this. I think it first really came to my attention in the Wayne's World film.
Ah, yes, that brought Tia Carrere to my attention. :rommie:

I don't recall the exact details, but especially given the timing, that sound like the tease for Secret Wars, which occurred in various Marvel books the same month. The teases featured the books' characters disappearing and coming back changed in various ways (Spidey's black costume; the Hulk's broken leg), leaving the reader to check out SW to see the stories behind these changes.
It wasn't Secret Wars-- those all happened between issues, with the characters disappearing into the circle thing at the end of one issue and reappearing at the start of the next. This happened randomly in the middle of an issue and I'm pretty positive it was a few years after Secret Wars. Now it's gonna drive me crazy. I'll see if I can find it.

To clarify, pretzels aren't my favorite snack, but they do go good with Coke.
Something about pretzels and carbonation doesn't work for me. I'd rather have them with iced tea or something.

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I didn't think I knew it, but that definitely looks familiar.

It was a good comic twist, after Brown's lead character went through some trouble to persuade the men to act grudgingly welcoming.
It seems like these guys did better research than the Grizzly Adams people. :rommie:

I don't know how many marriages or pregnancies will actually be featured on the show, though that's supposed to be where it's all going. From what I've seen, the series seems to stay stuck in the courting phase. The couple having a baby so early on were already residents before the brides were brought in.
Probably if it had lasted longer....
 


50th Anniversary Catch-Up Viewing

Now we circle back to the week that I skipped a couple of our regular shows in favor of the Amazing Amazon.



M*A*S*H
"Quo Vadis, Captain Chandler?"
Originally aired November 7, 1975
MeTV said:
Intelligence officer Colonel Flagg and psychiatrist Sidney Freedman grapple over the fate of a wounded officer who claims to be Jesus Christ.

A wounded captain is brought in on the bus and identifies himself to Radar as Jesus Christ.

Hawkeye (to Mulcahy): Better look sharp, Father, we've got a friend of yours in surgery.​

After an argument with Frank during surgery...

Hawkeye: Oh, Lord... [to patient] Sorry, I wasn't talking to you.​

After surgery, the conscious captain (Alan Fudge) maintains that he's Jesus, talking in an appropriate manner. The outraged Straw Couple go to Potter, accusing the captain of cowardice and blasphemy, and Hawkeye and B.J. of aiding and abetting him. Potter, who's perhaps a little too open-minded about the captain thinking he's Christ, declares their accusations to be horse hockey (the first time I've caught him using that phrase) and says that he'll act on evidence, not innuendo. Thus Burns and Houlihan summon Colonel Flagg to investigate the matter.

Flagg goes to Potter with the captain's dossier, identifying him as bombardier Arnold T. Chandler, who was shot down after 57 missions. Potter assumes combat fatigue, but Flagg doesn't think that's an acceptable excuse, arguing that if they let Chandler off the hook, it'll open the door for more like him. Wanting Chandler to get a fair assessment, Hawkeye has Sidney Freedman brought in. Flagg confronts Freedman in private to attempt to dissuade him from helping Chandler, having dug up Freedman's association with a number of allegedly subversive organizations, as well as that he never signed a loyalty oath. Freedman is dismissive of the colonel's attempt to paint him as a communist.

Freedman: Now if you'll excuse me, I've already kept Jesus waiting five minutes.​

Freedman goes to the ward to talk to Chandler, who's been discussing Judas's motivations with Father Mulcahy. Freedman confronts Chandler with his former identity and how he used to drop bombs on people. Chandler maintains that he's not Chandler and sheds tears at the thought of harming any of his children. Freedman reports that the patient isn't Chandler anymore, but could be brought back to being Chandler in time, but never back to active duty. Flagg then plays the loyalty oath card, threatening to have Freedman drummed out of the service. When the guys congratulate Sidney for getting out, Flagg too easily switches gears to letting Chandler off the hook and focusing on not letting Freedman off the hook.

As Chandler's boarding a departing bus, Radar asks him if he's who he says he is and then sincerely requests that the captain bless his Teddy bear...divulging that his first name is Walter for what IMDb says is the first time. In the coda, Klinger hops on the bandwagon too late to catch Dr. Freedman, having traded his usual drag for a Moses costume complete with a tablet.



Hawaii Five-O
"Retire in Sunny Hawaii...Forever"
Originally aired November 7, 1975
Wiki said:
The murder of the airplane seatmate of Danny's aunt is linked to abandoned bank accounts.

Danno's waiting with a lei as a United flight arrives. Aunt Clara (Helen Hayes, James MacArthur's real-life adoptive mother, who received the show's final Emmy nomination for this episode) introduces him to Mr. Miller (Ian Wolfe), a gentleman she met on the plane. Two shady types (one played by Charles Durning) follow Miller, wary of making their move while he's got company. Danno gives him a lift to the Makai Lagoon Hotel. Right after he takes some medication, the baddies come to his door under false pretenses and question him for identification before pulling a gun. He slips into another room and locks the door to give Clara a quick call before they bust in and nab him. Clara calls her nephew, natch. Tied up in a meeting about existing business, Danno sends Duke to investigate. Visiting Miller's room, Duke finds a man posing as him (Charles Peck), with a story to handwave away the phone call as a misunderstanding. When Danno calls Clara to reassure her that Miller is fine, she tries unsuccessfully to convince him otherwise, then goes to the room herself, finding herself face-to-face with the imposter; upon which the former stage actress promptly improvises a cover for the visit, posing as a representative of a senior organization selling a magazine. Haven (Durning), who's in the suite, proceeds to arrange for Fake Miller to return to the mainland.

Clara again interrupts Five-O's war council about moving in on a crime figure, this time in person, trying to convince them that the man at the hotel wasn't Miller, only to be gently escorted out by her nephew. But her story is soon verified when Miller's body washes up on a beach and Danno recognizes him via photo. After personally apologizing, Steve gently questions Clara about Miller. Five-O investigates Miller's suite, finding his medication and that Fake Miller made a call to a retirement home, run by Haven, where he shows them around and some of the residents casually pick Steve's brain about a murder case recently in the papers. Haven himself is obviously less candid when asked about the Miller call. As soon as Five-O leaves, Haven makes a coded call to a woman in an office (Lynne Ellen Hollinger), who immediately stamps some updates on Miller's file. A background check turns up that Miller was returning to Hawaii after 15 years on the mainland, where he spent a good deal of time hospitalized for Parkinson's, which ties in with the medication.

While Aunt Clara exhibits a keen eye for facial details in working up a composite sketch for Fake Miller using the transparencies, Danno and Chin investigate a $100,000 bank account in Miller's name, which was turned over to the state as unclaimed property. This takes them to the office of the state's property manager, Ellen Sutherland (Hollinger), who explains how they handle property for the legally dead and such, which is sometimes claimed by its rightful owner. It catches Five-O's interest that she indicates Miller's claim for his account was terminated the day before because of his death, which was just reported in the current day's papers (dated September 27). Thus they tail Sutherland to a covert meeting with Haven. Five-O theorizes how Haven and Miller could be partners in a scam involving having imposters from the home turn up at Sutherland's office to make claims; and find that $1.7 million in such claims have been made via her office in the recent past.

Thus Steve calls on a bank executive friend (Frank Cooper) to create a phony account in the name of Esther Bracken to be turned over to the state; and sends an operative who's a good match for Bracken to Haven's home--Aunt Clara, of course, pretending to be wheelchair-bound and to be experiencing financial uncertainty. Danno listens via as Haven approaches the wired Clara and recruits her to help him in a fundraising activity for the home. She subsequently turns up at Sutherland's office posing as Mrs. Bracken and takes a check for Bracken's unclaimed account back to Haven; following which McGarrett has Sutherland picked up. Clara stalls as she's supposed to be forging a signature on the check in Haven's office, which clearly isn't part of the plan given Danno's reactions in the surveillance van. As she's being wheeled back to her cottage, Fake Miller--who's since been identified as Harley Welbourne by an airline ticket clerk (Luella Costello)--is returning to the home, spots her, and runs to Haven to sound the alarm. Haven sends security guards to Clara's cottage just as Five-O swoops in and nabs him and Welbourne. They rush to Clara's cottage, where it turns out that her nurse (Varoa Tiki) is an undercover officer who has the guards at gunpoint. The sting operation successfully wrapped up, Aunt Clara sits down to a stiff drink.

Clara: Mr. McGarrett?​
Steve: Yes?​
Clara: What's our next case?​
[Pause.]​
Steve (smiling politely): Good day, Mrs. Williams.​



Delayed from 50th Anniversaryland, It's Saturday Night!



NBC's Saturday Night
Season 1, episode 4
Originally aired November 8, 1975
Host: Candice Bergen
Guest: Esther Phillips

The episode opens with Chevy's inaugural Ford skit:
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This one unusually has only four of the Players listed--Garrett, Laraine, Gilda, and Michael O'Donoghue--despite others obviously being in the episode. After this point, the list is split into two, so this is probably just a case of the other half of the list having accidentally been left out.

In the monologue, Candice introduces herself as the show's first woman host and name-drops the ERA, while John appears onstage as a Bee. The monologue is followed by a commercial for an ambassador training school, which Dan appears in. Dan's also the main character in the next skit, as a frustrated CIA office worker who's seen hanging a picture of the new boss, George Bush.

Here's a classic skit that's actually available:
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Belushi does a pretty good Dreyfuss.

Candice introduces Esther Phillips, who sings her discofied version of "What a Diff'rence a Day Makes" accompanied by a large band that includes horns.

Candice appears in a Bee suit in the next skit, which has Chevy doing Hamlet broken by an onstage Polaroid commercial. Then there's a filmed commercial for long-distance calling featuring a man who's implied to be gay calling the mother who used to dress him up for tea parties.

Next is Weekend Update.

Chevy: Vice-President Nelson Rockefeller announced that he will not run on Ford's ticket in 1976. He commented that Ford is the only leader he knows who is capable of assassinating himself by mistake.​
Chevy: A serious note--Vandals broke into the Louvre in Paris last night and attached arms to the famed Venus de Milo sculpture.​

There's a reuse of a filmed commercial for arthritis medication Triopenin, which a pair of arthritic hands can't open because of the childproof cap. Chevy mocks Jane while she reads an editorial. The gag of the top story being yelled by Garrett Morris for the hard of hearing is repeated.

The available Andy Kaufman clip:
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I'm gonna go on record that Kaufman's humor never really connected with me.

Gilda interviews Candice onstage, questioning her about what it's like to be so attractive and feminine. A recent failed vote for ERA comes up again--did this pop up as a news item a couple of months ago?

The Albert Brooks film features a spoofy NBC replacement show lineup. One of the mock shows, called The Three of Us, is about a potential threesome of one man living with two women--Sound familiar?

On a talk program called Midnight Probe, Candice interviews a couple of kiwi trappers played by Dan and Jim, who demonstrate their technique by bagging Candice.

The Muppets sketch continues the Ploobis / land of Gorch series, but doesn't feature the "Dregs and Vestiges" title this time. It includes a consultation with the Mighty Favog about how to save the endangered Glig.

A sketch clip titled Third World Interview:
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Garrett Morris interviews Jane Curtin, a very white author who writes novels about the black experience; which even have a picture of a black woman on the back cover.

There's a sketch of a conversation between voice-only participants over a game of Pong that takes a very awkward turn when one of them wins by revealing that he's slept with the other's girl.

With no further introduction, Esther Phillips sings "I Can Stand a Little Rain". This is immediately followed by the final bow segment, which includes the Players onstage for the first time.

This episode felt like the show was finally starting to find its familiar formula.



I wonder why they didn't plug the actual show.
Might've been on a rival network.

For a second I thought it was going to be the shark. :rommie:
Candygram.

These days a few weeks of physical therapy would automatically be scheduled, but this is probably an accurate portrayal of how it was in the 50s. "Git on yer feet!" :rommie:
Pretty much.

We're darn close to shark territory here. :rommie:
A quick check verifies that we've got a couple more years until that.

I guess they also used a not-ready-for-prime-time announcer. :rommie:
It was Don Pardo, but he clearly tripped on the name the first time...and it was live TV.

That's a good one.

Very good one, but it seems odd for it to be on SNL.
I wish the SNL account had clips of some of these performances. I think SNL often featured more obscure / less commercial artists in its earlier years.

Whoa, did I know the Muppets were on SNL? I don't think I did.
There's one clip available of the "Dregs and Vestiges" series, which will probably be in the next post.

I think that about so many things. :rommie:
Further on, the Bees are actually starting to grow on me as an absurd in-joke. Refreshing my memory with a quick look-up, the story is that the first Bee sketch was very poorly received, and NBC immediately told Lorne Michaels to cut the Bees. Michaels then made a point of putting them in every episode as an act of defiance.

Poor Art Garfunkel. First the name, now this.
What's that? The way the guests were announced by Pardo, he got Special Guest Star billing.

I've got a quote in the next post for one of the Ford / Secret Service gags.

That would be pretty comical, yes. In real life, Paul would be the basketball. :rommie:
They just really overcooked the joke, in stark contrast to how brief the live sketches featuring the Players were in the earliest episodes.

Ouch, man. I wouldn't blame Artie for giving him a Will Smith. :rommie:
It was delivered and taken in good humor.

I was just thinking how amazing it is that the show lasted fifty years. :rommie:
I'm sure that it took a while to catch on...and its early target audience was probably baked at 11:30 on Saturdays.

No NRFPT Players in the last one, no musical guest in this one. They need to put all the episodes in a bottle and shake well. :rommie:
In syndication, where the episodes were edited down to an hour with commercials, they probably reorganized the material in the earliest episodes to better resemble the expected format.

Wow, he was on there pretty early.
I haven't been listing him as a guest because he was a recurring feature in the earliest episodes, like the Muppets and the Albert Brooks films; but he wasn't in the next couple of episodes, which is what I'm up to.

That's a good one. :rommie:
Would've been a good clip for the account to have posted.

I can't help but think that everyone showed up about a half hour before curtain call and started writing. :rommie:
This is where I started to warm up to the Bees, the way they cast humorous shade on their lameness.

It wasn't Secret Wars-- those all happened between issues, with the characters disappearing into the circle thing at the end of one issue and reappearing at the start of the next. This happened randomly in the middle of an issue and I'm pretty positive it was a few years after Secret Wars. Now it's gonna drive me crazy. I'll see if I can find it.
That might've happened after I stopped following the X-titles, then.

Something about pretzels and carbonation doesn't work for me. I'd rather have them with iced tea or something.
I recall them having a nice taste with sugared Coke in the day, though I drink the zero sugar variety these days. Diabetes runs in the family.

I didn't think I knew it, but that definitely looks familiar.
I'm pretty sure that I posted that clip at least once relatively recently, and that the show came up a bit years back when Decades was doing Binges.

It seems like these guys did better research than the Grizzly Adams people. :rommie:
Another thing I meant to mention about the doctor character is that they seemed to be setting her up as a potential love interest for Brown's lead character, which may have played a role in the show not bringing her back.

Probably if it had lasted longer....
A couple episodes later, they did a story about a marriage between one of the brides and the local minister (William Schallert)--both played by guest actors whose characters won't be recurring, it seems.
 
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Hawkeye (to Mulcahy): Better look sharp, Father, we've got a friend of yours in surgery.
Jesus, heal thyself.

After surgery, the conscious captain (Alan Fudge) maintains that he's Jesus, talking in an appropriate manner.
In Aramaic? :rommie:

The outraged Straw Couple go to Potter, accusing the captain of cowardice and blasphemy
I wonder how much of the audience provided the same feedback.

Potter, who's perhaps a little too open-minded about the captain thinking he's Christ
A guy like Potter has seen a lot. This probably isn't the first time he's met Jesus.

declares their accusations to be horse hockey (the first time I've caught him using that phrase)
And he delivers it with such conviction. :rommie:

Flagg goes to Potter with the captain's dossier, identifying him as bombardier Arnold T. Chandler, who was shot down after 57 missions.
So he was brought to the 4077th from the wreckage of his plane?

Flagg doesn't think that's an acceptable excuse, arguing that if they let Chandler off the hook, it'll open the door for more like him.
"Two men say they're Jesus-- one of them must be wrong." :rommie:

Wanting Chandler to get a fair assessment, Hawkeye has Sidney Freedman brought in.
That should be SOP.

Flagg confronts Freedman in private to attempt to dissuade him from helping Chandler, having dug up Freedman's association with a number of allegedly subversive organizations, as well as that he never signed a loyalty oath. Freedman is dismissive of the colonel's attempt to paint him as a communist.
That must have been a nice little standoff.

Freedman goes to the ward to talk to Chandler, who's been discussing Judas's motivations with Father Mulcahy.
Did he say why he suddenly showed up in Korea? Is this supposed to be the Second Coming or what?

When the guys congratulate Sidney for getting out, Flagg too easily switches gears to letting Chandler off the hook and focusing on not letting Freedman off the hook.
I don't remember any of this, but I don't think they ever followed up on it.

As Chandler's boarding a departing bus, Radar asks him if he's who he says he is and then sincerely requests that the captain bless his Teddy bear...divulging that his first name is Walter for what IMDb says is the first time.
That's interesting. Where was BJ during all this? I'd like to see his take religion.

In the coda, Klinger hops on the bandwagon too late to catch Dr. Freedman, having traded his usual drag for a Moses costume complete with a tablet.
Flagg was right! :rommie:

So... no water-into-wine jokes? :rommie:

Aunt Clara (Helen Hayes, James MacArthur's real-life adoptive mother, who received the show's final Emmy nomination for this episode)
That's cool. I don't think I knew about their relationship.

Visiting Miller's room, Duke finds a man posing as him (Charles Peck), with a story to handwave away the phone call as a misunderstanding.
Massive failure of Duke's detective instincts.

When Danno calls Clara to reassure her that Miller is fine, she tries unsuccessfully to convince him otherwise, then goes to the room herself, finding herself face-to-face with the imposter; upon which the former stage actress promptly improvises a cover for the visit, posing as a representative of a senior organization selling a magazine.
You go, Aunt Clara.

After personally apologizing, Steve gently questions Clara about Miller.
"We're sorry that we failed to take you seriously, resulting in the death of your friend."

some of the residents casually pick Steve's brain about a murder case recently in the papers.
Is this related to the scam somehow? Did they kill somebody else for some reason?

Danno and Chin investigate a $100,000 bank account in Miller's name, which was turned over to the state as unclaimed property.
In Mah, the State Treasurer advertises this on the radio-- I submitted an inquiry and got 76 bucks. :mallory:

Five-O's interest that she indicates Miller's claim for his account was terminated the day before because of his death, which was just reported in the current day's papers (dated September 27).
This is a good scheme and a good episode overall, but the part about killing Miller doesn't ring true. It would have been a lot less risky to just falsify the records and move on.

and sends an operative who's a good match for Bracken to Haven's home--Aunt Clara, of course
Which makes no sense whatsoever, aside from being dangerous and probably illegal-- but she's kind of a Miss Marple character, so it's cool. :rommie:

Danno listens via as Haven approaches the wired Clara and recruits her to help him in a fundraising activity for the home.
So the residents didn't know what they were involved in? This is another way that Miller doesn't fit the pattern. Fake Miller wasn't a resident of the home.

She subsequently turns up at Sutherland's office posing as Mrs. Bracken and takes a check for Bracken's unclaimed account back to Haven
So how do they explain to her that she has to impersonate someone for a fundraising activity? There seems to be a little inconsistency there.

Haven sends security guards to Clara's cottage
He would have been smarter to try to make a getaway. He must have known that it was all over now.

Five-O swoops in and nabs him and Welbourne. They rush to Clara's cottage, where it turns out that her nurse (Varoa Tiki) is an undercover officer who has the guards at gunpoint. The sting operation successfully wrapped up, Aunt Clara sits down to a stiff drink.
That was a nice little sting operation with not a shot fired.

Clara: Mr. McGarrett?
Steve: Yes?
Clara: What's our next case?
[Pause.]
Steve (smiling politely): Good day, Mrs. Williams.
That was a little rude, Steve. I wonder if Aunt Clara will return, or was intended to. Or if this was a backdoor pilot.

After this point, the list is split into two, so this is probably just a case of the other half of the list having accidentally been left out.
These guys aren't ready for late night, let alone prime time. :rommie:

Here's a classic skit that's actually available:
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Belushi does a pretty good Dreyfuss.
That was definitely a good one.

Chevy: Vice-President Nelson Rockefeller announced that he will not run on Ford's ticket in 1976. He commented that Ford is the only leader he knows who is capable of assassinating himself by mistake.
I wonder what Ford thought of all this.

The available Andy Kaufman clip:
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I'm gonna go on record that Kaufman's humor never really connected with me.
Well, Andy Kaufman was not really a comedian-- he was a performance artist. I do think that he was amazingly talented and I do enjoy watching him. Nevertheless, he disturbs me. I don't think I'd want to be alone in the room with him.

A recent failed vote for ERA comes up again--did this pop up as a news item a couple of months ago?
That does sound familiar.

One of the mock shows, called The Three of Us, is about a potential threesome of one man living with two women--Sound familiar?
If Three's Company wasn't based on a British sitcom, I'd be suspicious. :rommie:

This episode felt like the show was finally starting to find its familiar formula.
It did hit the mark a couple of times.

Might've been on a rival network.
True.

Candygram.
I almost clobbered the Fonz with a mallet.

A quick check verifies that we've got a couple more years until that.
The possibility exists that Happy Days, in truth, was always on the other side of the shark. :rommie:

It was Don Pardo, but he clearly tripped on the name the first time...and it was live TV.
Yes, these things do happen on live TV. :rommie:

I wish the SNL account had clips of some of these performances. I think SNL often featured more obscure / less commercial artists in its earlier years.
Probably a lack of budget. I was surprised to see Paul Simon appear. That's probably why it was basically The Paul Simon Show. :rommie:

Further on, the Bees are actually starting to grow on me as an absurd in-joke. Refreshing my memory with a quick look-up, the story is that the first Bee sketch was very poorly received, and NBC immediately told Lorne Michaels to cut the Bees. Michaels then made a point of putting them in every episode as an act of defiance.
Good attitude. :rommie: But this particular sketch was like a mishmash of good ideas and one liners-- more like an awkward improv than a real sketch.

What's that? The way the guests were announced by Pardo, he got Special Guest Star billing.
Well, that's good. I was poking fun at Simon being the headliner and Garfunkel being way down at the bottom of the guest list.

They just really overcooked the joke, in stark contrast to how brief the live sketches featuring the Players were in the earliest episodes.
They don't quite have a handle of overcooking and undercooking yet.

It was delivered and taken in good humor.
I wonder....

I'm sure that it took a while to catch on...and its early target audience was probably baked at 11:30 on Saturdays.
And there was no competition in that time slot back then.

In syndication, where the episodes were edited down to an hour with commercials, they probably reorganized the material in the earliest episodes to better resemble the expected format.
Like Midnight Special. :rommie:

That might've happened after I stopped following the X-titles, then.
I tried finding it, to no avail. According to ChatGPT, this was not an uncommon occurrence in the late 80s, but it couldn't find the specific instance I was looking for. Basically all I've got is the vague memory of a single panel. I'm not even really sure if it was in the John Romita Jr era.

I recall them having a nice taste with sugared Coke in the day, though I drink the zero sugar variety these days. Diabetes runs in the family.
Actually, I barely drink carbonated beverages anymore. Only if I'm at someone's house.

I'm pretty sure that I posted that clip at least once relatively recently, and that the show came up a bit years back when Decades was doing Binges.
Yes, that does sound familiar.

Another thing I meant to mention about the doctor character is that they seemed to be setting her up as a potential love interest for Brown's lead character, which may have played a role in the show not bringing her back.
A victim of Yeoman Rand Syndrome.

A couple episodes later, they did a story about a marriage between one of the brides and the local minister (William Schallert)--both played by guest actors whose characters won't be recurring, it seems.
It seems like maybe the concept just wasn't suited to episodic TV.
 


Delayed from 50th Anniversaryland, It's Saturday Night!



NBC's Saturday Night
Season 1, episode 5
Originally aired November 15, 1975
Host: Robert Klein
Guests: ABBA; Loudon Wainwright III

The opening skit has Chevy hosting a beauty pageant. The winner, Laraine, strips off her gown in protest, revealing street clothes underneath.

For his monologue, Klein does standup about live TV, cartoon animals, Smokey the Bear, roller-skating bears, wild chimps, nature docs, feature films with love scenes, and using a music motif from scary movies IRL.

ABBA performs "SOS" on a ship set while Klein does physical comedy in the background as the captain of the Titanic. I think ABBA's part in this may have been filmed.

The Pong conversation skit recurs; this time the subject is an exam.

In a mock show called Minute Mystery, Chevy's murder confession is dismissed so that Dan, playing the crime photographer host, can invite the audience to solve the mystery on a timer from clues shown on camera.

In a "Bee Centennial Minute," Garrett in a bee suit tells a story about a Revolutionary War battlefield incident from a bee's perspective.

Robert introduces Loudon Wainwright, who plays a song called "Bicentennial" on acoustic guitar. The rambling lyrics go a little off the rails.

Chevy plays Gregg Allman being interviewed backstage.

Belushi as a tough director who physically abuses his actors:
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In the Weekend Update, Ford's Secret Service continues to wrestle victims of the president's clumsiness to the ground. A filmed message for Jamitol features Jane as an exhausted housewife. Chevy mocks an editorial by Dan about energy conservation. Garrett continues to aid the hard of hearing.

John and Robert do a skit as exterminators, done in the style of a war movie, which diverts into a mockumentary about the history of the cockroach.

Gilda addresses the audience as a fireman.

In the land of Gorch, Ploobis is looking for a way to get rid of his headache. He tries self-acupuncture before consulting the Mighty Favog, who's using the same treatment.

Robert engages in additional standup about college courses.

A filmed commercial advertises the Price-Is-Rite Stamp Gun.

Loudon Wainwright returns sans intro to perform "Unrequited to the Nth Degree," about people being sorry when he dies.

A little, teeny, tiny, itty, bitty, weeny Look at Books:
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The ambassador school commercial is reused.

Robert performs as a blues singer / harmonica player singing about not being able to control what his leg is doing.

The Titanic background sketch continues as ABBA performs "Waterloo".

Robert does a solo final bow.



NBC's Saturday Night
Season 1, episode 6
Originally aired November 22, 1975
Host: Lily Tomlin
Guests: Howard Shore and His All-Nurse Band

This installment also gets by with no major musical guests.

The opening skit:
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Lily does an opening monologue on various quirky short topics she's kept in a notebook, with a recurring emphasis on New York, which includes doing a cheer dance encouraging the city in its time of fiscal need.

Recurring at points in the episode, Belushi does Beethoven, who goes into more modern songs, including "Tie a Yellow Ribbon," "My Girl," and, wearing shades while accompanied by his doting maids on backing vocals, "What'd I Say".

Lily introduces Howard Shore and His All-Nurse Band--a large band including horns, all dressed in nurse uniforms (who I think are the regular house band adapting the gimmick for this episode). They accompany her on an old blues number called "Saint James Infirmary".

The Triopenin commercial is used for a third time.

A new landshark skit, "Jaws III":
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A filmed segment features Edith Ann trying to ice-skate.

Gilda announces the next episode, which will be in three weeks.

On to Weekend Update...

Chevy: Later Mr. Ford pierced his left hand with a salad fork at a luncheon celebrating Tuna Salad Day at the White House. Alert Secret Service agents seized the fork and wrestled it to the ground.​

Chevy announces the death of Francisco Franco, setting up the famous recurring gag. There are various mentions of Ronald Reagan having announced his candidacy.

A commercial interruption advertises Spud Beer, which tastes like potatoes and is given to shock therapy patients. Chevy continues the gag with an endorsement from his desk.

Chevy announces that Peanuts character Woodstock is being replaced by a more violent counterpart, Altamont. Garrett Morris continues to help the hard of hearing.

Lily plays a snooty sorority girl who's writing a letter to Patty Hearst that segues into a song, encouraging Patty to return to the feminine fold.

The available clip of "Dregs and Vestiges" (which is once again titled):
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The clip cuts short just before the sketch becomes the first in the series to break out of the land of Gorch and the first not to include the Mighty Favog. It continues with Lily explaining to Scred against a black backdrop how she doesn't feel the same about him, and the two of them proceed into a duet of "I Got You Babe". Lily then announces the two-week break and a replay of Albert Brooks's The Impossible Truth film.

A skit featuring Lily as an instructor in a course for female construction workers.

A filmed commercial of a nuclear physicist / housewife endorses not Jamitol, but Speed.

Lily does a solo stage skit as a '50s / early '60s girl at a high school dance gossiping with unseen friends.

In the final bow segment, cast members dressed as Bees join Lily and Howard Shore's band for a musical number with improvised lyrics about the cast, which Garrett leads.



In Aramaic? :rommie:
No, Bible movie English.

I wonder how much of the audience provided the same feedback.
The thought of viewers who sided with Frank and Margaret is kind of scary.

A guy like Potter has seen a lot. This probably isn't the first time he's met Jesus.
But he actually seemed to be open to the idea that the guy might be for real.

So he was brought to the 4077th from the wreckage of his plane?
Unclear, but I imagine not directly. If he survived, he likely bailed out.

"Two men say they're Jesus-- one of them must be wrong." :rommie:
Theologically, if he could multiply the loaves and fishes...

That should be SOP.
It's believable that they might not otherwise bother in a wartime setting, where resources are scarce. They'd probably normally send the guy to a rear area facility and let them sort him out.

Did he say why he suddenly showed up in Korea? Is this supposed to be the Second Coming or what?
"I live on in all men....I'm Christ. Where should I be?"

That's interesting. Where was BJ during all this? I'd like to see his take religion.
He was around, playing off Hawkeye.

Flagg was right! :rommie:
MASH31.jpg

So... no water-into-wine jokes? :rommie:
Not that I caught.

Massive failure of Duke's detective instincts.
There's a reason he's not in the opening credits yet.

"We're sorry that we failed to take you seriously, resulting in the death of your friend."
I think he was already dead at that point.

Is this related to the scam somehow? Did they kill somebody else for some reason?
No, it was played as a moment of levity.

In Mah, the State Treasurer advertises this on the radio-- I submitted an inquiry and got 76 bucks. :mallory:
Oh good, so you understand this business better than I do.

This is a good scheme and a good episode overall, but the part about killing Miller doesn't ring true. It would have been a lot less risky to just falsify the records and move on.
My impression was that these people were relative crime amateurs who got in over their heads when their scam hit a snag.

Which makes no sense whatsoever, aside from being dangerous and probably illegal-- but she's kind of a Miss Marple character, so it's cool. :rommie:
Hey, she's probably less of a risk than your typical OSI agent.

So the residents didn't know what they were involved in? This is another way that Miller doesn't fit the pattern. Fake Miller wasn't a resident of the home.
He was. The scam involved recruiting individual residents to participate as needed...which does stretch credibility, that they'd find multiple residents who were willing and able.

That was a little rude, Steve.
It was played in good humor.

I wonder if Aunt Clara will return, or was intended to. Or if this was a backdoor pilot.
She won't be returning; and I doubt it.

I wonder what Ford thought of all this.
I'd be surprised if he was actually aware at this point.

Well, Andy Kaufman was not really a comedian-- he was a performance artist.
That could explain it.

If Three's Company wasn't based on a British sitcom, I'd be suspicious. :rommie:
I wonder if the SN crew were familiar with Man About the House?

It looks like it didn't run continuously for decades as something I'd read seemed to indicate. There was a syndicated revival in 1972. So there were probably rights issues.

I almost clobbered the Fonz with a mallet.
Whoa.

The possibility exists that Happy Days, in truth, was always on the other side of the shark. :rommie:
They're definitely at the point where Fonzie is becoming a larger-than-life character.

Good attitude. :rommie: But this particular sketch was like a mishmash of good ideas and one liners-- more like an awkward improv than a real sketch.
It was meant to be a sketch within a sketch. The faux drama scene was setup for Rob breaking character to complain about the Bees.

Well, that's good. I was poking fun at Simon being the headliner and Garfunkel being way down at the bottom of the guest list.
Art also got his own card, whereas the other two musical acts shared one.

They don't quite have a handle of overcooking and undercooking yet.
They're definitely already transitioning into doing longer live sketches with the Players. The long-form filmed segments in the early episodes kind of remind me of SCTV, which I didn't like as much in the day because it did pretty dry sketches that could meander throughout an episode.

I tried finding it, to no avail. According to ChatGPT, this was not an uncommon occurrence in the late 80s, but it couldn't find the specific instance I was looking for. Basically all I've got is the vague memory of a single panel. I'm not even really sure if it was in the John Romita Jr era.
I wonder if it could've been an after-the-fact insertion to fit in an explanation for an appearance elsewhere. Something that I found when I was into the book and tried to organize my collection into a continuity-based reading order, back before they spun the mutants off into a million titles, was that the continuity in the main book was so tight that it was hard to find places to fit in stories that weren't in the main book, like annuals, guest appearances, and the first graphic novel. There'd always be contradictory details when you cross-referenced what costume Kitty was wearing with Cyclops's availability, that sort of thing. The best places to fit in otherwise out-of-continuity stories were those odd one-or-two issue breathers between major storylines, but Claremont had a habit of sending Scott off to vacation in Alaska, and he always appeared in the outside stories.

As I recall, when they belatedly found a spot for the Wolverine miniseries in the main title, it involved Scott meeting up with the others in Japan after one of his vacations; but the miniseries itself showed Scott with the other X-Men when they got Logan's wedding invitation. I had to write that off as a symbolic appearance, like when they depict floating heads observing a scene on the cover.

It seems like maybe the concept just wasn't suited to episodic TV.
The concept might've been better served by a more serialized format, but it's a cute little show for what it is. BTW, a new reverend pops up in the very next episode. This could be taken as good continuity, as there had been talk of a honeymoon...but where would they get a substitute reverend in their tiny settlement? Would they bother shipping one in from 'Frisco?
 
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Wasn't Simon a buddy of Loren Michael's.
That could very well be. I hadn't thought of that.

ABBA performs "SOS" on a ship set while Klein does physical comedy in the background as the captain of the Titanic. I think ABBA's part in this may have been filmed.
That's a cute idea.

In a "Bee Centennial Minute," Garrett in a bee suit tells a story about a Revolutionary War battlefield incident from a bee's perspective.
Some of these bee ideas aren't bad.

Robert introduces Loudon Wainwright, who plays a song called "Bicentennial" on acoustic guitar. The rambling lyrics go a little off the rails.
He just wrote it five minutes before the show.

Belushi as a tough director who physically abuses his actors:
I wonder if he was satirizing someone in particular. It's too early for it to be Joss Whedon. :rommie:

Loudon Wainwright returns sans intro to perform "Unrequited to the Nth Degree," about people being sorry when he dies.
That sounds funny. :rommie:

A little, teeny, tiny, itty, bitty, weeny Look at Books:
I thought that was going in a different direction. :rommie:

The Titanic background sketch continues as ABBA performs "Waterloo".
"Waterloo." I get it. :rommie:

Host: Lily Tomlin
Now there's a good host for SNL.

Lily does an opening monologue on various quirky short topics she's kept in a notebook
That certainly fits the venue. :rommie:

A new landshark skit, "Jaws III":
They should have developed this into a major motion picture like the Coneheads. Because the Coneheads did so well.

Chevy announces the death of Francisco Franco, setting up the famous recurring gag. There are various mentions of Ronald Reagan having announced his candidacy.
"Ronald Reagan is still running."

Chevy announces that Peanuts character Woodstock is being replaced by a more violent counterpart, Altamont.
Oh, man. :rommie:

The available clip of "Dregs and Vestiges" (which is once again titled):
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Well, the Muppets and the set are good. The whole thing has a weird Underground Comix feel to it, like Vaughn Bode or something.

No, Bible movie English.
"Art thou mine healer? Make haste, my life's blood doth discharge 'pon the ground."

The thought of viewers who sided with Frank and Margaret is kind of scary.
And they're out there still.

But he actually seemed to be open to the idea that the guy might be for real.
Oh, okay, that's interesting.

Unclear, but I imagine not directly. If he survived, he likely bailed out.
That makes sense. Was he brought in alone or with the usual bunch?

Theologically, if he could multiply the loaves and fishes...
That's a great thought. It's like something in a 70s Marvel Comic. "If I can multiply loaves and fishes, can I not multiply... myself?"

It's believable that they might not otherwise bother in a wartime setting, where resources are scarce. They'd probably normally send the guy to a rear area facility and let them sort him out.
That's true. They could have done a spinoff called Klinger and Jesus.

"I live on in all men....I'm Christ. Where should I be?"
Very interesting. The sincerity of that makes me wonder if the writer intended him to be really Jesus.

He was around, playing off Hawkeye.
But he had nothing to say about his views on religion?

That's hilarious. A little broad, but hilarious.

Not that I caught.
You'd think Hawkeye would have been right on top of that.

There's a reason he's not in the opening credits yet.
:rommie:

I think he was already dead at that point.
Ah, okay.

No, it was played as a moment of levity.
I see.

Oh good, so you understand this business better than I do.
Minimally, maybe, but it does seem like a good plan.

My impression was that these people were relative crime amateurs who got in over their heads when their scam hit a snag.
It seems like there's been a few times in several shows where amateur criminals turn too quickly to murder.

Hey, she's probably less of a risk than your typical OSI agent.
True. :rommie:

He was. The scam involved recruiting individual residents to participate as needed...which does stretch credibility, that they'd find multiple residents who were willing and able.
Oh, I thought Miller was a minion. That part of the scheme does stretch credibility, unless they were targeting people having a severe financial crisis or something.

It was played in good humor.
I figured. :rommie:

She won't be returning; and I doubt it.
That's kind of a shame. This was kind of cool.

I'd be surprised if he was actually aware at this point.
You'd think that the president would have some guys keeping track of how he's being talked about in the media. "Sir, I'd like to draw your attention to today's Doonesbury."

I wonder if the SN crew were familiar with Man About the House?
Good question. It was on the air, but I don't know if it had ever been shown in America. Channel 56 showed it for a while, but that was a couple of years after Three's Company started.

Heyyyy. :mallory:

They're definitely at the point where Fonzie is becoming a larger-than-life character.
Indeed.

It was meant to be a sketch within a sketch. The faux drama scene was setup for Rob breaking character to complain about the Bees.
I know, but it still felt like a rough draft.

Art also got his own card, whereas the other two musical acts shared one.
That's good. They gave him respect.

They're definitely already transitioning into doing longer live sketches with the Players. The long-form filmed segments in the early episodes kind of remind me of SCTV, which I didn't like as much in the day because it did pretty dry sketches that could meander throughout an episode.
I've also noticed that they occasionally put one liners on the screen like subtitles, like Laugh-In used to, so they seem to be drawing on various sources for their style.

I wonder if it could've been an after-the-fact insertion to fit in an explanation for an appearance elsewhere.
No, because there was that footnote that specifically said to keep watch for an upcoming mini series.

Something that I found when I was into the book and tried to organize my collection into a continuity-based reading order, back before they spun the mutants off into a million titles, was that the continuity in the main book was so tight that it was hard to find places to fit in stories that weren't in the main book, like annuals, guest appearances, and the first graphic novel.
Yeah, they really existed in their own little world. And God Loves, Man Kills always seemed like something off to the side, like X-Men: The Motion Picture or something.

There'd always be contradictory details when you cross-referenced what costume Kitty was wearing with Cyclops's availability, that sort of thing. The best places to fit in otherwise out-of-continuity stories were those odd one-or-two issue breathers between major storylines, but Claremont had a habit of sending Scott off to vacation in Alaska, and he always appeared in the outside stories.
It's a shame. I liked it in the 60s and 70s when they were able to maintain pretty tight continuity, sometimes with explicit references to an appearance happening between panels in a specific issue.

The concept might've been better served by a more serialized format, but it's a cute little show for what it is. BTW, a new reverend pops up in the very next episode. This could be taken as good continuity, as there had been talk of a honeymoon...but where would they get a substitute reverend in their tiny settlement? Would they bother shipping one in from 'Frisco?
Maybe he'll turn out to be in some kind of trouble and the church wanted him out of the way. :rommie:
 


Delayed from 50th Anniversaryland, It's Saturday Night!



NBC's Saturday Night
Season 1, episode 7
Originally aired December 13, 1975
Host: Richard Pryor
Guests: Gil Scott-Heron; Shelley Pryor

Garrett wants to do the opening because Richard Pryor's hosting. When Chevy knocks himself out demonstrating how to do the fall, Garrett becomes the first one besides Chevy to deliver the "live from New York" line.

Richard dedicates the show to Miles Davis, who's said to be hospitalized, and does standup about women leaving him, drunks at bars, and taking acid, which he says that he only tried once.

The first appearance of Belushi's samurai...and probably the only appearance of Richard's:
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Richard introduces Gil Scott-Heron, who performs a socially conscious song called "Johannesburg," singing and playing keyboard while accompanied by his band.

In "Looks at Books," Richard's character talks about White Like Me, a book about his experience posing as a white man. Eddie Murphy will later do a filmed segment on this subject.

The New Dad insurance ad is repeated.

A thrice-recurring short skit involves Richard as the too-obvious suspect in a police lineup.
SNL05.jpg

What's easily the most famous skit from this episode is available as a clip, but I won't be able to post it here because of its use of various racial slurs, right down to the big one. Go to https://www.youtube.com/@SaturdayNightLive/videos and search for Word Association or Richard Pryor, it'll be the first result.

Richard's response to the N-word: Dead honky.​

The Pong sketch involves discussion of a hockey game that one of the players was in. It sounds like one of the voices is Al Franken.

In a family dinner sketch, Dan's father character complains about black people taking over, while not noticing as his daughter, son, and wife (Gilda, John, and Jane) are each in turn switched with a black actor when they leave the room (Annazette Chase, Richard, and uncredited Kathy McKee).

Chevy: Good evening. I'm Chevy Chase, and you're not.​
SNL02.jpg

Reagan and George Wallace continue to be topics. Another is Sonny & Cher's post-divorce variety show. After a reuse of the Spud Beer commercial, the news resumes with our first editorial by Emily Litella, establishing what will become one of Gilda's catchphrases:
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For the hard-of-hearing:

SNL03.jpg
Garrett: OUR TOP STORY TONIGHT--GENERALISSIMO FRANCISCO FRANCO IS STILL DEAD!!!

A brief skit has Richard as a commando who misunderstands an order and takes his suicide pill during the briefing.

The Mighty Favog returns in an untitled "Dregs and Vestiges" that has Ploobis heavily drinking.
SNL04.jpg

"Exorcist II," guest-starring Thalmus Rasulala:
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After a film by Albert Brooks about him being sick in bed, an audience member approaches the stage claiming to have proof of a second shooter in Dallas, only to be shot.

Richard's then-wife Shelley tells a rhyming story about the Central Park carousel. This is followed by Richard doing some standup as a wino, a drug-using ex-con, and an old man who interacts with both.

Gil Scott-Heron returns to sing a more laid-back number called "A Lovely Day".

The cast and non-musical guests join Richard on stage for the final bow.
SNL06.jpg



That could very well be. I hadn't thought of that.
Apparently this is so, though I hadn't previously known about it.

He just wrote it five minutes before the show.
I think that's just his style. At one point, he's wailing out names of heroes and one of them is Jack Ruby.

I wonder if he was satirizing someone in particular.
Probably.

I thought that was going in a different direction. :rommie:
I think you were meant to, that was the joke.

Well, the Muppets and the set are good. The whole thing has a weird Underground Comix feel to it, like Vaughn Bode or something.
It's odd that they not only chose the least representative sketch in the series as the YouTube clip, but also cut out the part that made it different.

I realized after the fact that you'd be lacking context for what Scred singing a duet with Lily would look like.
SNL09.jpgSNL10.jpgSNL11.jpg

"Art thou mine healer? Make haste, my life's blood doth discharge 'pon the ground."
I said English.

That makes sense. Was he brought in alone or with the usual bunch?
On the bus with other wounded.

Very interesting. The sincerity of that makes me wonder if the writer intended him to be really Jesus.
I didn't get that impression.

But he had nothing to say about his views on religion?
Not that I caught. He and Hawkeye were both treating him as a screwed-up kid who needed help.

That's hilarious. A little broad, but hilarious.
Klinger? Broad?

Oh, I thought Miller was a minion. That part of the scheme does stretch credibility, unless they were targeting people having a severe financial crisis or something.
It's possible that they were deliberately bringing some experienced con artists into the home.

You'd think that the president would have some guys keeping track of how he's being talked about in the media. "Sir, I'd like to draw your attention to today's Doonesbury."
They actually do a sketch at some point in which an aide is trying to talk Ford into appearing on the show, comparing it to Nixon's appearance on Laugh-In.

Sit on it!

I know, but it still felt like a rough draft.
I thought the part where John got defensive with Rob was pretty good.

I've also noticed that they occasionally put one liners on the screen like subtitles, like Laugh-In used to, so they seem to be drawing on various sources for their style.
Yes, those gags often involve putting captions over close-ups of random audience members.

Maybe he'll turn out to be in some kind of trouble and the church wanted him out of the way. :rommie:
The second reverend was in the following episode as well. The story partly involved another marriage.
 
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When Chevy knocks himself out demonstrating how to do the fall, Garrett becomes the first one besides Chevy to deliver the "live from New York" line.
But did he do the fall? Chevy did have quite a talent for physical comedy.

The first appearance of Belushi's samurai...and probably the only appearance of Richard's:
Ah, yes, I remember the Samurai.

A thrice-recurring short skit involves Richard as the too-obvious suspect in a police lineup.
I never knew they repeated things so much. I didn't watch it enough to notice.

What's easily the most famous skit from this episode is available as a clip, but I won't be able to post it here because of its use of various racial slurs, right down to the big one. Go to https://www.youtube.com/@SaturdayNightLive/videos and search for Word Association or Richard Pryor, it'll be the first result.
Am I allowed to laugh when I get there? :rommie:

Chevy: Good evening. I'm Chevy Chase, and you're not.
I've been waiting for that. :rommie:

For the hard-of-hearing:

View attachment 50947
Garrett: OUR TOP STORY TONIGHT--GENERALISSIMO FRANCISCO FRANCO IS STILL DEAD!!!
This is a great idea. I have to provide this service to my Mother when I'm around, so it would be nice to have somebody else to do it when I'm not there. :rommie:

The Mighty Favog returns in an untitled "Dregs and Vestiges" that has Ploobis heavily drinking.

View attachment 50948
Visually, at least, it's very cool.

"Exorcist II," guest-starring Thalmus Rasulala:
This was good. The skits are definitely improving.

an audience member approaches the stage claiming to have proof of a second shooter in Dallas, only to be shot.
That's hilarious. :rommie:

Richard's then-wife Shelley tells a rhyming story about the Central Park carousel.
That's interesting.

I think that's just his style. At one point, he's wailing out names of heroes and one of them is Jack Ruby.
Good thing he didn't get shot. :rommie:

I think you were meant to, that was the joke.
I wasn't entirely sure if it was just me. :rommie:

I realized after the fact that you'd be lacking context for what Scred singing a duet with Lily would look like.
Cute, but it is odd that they didn't use the set.

I said English.
:rommie:

On the bus with other wounded.
Not that it matters, but I kinda wonder how he got from Point A to Point B. Maybe soldiers saw him come down and rescued him to a triage location or something.

Not that I caught. He and Hawkeye were both treating him as a screwed-up kid who needed help.
Hawkey's cynicism is a given, but I suspect it would be different for BJ.

Klinger? Broad?
Klinger is a big broad. :rommie:

It's possible that they were deliberately bringing some experienced con artists into the home.
Also true.

They actually do a sketch at some point in which an aide is trying to talk Ford into appearing on the show, comparing it to Nixon's appearance on Laugh-In.
That would have been cool, especially if they convinced him to do a pratfall. :rommie:

Sit on it!
I wonder if that was real 50s slang. I've never heard it anywhere else.

I thought the part where John got defensive with Rob was pretty good.
Yes, I did like that. It was kind of similar to Andy Kaufman's routine.

The second reverend was in the following episode as well. The story partly involved another marriage.
It sounds like they're trying to keep the status quo with the regular cast and using guests for the weddings and babies.
 


Delayed from 50th Anniversaryland, It's Saturday Night!



NBC's Saturday Night
Season 1, episode 8
Originally aired December 20, 1975
Host: Candice Bergen
Guests: Martha Reeves; The Stylistics; Margaret Kuhn

Christmas Eve at the White House:
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On a tree-adorned stage, Candice shares how she enjoyed hosting the show previously, then goes straight into introducing Martha Reeves, who sings "(Your Love Keeps Lifting Me) Higher and Higher," accompanied by Howard Shore's repurposed Band of Angels, now sporting appropriately themed costumes for the occasion.

This episode has a three-part commercial spot of Dan advertising Mel's Char Palace. The skit that follows has Chevy as a country boy calling his parents (Dan and Jane) to inform them that he's been arrested for mass murder. Dan's rural accent is the same one he'll use for Jimmy Carter.

Candice and Don invite the audience to send in home movies for use on the show. The example film that Candice and Chevy demonstrate features Candice ice-skating with the Bees at Rockefeller Center.

Another recurring ad spot is for items from Don Pardo's Digital Catalog, which, contrary to what you'd expect in a modern context, sells gadgets with digital clocks in them. John and Candice, dressed as Santa and a Reindeer, do an onstage endorsement for a Polaroid camera, following which the Stylistics sing "You Make Me Feel Brand New".

After a repeat of the ad spot for the K-Put Price-Is-Rite Stamp Gun, there's a sketch in which Candice's character is shocked to discover that her brother (Chevy) is a latent elf. When the parents arrive (Dan and Jane), they come out that the father has also been one for years.

Chevy: This bulletin just in...​
SNL07.jpg
Doctors say that his condition is unchanged.​

A report from the Squeaky Fromme trial makes use of comically crude drawings. Kennedy conspiracist Jim Garrison comes up as a subject not for the first time, making me think that he must have been in the news around this time. Laraine broadcasts a report from Times Square, not understanding why it's empty until Chevy points out that it's after midnight on December 20th. Cher and Gregg Allman come up as a topic again. They milk a little dry humor from the Angolan civil war.

SNL08.jpg

Candice as Princess Grace endorses Tarn-Off, for cleaning royal jewels and heirlooms. Emily Litella returns for an impassioned editorial about firing the handicapped, only to be informed that it was supposed to be about hiring the handicapped. Never mind.

John and Gilda at the laundromat:
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The latest iteration of a recurring skit briefly demonstrates that Tommy isn't a Pong Wizard.

In the land of Gorch, Ploobis tries to host a Christmas party, only to learn that most of the expected guests went to the Bees' party instead, causing even Ploobis's wife to bail. Candice walks on the set to lead Ploobis and Scred in a consoling singalong of "Have Yourself a Merry Little Christmas".

Garrett sings "Winter Wonderland," backed by the Band of Angels and accompanied by the other cast members and Candice as backup singers.

"Minute Mystery" returns, now covering a murder in Mexico in which a gun-brandishing Candice employs her feminine wiles to encourage Dan, Jim, and Don Pardo to act clueless about her being the obvious suspect.

Martha Reeves returns to sing "Silver Bells". Gilda tells a story from the stage about overeating at Christmas. Laraine does a sketch as Christmas-cookie-baking Fritzie Kringle.

Candice introduces Gray Panther Maggie Kuhn, who advocates senior awareness and activism with her motto, "off your asses". Candice then introduces a film showing families reuniting at an airport for the holidays, set to what sounds like a live performance of "Homeward Bound" by the original artists--possibly left over from Paul and Artie's set.

For the final bow, the cast and guests join Candice on stage to wish the audience a Merry Christmas--though Don Pardo gets in the final word on that subject.

And that catches us up to the point where the show can join the 50th Anniversary Viewing lineup when it returns on January 10.



But did he do the fall? Chevy did have quite a talent for physical comedy.
No, he ran over and knelt down to check on Chevy.
1767302674928.png
Something I've been wondering about is why Chevy's eyes always blink rapidly when he delivers the line. Maybe that's just his yelling face?

I never knew they repeated things so much. I didn't watch it enough to notice.
What I meant in this case is that it was three mini-skits on the same subject popping up at different points in the show, which is a device they've been employing in the format.

Am I allowed to laugh when I get there? :rommie:
In my book, yes.

I've been waiting for that. :rommie:
I think he may have already been doing that, and I didn't make note of it the first time.

This is a great idea. I have to provide this service to my Mother when I'm around, so it would be nice to have somebody else to do it when I'm not there. :rommie:
:lol:

This was good. The skits are definitely improving.
This one typically got run in SNL Halloween specials when I was actively watching the show.

Good thing he didn't get shot. :rommie:
I should also note that both songs appeared on different albums of his from the era. I thought about posting audio clips of those versions.

I wasn't entirely sure if it was just me. :rommie:
You didn't catch the anticipatory outburst from the audience?

Klinger is a big broad. :rommie:
Potential for double entendre intended, BTW.

Also true.
There was a line about how they couldn't use one of their usual people because of the account-holder's specific requirements, which included being handicapped.

That would have been cool, especially if they convinced him to do a pratfall. :rommie:
We'll see if it comes up as an available clip.

I wonder if that was real 50s slang. I've never heard it anywhere else.
I suspect not.

It sounds like they're trying to keep the status quo with the regular cast and using guests for the weddings and babies.
And in the episode that ran yesterday, two recurring characters who were established in the premiere tied the knot, though the reverend wasn't seen. The bride was the already-present school marm, not one of the brides who were shipped in.
 
Christmas Eve at the White House:
He seems to be leaning more into Ford being stupid, rather than just clumsy.

Candice shares how she enjoyed hosting the show previously
Twice in eight episodes. I wonder if they were hard up for hosts.

The example film that Candice and Chevy demonstrate features Candice ice-skating with the Bees at Rockefeller Center.
Keep those bees coming. :rommie:

John and Candice, dressed as Santa and a Reindeer, do an onstage endorsement for a Polaroid camera
A live commercial? Interesting.

there's a sketch in which Candice's character is shocked to discover that her brother (Chevy) is a latent elf.
Better latent than never, as Robin Williams would say.

Doctors say that his condition is unchanged.
At least his condition is stable.

Kennedy conspiracist Jim Garrison comes up as a subject not for the first time, making me think that he must have been in the news around this time.
They do a lot of Kennedy stuff, but it was only twelve years in the past at that point.

Emily Litella returns for an impassioned editorial about firing the handicapped, only to be informed that it was supposed to be about hiring the handicapped. Never mind.
They should have her do a real editorial instead of just an imagined editorial. Oh. Impassioned. Never mind.

John and Gilda at the laundromat:
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That was cute. :rommie:

In the land of Gorch, Ploobis tries to host a Christmas party, only to learn that most of the expected guests went to the Bees' party instead, causing even Ploobis's wife to bail.
Hmm. The Land of Gorch is somehow adjacent to the Land of the Humanoid Bees. Do they exist on the same planet or is there some sort of interdimensional doorway between them? Or am I overthinking it? :rommie:

Garrett sings "Winter Wonderland," backed by the Band of Angels and accompanied by the other cast members and Candice as backup singers.
That seems charmingly traditional for SNL.

Candice introduces Gray Panther Maggie Kuhn, who advocates senior awareness and activism with her motto, "off your asses".
I'm mildly surprised that they could say "asses" in 1975.

No, he ran over and knelt down to check on Chevy.
View attachment 50972
Did the guests ever start doing the "Live from New York" part? I seem to vaguely remember that.

Something I've been wondering about is why Chevy's eyes always blink rapidly when he delivers the line. Maybe that's just his yelling face?
I've noticed his blinking a lot. I always figured it was a nervous affectation.

What I meant in this case is that it was three mini-skits on the same subject popping up at different points in the show, which is a device they've been employing in the format.
Ah, okay.

In my book, yes.
That's good, because I did. :rommie:

You didn't catch the anticipatory outburst from the audience?
I don't remember catching it, no. I think I was just expecting it to be more censored because it's 1975. If it was today, I would have taken it for granted.

Potential for double entendre intended, BTW.
Thanks for the setup. :rommie:

There was a line about how they couldn't use one of their usual people because of the account-holder's specific requirements, which included being handicapped.
So they had repeat flunkies.

I suspect not.
Yeah, I don't think so either. Unless it was something very local.

And in the episode that ran yesterday, two recurring characters who were established in the premiere tied the knot, though the reverend wasn't seen. The bride was the already-present school marm, not one of the brides who were shipped in.
So there are plot developments. Interesting.
 
He seems to be leaning more into Ford being stupid, rather than just clumsy.
I'm reminded of something Dana Carvey did as Ross Perot in a 1992 SNL political special, presenting line graphs that showed how SNL's early popularity ascending at the same time that Ford's approval ratings were descending, suggesting that Chevy's portrayal of Ford as a bumbling fool might be responsible. In fact, I think it was the intro to the sketch I was telling you about where the aide was suggesting that he appear on the show.

Twice in eight episodes. I wonder if they were hard up for hosts.
Possibly.

Keep those bees coming. :rommie:
Sting it to the man!

A live commercial? Interesting.
Pretty common in the radio and early TV eras.

Better latent than never, as Robin Williams would say.
SNL13.jpg

At least his condition is stable.
Are you sure he's not deteriorating?

They should have her do a real editorial instead of just an imagined editorial. Oh. Impassioned. Never mind.
It's always something....

Hmm. The Land of Gorch is somehow adjacent to the Land of the Humanoid Bees. Do they exist on the same planet or is there some sort of interdimensional doorway between them? Or am I overthinking it? :rommie:
Definitely. It turns out that the Land of Gorch has its own Wiki page. From what I skimmed, production of the sketch was troubled.

I'm mildly surprised that they could say "asses" in 1975.
They could get away with more in that timeslot back in the day.

Did the guests ever start doing the "Live from New York" part? I seem to vaguely remember that.
Yes. Guests, other cast members...once Chevy was gone, it was up for grabs.

I've noticed his blinking a lot. I always figured it was a nervous affectation.
Have you seen it while he was doing anything else?

That's good, because I did. :rommie:
My primary exposure to that sketch was its use in series retrospectives. An example of the early show being edgy.

So there are plot developments. Interesting.
I was surprised that they had those two get hitched so soon. They're a cute couple--Big Swede, the settlement's most powerful and handsome lumberjack who's painfully shy, paired with Miss Ellie, the dowdy, repressed, but cute school marm.
 
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I'm reminded of something Dana Carvey did as Ross Perot in a 1992 SNL political special, presenting line graphs that showed how SNL's early popularity ascending at the same time that Ford's approval ratings were descending, suggesting that Chevy's portrayal of Ford as a bumbling fool might be responsible.
They're not giving Ford enough credit for his own demise. :rommie:

Sting it to the man!
Right on!

Pretty common in the radio and early TV eras.
Yeah, I was thinking about that. Specifically Burns and Allen selling cigarettes. :rommie:

Off the shelf and proud.

Are you sure he's not deteriorating?
Heh. He does seem to have lost a lot of weight.

It's always something....
:rommie:

Definitely. It turns out that the Land of Gorch has its own Wiki page. From what I skimmed, production of the sketch was troubled.
Did you read the episode descriptions? They become aware that they're not wanted and end up in a storeroom. :rommie: I wonder if the Henson company owns the Copyright or if SNL does-- or whoever owns these respective Copyrights now.

They could get away with more in that timeslot back in the day.
True. I was thinking of a time in the 80s when the FCC decided that it was okay to say "penis." SNL responded with a sketch of a bunch of guys chanting "penis" over and over. :rommie:

Yes. Guests, other cast members...once Chevy was gone, it was up for grabs.
He owned the intro. He must have been at the top of the NRFPT pecking order.

Have you seen it while he was doing anything else?
I guess. I mean, I'm aware of it but I never thought about it much.

My primary exposure to that sketch was its use in series retrospectives. An example of the early show being edgy.
Edgier than today, apparently.

I was surprised that they had those two get hitched so soon. They're a cute couple--Big Swede, the settlement's most powerful and handsome lumberjack who's painfully shy, paired with Miss Ellie, the dowdy, repressed, but cute school marm.
Now they'll have to do an episode where somebody teaches them how to make babies. :rommie:
 
50 Years Ago This Week


January 4
  • A team from the Soviet Union lost to a National Hockey League team for the first time in Super Series '76, with two Soviet teams and eight U.S. and Canadian NHL teams playing a total of eight games, as the Buffalo Sabres defeated the Wings of the Soviet Union team of Moscow, 12 to 6.

January 5
  • Television was introduced to South Africa for the first time in that nation's history, more than 25 years after it had been introduced in most of the industrial nations of the West, as the South African Broadcasting Corporation (SABC) began its first nationwide broadcasts. Prime Minister John Vorster, whose government had opposed TV broadcasting for years, came on the air to launch the inaugural night's offering on SATV, starting with the first part of the miniseries documentary The World at War, followed by an episode of The Bob Newhart Show....Initially, South African TV was limited to five hours in the evening from 7 p.m. to midnight, with half of the programming in English and half in Afrikaans.
  • The U.S. state of California assessed a $4,200,000 fine against the American Motors Corporation for violations of the state's anti-pollution laws regarding motor vehicle equipment.
  • Malcolm "Mal" Evans, 40, English roadie who set up the concerts for The Beatles from 1963 until their breakup, was shot and killed by Los Angeles police after pointing an air rifle (BB gun) at them during a confrontation.

January 6
  • In the U.S. state of Hawaii, a group of indigenous Hawaiian Islanders carried out "Operation Protect Kahoʻolawe ʻOhana" in order to stage a mock invasion to reclaim Kahoolawe, the smallest of the eight main islands that make up the state, and to retake it from the exclusive use of the United States Navy. After setting out from the island of Maui, a group of nine people, later called "The Kaho'olawe Nine," made a successful landing, while a larger group was stopped when their boat was intercepted by a Navy patrol boat. Three other members of PKO died when their boat overturned in severe weather.

January 7
  • In a confrontation between the naval forces of Iceland and the United Kingdom in the "Third Cod War," over fishing rights in the North Atlantic Ocean, the Icelandic gunboat ICGV Thor collided with the Royal Navy frigate HMS Andromeda (F57), causing damage to both vessels. Andromeda returned to the Royal Navy base in Devonport for repairs.
  • Kenneth Moss, a former record company executive, was sentenced to 120 days in the Los Angeles County Jail and four years probation for involuntary manslaughter in the 1974 drug-induced death of Average White Band drummer Robbie McIntosh.

January 8
  • Zhou Enlai (then romanized as "Chou En-lai"), the Premier of the People's Republic of China since its 1949 founding by the Chinese Communist Party, and the second most powerful official after Party Chairman Mao Zedong, died of cancer....The death of Zhou removed the prospect that he would be Mao's successor, and brought Vice-Premier Deng Xiaoping into power as the head of the Chinese government in "the most remarkable political comeback in modern Chinese history." Deng had been purged from the Communist Party in 1966 and disgraced until his rehabilitation in 1973.
  • The comic strip Jon, written by 30-year-old cartoonist Jim Davis, made its debut as a local feature in the Pendleton Times, a weekly newspaper in the small town of Pendleton, Indiana, beginning what would become one of the most popular comic strips in the world. Initially, the comic focused on "Jon Arbuckle," a young man who has a pet cat named Garfield. The strip would be accepted by United Feature Syndicate and, with a change of title and a shift in focus from the cat's owner to cat, debut as Garfield on June 19, 1978.

January 10
  • Soviet Foreign Minister Andrei Gromyko and Japan's Foreign Minister Kiichi Miyazawa met in Tokyo to seek an agreement on a treaty between the two nations, ending the state of war that had been in effect since August 1945. The Soviets rejected Japan's demand for the return of four northern islands—Etorofu, Kanashiri, Shikotan and Hobomai—that had been under Soviet control for more than 30 years, as well as the release of 400 Japanese prisoners still incarcerated in the USSR.
  • Howlin' Wolf (stage name for Chester Arthur Burnett), 65, African-American Chicago blues singer and harmonica player ranked in Rolling Stone magazine in 2011 among the 100 greatest artists of all time, died of complications from kidney surgery.
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(released July 1960; #219 on Rolling Stone's 500 Greatest Songs of All Time [2004])​


Selections from Billboard's Hot 100 for the week:
1. "Convoy," C. W. McCall
2. "I Write the Songs," Barry Manilow
3. "Theme from Mahogany (Do You Know Where You're Going To)," Diana Ross
4. "Love Rollercoaster," Ohio Players
5. "Saturday Night," Bay City Rollers
6. "Fox on the Run," Sweet
7. "I Love Music, Pt. 1," The O'Jays
8. "That's the Way (I Like It)," KC & The Sunshine Band
9. "Love to Love You Baby," Donna Summer
10. "Times of Your Life," Paul Anka
11. "Walk Away from Love," David Ruffin
12. "Country Boy (You Got Your Feet in L.A.)," Glen Campbell
13. "Sing a Song," Earth, Wind & Fire
14. "You Sexy Thing," Hot Chocolate
15. "Rock and Roll All Nite," Kiss
16. "Fly Away," John Denver
17. "50 Ways to Leave Your Lover," Paul Simon
18. "Evil Woman," Electric Light Orchestra
19. "Let's Do It Again," The Staple Singers
20. "Love Machine (Pt. 1)," The Miracles
21. "Over My Head," Fleetwood Mac
22. "Breaking Up Is Hard to Do," Neil Sedaka
23. "Love Hurts," Nazareth

25. "Wake Up Everybody, Pt. 1," Harold Melvin & The Blue Notes
26. "For the Love of You (Part 1 & 2)," The Isley Brothers
27. "Baby Face," The Wing and a Prayer Fife and Drum Corps
28. "Somewhere in the Night," Helen Reddy
29. "Fly, Robin, Fly," Silver Convention
30. "Sky High," Jigsaw
31. "Nights on Broadway," Bee Gees
32. "Part Time Love," Gladys Knight & The Pips
33. "Hurricane, Pt. 1," Bob Dylan
34. "Let It Shine"/"He Ain't Heavy, He's My Brother," Olivia Newton-John

36. "Squeeze Box," The Who

38. "Theme from S.W.A.T.," Rhythm Heritage
39. "Golden Years," David Bowie
40. "Slow Ride," Foghat
41. "Island Girl," Elton John
42. "Take It to the Limit," Eagles

44. "Full of Fire," Al Green

46. "All by Myself," Eric Carmen
47. "Deep Purple," Donny & Marie Osmond
48. "The Way I Want to Touch You," Captain & Tennille

51. "Tracks of My Tears," Linda Ronstadt
52. "Fanny (Be Tender with My Love)," Bee Gees

57. "The White Knight," Cledus Maggard & The Citizen's Band
58. "Feelings," Morris Albert

62. "Sweet Love," Commodores

64. "December, 1963 (Oh, What a Night)," The Four Seasons

68. "Junk Food Junkie," Larry Groce
69. "Love Is the Drug," Roxy Music

71. "Bohemian Rhapsody," Queen
72. "My Little Town," Simon & Garfunkel

75. "Only Sixteen," Dr. Hook
76. "Sweet Thing," Rufus feat. Chaka Khan

81. "Dream On," Aerosmith

88. "Dream Weaver," Gary Wright

Leaving the chart:
  • "I Believe in Father Christmas," Greg Lake (3 weeks)
  • "The Last Game of the Season (A Blind Man in the Bleachers)," David Geddes (8 weeks)
  • "Our Day Will Come," Frankie Valli (12 weeks)
  • "Who Loves You," The Four Seasons (20 weeks)

Re-entering the chart:

"Dream On," Aerosmith
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(originally charted in 1973, reaching #59 US; reaches #6 US this run; #172 on Rolling Stone's 500 Greatest Songs of All Time [2004])

Recent and new on the chart:

"Tracks of My Tears," Linda Ronstadt
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(Dec. 20; #25 US; #4 AC; #11 Country; #42 UK)

"The White Knight," Cledus Maggard & The Citizen's Band
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(Dec. 27; #19 US; #1 Country)

"Junk Food Junkie," Larry Groce
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(#9 US; #33 AC; #61 Country)


And new on the boob tube:
  • All in the Family, "New Year's Wedding"
  • M*A*S*H, "Der Tag"
  • Hawaii Five-O, "Loose Ends Get Hit"
  • Emergency!, "Right at Home"
  • The Mary Tyler Moore Show, "The Seminar"
  • The Bob Newhart Show, "Carol at 6:01"
  • NBC's Saturday Night, Season 1, episode 9, hosted by Elliott Gould



Timeline entries are quoted from the Wiki page for the month, with editing as needed.



Off the shelf and proud.
Not to mention frolicking and prancing.

Did you read the episode descriptions? They become aware that they're not wanted and end up in a storeroom.
I didn't look too close at them past the ones I've seen, but I did catch that they stopped using the Gorch set after a point.

I wonder if the Henson company owns the Copyright or if SNL does-- or whoever owns these respective Copyrights now.
If they're still packaged in SNL episodes, I'd guess probably SNL.

True. I was thinking of a time in the 80s when the FCC decided that it was okay to say "penis." SNL responded with a sketch of a bunch of guys chanting "penis" over and over. :rommie:

He owned the intro. He must have been at the top of the NRFPT pecking order.
And the first to strike out on his own.

Now they'll have to do an episode where somebody teaches them how to make babies. :rommie:
Apparently the marriage of non-leads is going to be a regular thing. In yesterday's episode, it was the only Jewish man and woman in the camp hooking up.

I should explain part of the show's premise that routinely factors into the marriage plots. The Bolt brothers (Brown, Soul, and Sherman) own a mountain and run the lumberjacking operation there. Mark Lenard's character, Stempel, is the mill owner, who's ambitious to get the mountain from them. He helped finance bringing the brides in, with a contractual stipulation that if the brothers didn't provide 100 marriageable brides, he could take the mountain. Thus whenever a bride is discovered to be arguably unmarriageable, or threatens to leave for other reasons, the mountain is at stake, and the brothers are motivated to get involved.

In the episode with William Schallert's minister, the bride he was interested in was discovered to be a widower with a son who was just coming to Seattle that episode. While the reverend was willing to marry her, the son's initial resistance to the union proved to be an obstacle. In yesterday's episode, the Jewish man and woman came separately, neither's religious background having previously been public knowledge. When she determined that she wanted to marry within her religion, the mountain was at stake again, with the obstacle being that they'd previously had a bad run-in when he was drunk.
 
Prime Minister John Vorster, whose government had opposed TV broadcasting for years, came on the air to launch the inaugural night's offering on SATV, starting with the first part of the miniseries documentary The World at War, followed by an episode of The Bob Newhart Show....
I wonder how Bob Newhart felt about being the first sitcom in South Africa. :rommie:

The U.S. state of California assessed a $4,200,000 fine against the American Motors Corporation for violations of the state's anti-pollution laws regarding motor vehicle equipment.
I picture Malloy handing them a ticket. Probably not how it went.

Malcolm "Mal" Evans, 40, English roadie who set up the concerts for The Beatles from 1963 until their breakup, was shot and killed by Los Angeles police after pointing an air rifle (BB gun) at them during a confrontation.
Wow, that's a sad story. He did a lot more than the label "roadie" implies.

In a confrontation between the naval forces of Iceland and the United Kingdom in the "Third Cod War," over fishing rights in the North Atlantic Ocean, the Icelandic gunboat ICGV Thor collided with the Royal Navy frigate HMS Andromeda (F57), causing damage to both vessels.
Who's stronger, Thor or Andromeda?

The comic strip Jon, written by 30-year-old cartoonist Jim Davis, made its debut as a local feature in the Pendleton Times, a weekly newspaper in the small town of Pendleton, Indiana, beginning what would become one of the most popular comic strips in the world. Initially, the comic focused on "Jon Arbuckle," a young man who has a pet cat named Garfield. The strip would be accepted by United Feature Syndicate and, with a change of title and a shift in focus from the cat's owner to cat, debut as Garfield on June 19, 1978.
Well, there's a bit of comic strip history I wasn't aware of. Of course, Garfield is far from my favorite comic strip. :rommie:

The Soviets rejected Japan's demand for the return of four northern islands—Etorofu, Kanashiri, Shikotan and Hobomai—that had been under Soviet control for more than 30 years
And are still under Russian control to this day. This is how close the Soviets came to occupying Japan, or at least part of it.

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I don't believe I've ever heard this one, but it's pretty cool.

"Dream On," Aerosmith
Good one. Strong nostalgic value.

"Tracks of My Tears," Linda Ronstadt
Good song and a good cover, as usual. Strong nostalgic value.

"The White Knight," Cledus Maggard & The Citizen's Band
I'm sure I've never heard this before, and I had to Google the lyrics to keep up, but it's pretty good. :rommie:

"Junk Food Junkie," Larry Groce
This is an all-time classic with deep personal meaning for me. Strong nostalgic value.

Not to mention frolicking and prancing.
Indeed!

If they're still packaged in SNL episodes, I'd guess probably SNL.
Probably true. Although there are all those songs. It would have been interesting if Jim Henson had been able to do what he wanted with the concept. It would have been funny to see something along the lines of those early 70s specials, but totally twisted. :rommie:

Yep, that's the one. :rommie:

And the first to strike out on his own.
Because he was Chevy Chase and they weren't.

I should explain part of the show's premise that routinely factors into the marriage plots. The Bolt brothers (Brown, Soul, and Sherman) own a mountain and run the lumberjacking operation there. Mark Lenard's character, Stempel, is the mill owner, who's ambitious to get the mountain from them. He helped finance bringing the brides in, with a contractual stipulation that if the brothers didn't provide 100 marriageable brides, he could take the mountain. Thus whenever a bride is discovered to be arguably unmarriageable, or threatens to leave for other reasons, the mountain is at stake, and the brothers are motivated to get involved.

In the episode with William Schallert's minister, the bride he was interested in was discovered to be a widower with a son who was just coming to Seattle that episode. While the reverend was willing to marry her, the son's initial resistance to the union proved to be an obstacle. In yesterday's episode, the Jewish man and woman came separately, neither's religious background having previously been public knowledge. When she determined that she wanted to marry within her religion, the mountain was at stake again, with the obstacle being that they'd previously had a bad run-in when he was drunk.
That is certainly one of the weirdest premises for a TV show ever, but it actually does sound interesting. :rommie: And it at least seems like they've done their historical research, although I can't say for sure without doing some research of my own.
 


Well You Can Do Anything, but Lay Off of My
70 Years Ago This A-wop-bop-a-loo-mop-a-lop-bam-Month! (Part 1)



Already on the chart and of interest:

"Cry Me a River," Julie London
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(charted Nov. 12, 1955; #9 US; #22 UK)



January 1
  • The Anglo-Egyptian Condominium ended, with the Republic of Sudan becoming an independent nation after nearly 136 years of union with Egypt and 56 years of British occupation.
  • Carl Perkins's record "Blue Suede Shoes" was released.
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(charts Mar. 3; #2 US; #1 Country; #2 R&B; #10 UK; #95 on Rolling Stone's 500 Greatest Songs of All Time [2004]; B-side: "Honey Don't")​
  • A stampede during a New Year's event at the Yahiko Shrine in Niigata Prefecture, Japan, resulted in 124 deaths and 77 people injured.

January 2
  • The 1956 Rose Bowl college football game was won by the Michigan State Spartans, who defeated the UCLA Bruins by 17–14, with Walt Kowalczyk being given the award for best player.

January 3
  • Fire broke out in the television transmitter at the top of the Eiffel Tower, causing damage that would take a year to repair.
  • By popular demand, Peter Pan, starring Mary Martin, was restaged live by Producers' Showcase on NBC-TV.
  • First issue of Showcase (DC comics) [cover-dated March-April]

January 6
  • Ismail al-Azhari took office as the first Prime Minister of an independent Sudan.

January 8
  • Operation Auca: Five evangelical Christian missionaries from the United States (Nate Saint, Roger Youderian, Ed McCully, Jim Elliot, and Pete Fleming) were speared to death by members of the Huaorani people of Ecuador after attempting to introduce Christianity to them.

January 9
  • In Charles M. Schulz's Peanuts, Snoopy started walking ice-skating on his hind legs.
Peanuts560109.jpg


January 10
  • At Edwards Air Force Base, California, U.S. Air Force 1st Lt. Barty R. Brooks died in the crash of a North American F-100 Super Sabre. The accident was caught on film and became one of the most notorious instances of the aerodynamic phenomenon known as the "Sabre dance".



Also on January 10-11, a particularly noteworthy single was recorded that will be the focus of Part 2.



On the weeks of January 14 through February 11, "Memories Are Made of This" by Dean Martin topped the Billboard Best Sellers in Stores chart.
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Charting the week of January 14:

"Tutti Frutti," Little Richard
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(#17 US; #2 R&B; #29 UK; #43 on Rolling Stone's 500 Greatest Songs of All Time [2004])

"See You Later, Alligator," Bill Haley & His Comets
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(#6 US; #7 R&B; #7 UK)



Timeline entries are quoted from the Wiki page for the month, as well as the year in film, music, television, and comics, with editing as needed. Sections separated from timeline entries are mine.



I wonder how Bob Newhart felt about being the first sitcom in South Africa. :rommie:
The shout-out was half my reason for posting that item.

Wow, that's a sad story. He did a lot more than the label "roadie" implies.
There's a strong argument for Neil Aspinall and Mal Evans sharing the coveted title of Fifth Beatle. As one author put it, they were the only other people who pretty much shared the whole Beatles experience with the actual band members. They went where the Beatles went, slept where the Beatles slept, ate what the Beatles ate, and wore what the Beatles wore.

Who's stronger, Thor or Andromeda?
These days, probably Andromeda.

I don't believe I've ever heard this one, but it's pretty cool.
Not even the Cream cover? HW was a big influence on the British blues artists, including them and the Stones.

Good one. Strong nostalgic value.
A classic among classic rock.

Good song and a good cover, as usual. Strong nostalgic value.
I find this to be a pretty vanilla cover that doesn't add anything to the original. It's hard to improve upon peak-era Smokey.

I'm sure I've never heard this before, and I had to Google the lyrics to keep up, but it's pretty good. :rommie:

This is an all-time classic with deep personal meaning for me. Strong nostalgic value.
I wasn't familiar with either of these novelty numbers, and can't say I'm motivated to get either. The first one I found to be particularly annoying. They both sound like they're trying to be Ray Stevens.

Yep, that's the one. :rommie:
I'm not sure if I saw that one first-run or not. It has a vague familiarity to it.

That is certainly one of the weirdest premises for a TV show ever, but it actually does sound interesting. :rommie: And it at least seems like they've done their historical research, although I can't say for sure without doing some research of my own.
It fits pretty well in the mold of the plethora of Western shows that were on the TV landscape in the '60s. It's fun seeing Mark Lenard as the show's regular rat bastard, though I've read that he becomes less antagonistic as the series goes on. Thus far, the only story where he and the Bolt brothers were on the same side was one in which they tried hiring a sheriff (John Marley), who turned out to be a hard-ass who was enforcing a curfew and the expiration of the saloon's liquor license. They pulled the trick of having the entire town break the curfew; when he refused to arrest them all, they were contractually able to fire him for dereliction of duty.
 
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