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News Stay At Home With ULTRAMAN| Ultra Science Fiction Hour on YouTube

It's interesting how Max and Mebius are consecutive Showa tribute/anniversary series, but in very different ways. Max is in its own separate universe (except in "The Untargeted Town," which blurs it) but homages the original shows' approach and style and sometimes specific episodes, brings back the original actors as new characters, reuses classic kaiju and aliens, and even gives longtime director Akio Jissoji his swan song. Mebius, on the other hand, is a direct sequel to the Showa continuity and revisits many of its characters and storylines, but it's a very modern, Heisei-era series in its serialized, character-driven writing and even deconstructs a number of the Showa-era conventions (largely by having the team learn Mebius's identity midway through). They complement each other very nicely, taking two highly contrasting approaches to the homage and doing it well and with originality in both cases.
 
I haven't yet seen Mebius, but it's in the viewing queue. (I actually got the DVD set for Christmas.) Thanks for spoiler-coding whatever that was above.

I ran across a useful guide to the Ultra shows here. The guy includes recommendations for each series based on your interests or preferences -- "watch X if you like Y." For Mebius, he simply says to watch it if you "have a pulse." It's apparently his favorite of all the shows.
 
Mebius is excellent, but it's got strong competition. Really, everything from Tiga through Mebius is the best overall era of the franchise, even though I didn't like Nexus as much as many do. I'd say the Tiga/Dyna/Gaia triad is probably the best run it's ever had, with Max and Mebius coming in close behind. The current "post-New Generation" era with Blazar and Arc is the best since.
 
I recall Max being the first Ultra in a live-action Japanese-language series to be given any significant personality of his own or ongoing dialogue with his host (following Joneus in the anime and Great in the Australian series), but apparently that only comes later in the series and I haven't gotten there yet (aside from the bit in "Who Am I?" where Max briefly had a memory flash of his home in the Land of Light).

Okay, I just finished Max, and apparently I was remembering wrong. Max doesn't interact with Kaito significantly more often than previous Ultras have with their human hosts -- mainly just in the premiere, the final 2-parter, and once or twice in between. So I wonder what it is I'm remembering. I'm thinking of a scene in some series where the host converses with the Ultra and asks about his homeworld. It can't be any of the other 1990s-2000s Japanese series, since I think Max was the only Ultra in those who even communicated in speech with his host, except for Ultraman The Next in the movie (who was the same individual as Ultraman Nexus, in a different form); Mebius doesn't count since he didn't have a host. So the earliest season I can think of that it could be is Ultraman X, which definitely had an exceptionally verbal, active Ultra compared to the norm, but I had thought it was something earlier.

Anyway, Max is really a great series. It has its weak moments -- the Baltan 2-parter is really dumb, even though it's a swan song from the creator of the Baltan -- but it's mostly excellent and sometimes superb. The final 2-parter is great. It benefits from Tiga and Gaia's head writer Chiaki J. Konaka coming in to write a number of the later episodes, including the finale.
 
Eh, I thought the Baltan two-parter was rather charming. Since it's first and foremost a kid's show, I found the children helping to save the day to be a nice and appropriate touch (though kids are integral to several other Max episodes as well). And an overeager Mizuki crowing, "Fortune favors the bold!" has become a new catchphrase in my house.
 
Well, the Ultra shows are indeed gone now from Tubi, Roku, and Shout! TV, though I checked this morning and found that they're still apparently available on a couple of free-with-ads services, Plex and something called Fawesome. So I'll still be able to rewatch Cosmos and Mebius legally after all, assuming they actually stick around long enough.

Tubi etc. do still retain some of the Ultraman movies, though not their associated series, which is weird. But I was pleased to discover that Tubi has the Ultraman Blazar movie, which I just finished. It's excellent, although it's basically just an extra-long episode, a standalone story that doesn't alter the series status quo except in one character-oriented way. (It even opens with a really long "previously" recap of the whole series, to catch up new or forgetful viewers, so that was helpful.) It's actually a bit frustrating in that it seemed like the guest star's personal issue driving the story would teach Gento that he was guilty of the same behavior and lead him to make a change, but if so, it was conveyed so subtly that I couldn't be sure it happened at all.

Anyway, Blazar (the character himself) is as fun to watch in action as ever, and the SKaRD team are still charming. The fact that their series didn't have the usual "I must return to my own planet" finale, that the team is still active after the series and the movie, makes me wish they'd just go ahead and do a season 2.
 
There are Ultraman series still on Tubi or they already readded them. They all had disappeared of my My Stuff list, but when I searched Ultraman they came up, but I'm not positive it's all the ones that used to be on there.
They have the Blazar and Taiga movies, but not the series, which is kind of odd. The same thing also happened with their Super Sentai Series.
 
Thanks for the heads-up! Tubi has Cosmos back, which is great, since the "Fawesome" app, the only other place I've found it, is not very good. Tubi doesn't appear to have Mebius back yet, but I found it on Plex, which is decent, except I have to turn the subtitles on individually for every episode. (I decided to watch both Cosmos and Mebius roughly in parallel instead of consecutively.)

Although the episode list for Cosmos on Tubi is out of order -- it's weirdly sorted by the first digit, so it's 1, 10-19, 2, 20-29, 3, 30-39, etc. Hopefully someone will fix that soon.


EDIT: Incidentally, it turns out that Cosmos, not Max, was the first Heisei-era Ultra to have frequent dialogue with his host. I'd misremembered that he was as silent as Tiga, Dyna, and Gaia, and in the prequel movie, he communicates silently to the young Musashi. But in the show, he has a voice and has had several conversations with Musashi in just the first 7-8 episodes. (I don't remember if Neos was verbal, or how much he spoke. My impression is that he said little or nothing, though.)
 
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Update: It turns out the Cosmos episodes on Tubi are still in order, it's just the episode list that's arranged wrong so that the wrong titles, descriptions, and thumbnails are attached to the episodes. I found a way to report the problem and they replied that they're looking into it.
 
Arc #24, "The Descending Dream":
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Whoa, this was intense. A nicely theatrical, dreamlike opening, a lot of drama as the storyline builds to its climax, and one of the most striking iterations I've ever seen of the standard thing that usually happens in the climactic arc of an Ultraman season. Weirdly goofy-looking kaiju for such a climactic menace, though.
 
Arc #25, "Time to Run, Yuma":
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A pretty good finale, going heavy on the drama and emotion. The action climax was a bit too far over the top for me, with an extremely silly final move.

Yuma returning home with Arc/Rution to help him save his own galaxy is evocative of the ending of The Return of Ultraman, where Go went with Ultraman Jack to help him defend the Land of Light from an invasion. Not surprising, since Return has been an influence on this season in some ways, notably the title sequence design.
 
I'm glad its over, this was a rough season to watch for me. It reminded me of Ultraman Trigger in how bored I felt watching it and how little I cared about the characters. That said Trigger was more memorable so I guess this is a case of "boring is worse then bad" when it comes to comparing Arc and Trigger, at least for me. I don't know whats been going on since Z, the last new Ultraman show I liked, but I hope they eventually get better writers/producers and try to get back to the quality of shows like Z, X, Geed, etc.
 
I enjoyed Arc overall. Not the most memorable series, but I think I liked it better than Blazar when all is said and done. Strong action scenes. And I liked that they explored Arc's relationship with Yuma. That really elevated it for me.

I've got some holiday gift cards and I'm debating on which Ultraman show I've not seen to sample. X? Taiga? R/B? I've already got Orb and Orb Origin on the way, along with the Ultra Galaxy Fight set. Origin will be new to me, and I've only seen one of the UGF serials so that should keep me busy for a bit. I don't know enough about the show prior to when I started watching it (with Z) to be sure which seasons have a good reputation and which are passable. But so far I'm 2 for 2 with Geed and Orb, so I figure it's worth exploring another.
 
I enjoyed Arc overall. Not the most memorable series, but I think I liked it better than Blazar when all is said and done. Strong action scenes. And I liked that they explored Arc's relationship with Yuma. That really elevated it for me.

I think overall I liked Blazar a little better. I was lukewarm on the first half of Arc, but it got really impressive in the latter half, and I love the exceptionally close relationship it built between Yuma and Rution/Arc.


I've got some holiday gift cards and I'm debating on which Ultraman show I've not seen to sample. X? Taiga? R/B? I've already got Orb and Orb Origin on the way, along with the Ultra Galaxy Fight set. Origin will be new to me, and I've only seen one of the UGF serials so that should keep me busy for a bit. I don't know enough about the show prior to when I started watching it (with Z) to be sure which seasons have a good reputation and which are passable. But so far I'm 2 for 2 with Geed and Orb, so I figure it's worth exploring another.

Of the New Generation shows, I think X and Z were my favorites, though Z is sort of an indirect sequel to Orb. Taiga wasn't bad, with an interesting premise (aliens living openly among humans, similar to Dekaranger) and the unusual twist of three Ultras sharing a host. I didn't like the comedy villain in the first half of R/B, but the antagonist in the second half was more intriguing. Ginga and Ginga S were my least favorites, along with Trigger, which had very shallow character writing.

Still, for me, the high point of the franchise is the Heisei run, nearly everything from Tiga to Mebius. I think only Blazar and Arc have come close to achieving that level again.
 
Bah! He's just a poor man's Spectreman!

I had to look that one up -- I'd never heard of it. It's weird that the hero's civilian identity was named Jouji Gamou in honor of Russian physicist George Gamow. That surpasses what I thought was the weirdest bit of trivia about George Gamow, which was that he once punningly added the name of his friend Hans Bethe as an author of a physics paper by himself and his student Ralph Alpher so that it would credited to Alpher, Bethe, and Gamow (Alpha, Beta, Gamma).
 
Oh, by the way, Tubi has restored the majority of its Ultraman titles to its lineup, although it isn't as complete a set as it had before. I'm glad I can switch to watching Mebius there, since on Plex I had to turn on the subtitles manually for every episode.

Tubi still hasn't fixed the episode listing order for Ultraman Cosmos, so the episodes (which are in the right order) have the wrong titles and descriptions appended to them in the list. I guess the prompt e-mail response I got when I notified them was automated and they haven't actually done anything.
 
So having recently watched, and loved, Nexus, Max, and Tiga, I'm currently 14 episodes into Dyna, and I'm ... kind of underwhelmed so far? Compared to those other shows, it seems to have precious little interest in developing its characters. Other than Asuka, the Super GUTS team members mostly seem to be stock ciphers. I feel like probably 75 percent of Tiga episodes had a personal hook for one of the characters -- a mentor, an old friend, a parent, a sibling, a child, a boyfriend/girlfriend, who was somehow involved and gave the stories a personal stake for the characters, and let us learn something about each character in the process. I may be overestimating that percentage, but even when that kind of story/character connection was lacking, they were throwing in tantalizing ship-bait for Rena/Daigo, a relationship in which I was quickly invested.

Dyna feels like it's trying to ride on plots/concepts, and to some degree on Asuka's status as a somewhat offbeat Ultra host, but to me it's not enough, at least not so far. I also realize I'm not the target audience these shows are designed for, and that Japanese children are probably not coming to them first and foremost for character-building and romance. But the other shows managed to deliver it anyway.

Without spoilers, am I off-base in my early impression of Dyna? Or if not, does it get better?
 
So having recently watched, and loved, Nexus, Max, and Tiga, I'm currently 14 episodes into Dyna, and I'm ... kind of underwhelmed so far? Compared to those other shows, it seems to have precious little interest in developing its characters. Other than Asuka, the Super GUTS team members mostly seem to be stock ciphers. I feel like probably 75 percent of Tiga episodes had a personal hook for one of the characters -- a mentor, an old friend, a parent, a sibling, a child, a boyfriend/girlfriend, who was somehow involved and gave the stories a personal stake for the characters, and let us learn something about each character in the process. I may be overestimating that percentage, but even when that kind of story/character connection was lacking, they were throwing in tantalizing ship-bait for Rena/Daigo, a relationship in which I was quickly invested.

Dyna feels like it's trying to ride on plots/concepts, and to some degree on Asuka's status as a somewhat offbeat Ultra host, but to me it's not enough, at least not so far. I also realize I'm not the target audience these shows are designed for, and that Japanese children are probably not coming to them first and foremost for character-building and romance. But the other shows managed to deliver it anyway.

Without spoilers, am I off-base in my early impression of Dyna? Or if not, does it get better?

You're not off-base; the early part of Dyna is comparatively weak. But it does get considerably better as it goes. As I said in this thread back in August 2022, "It feels like they started out trying to make it lighter and less adult-skewing than Tiga, but then had second thoughts and went back to Tiga's approach of more thoughtful and character-driven stories." By the end, it's as good as Tiga and Gaia.

As for target audience, the show was actually aimed more at young adults than kids. From an article about the production of Tiga:
This brand new, sleek, modern show designed to attract the youth… mostly attracted 21 to 28-year-olds that were extremely familiar with the older shows and very nostalgic for them. Not to say there were no new viewers, it’s just the shows attracted more familiar adult audiences over new kid audiences. Even the families that were watching the show were families that were very familiar with the original Ultra works. For the first time ever, the primary audience for an Ultra show was single young adults living alone. Watching Tiga became a popular thing among the young adult population of Japan, there were even watch parties for the show at colleges across the nation. Even when the initial high hype based ratings started to decline, these young adults kept watching and provided a stable base for the show.

The reason why kids weren’t interested in Tiga and why the ratings eventually dropped does relate to the timeslot. Tiga was put up against many long-running kid shows that aired on Saturday night, the children were more familiar with these works over Ultraman and gravitated back to them after the initial airings of the show. Due to this slump in ratings, Kazuo Tsuburaya declared the show a failure to a degree. He did acknowledge, however, that the future of Ultra didn’t seem to lie in the interests of children, but rather maintaining the adult and general family audience they had, so he allowed the production crew who was already at work at a sequel to Tiga to keep leaning an adult/mature direction in hopes to keep this market.
 
Thanks very much for that reassurance. As it happens, tonight I watched episode 15, "Gentle Target," which felt like exactly the kind of show I was asking for: a strong character focus on a specific member of the Super GUTS team (Mai), with effective and dramatic dynamics for other characters as well (especially Ryo). IOW, it felt a lot more like a solid Tiga episode, and it was very welcome.

The info about Tiga's audience base is also interesting. Explains why they found it valuable to spend so much time on character drama and romance, in addition to the requisite monster fights.
 
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