Very grey.I still love the TMP color pallette, except for some of the uniforms.
Very grey.I still love the TMP color pallette, except for some of the uniforms.
I guess that makes it realistic then, because I hate to say it but I've had the misfortune of seeing more than one doctor like this. Not naming names of course (one of them actually treated Sylvester Stallone and had a photo of him and Stallone in the office--didn't make up for him completely missing my small nerve neuropathy)
Ah ok. Thanks.It's a motion picture.
I gotta movie for you. Muted color and "no lighting"
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And crying
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I still love the TMP color pallette, except for some of the uniforms.
Really? Never had that problem before. Anyone else?
Nope. I can see both pics you posted.Really? Never had that problem before. Anyone else?
I just look at it as the cold, mechanical and very brushed steel look that sci-fi commonly inserted into films in the mid-to-late 1970s. Logan's Run is another example of a muted color pallette with lots of one- or two-tone costumes and TMP just follows on from that trend. The ship is beautiful and I love how "real" it feels in some ways. Metal. Assembled.Very grey.
Nope. WeirdThey popped up now. Did you fix it?
Nope. Weird
Helluva a shift from the "in living color" of TOS. They brightened it up a again for TWOK. and the day glow 80s.I just look at it as the cold, mechanical and very brushed steel look that sci-fi commonly inserted into films in the mid-to-late 1970s. Logan's Run is another example of a muted color pallette with lots of one- or two-tone costumes and TMP just follows on from that trend. The ship is beautiful and I love how "real" it feels in some ways. Metal. Assembled.
Did they ever actually say he was CMO? I've never quite figured that out.
I don't think we ever learned who the chief medical officer was (or the chief engineer). Though the way Culber was able to take on the job of counselor in addition to his medical duties makes me think that Pollard was probably CMO.
It was probably hard for Discovery to have a clearly defined chief engineer without having a clearly defined engine room.Same with the Chief Engineer, which is another post where every show has a clearly defined one.
Yeah, I'm of the opinion that pretty much everything worked in terms of aesthetic in the motion picture, besides some of the uniforms. It's still the only classic Trek film that actually feels like a big budget movie. The Refit Enterprise feels alive and liveable with its massive sets that we never saw again in the later films.Yeah, it's jarring as hell. But it works for me, if only for that one film.
The most credible theory I have heard is that they do it to cover the flaws that would show up because of the higher resolution camera's and screens now in use.Yeah, I really don't understand the people making modern shows' ,not just Star Trek, obsession with constantly making things so dark all the time. I'm the kind of person who prefers things to be bright and colorful, so this really drives me crazy.
It was probably hard for Discovery to have a clearly defined chief engineer without having a clearly defined engine room.![]()
And this is why proper Network Isolation & Manual Updates are important, no matter how annoying it might be.While there was hope that she took the lesson to heart, she obviously didn't and while she got to the top spot she lusted for so desperately (was a Fleet Admiral in Picard while Riker's still a captain) she continued to disregard others' concerns (La Forge mentioned he and others were protesting linking the fleet on Frontier Day) and ended up getting herself and a bunch of others killed.
I love watching Robert Wise's The Andromeda Strain and TMP back-to-back to see the continuity of direction, cinematography, and art design between the two movies. You can easily see the lineage from one into the other, down to split-diopter shots and using a different color scheme in the corridors per level.Yeah, it's jarring as hell. But it works for me, if only for that one film.
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