I wonder what in Scotty's psych profile made him wonder that.
I wonder what in Scotty's psych profile made him wonder that.
Isn't he distracted when he gets really into his work, or when he's trying to stop an imminent cataclysm? And being awkward around other people doesn't necessarily mean you're autistic. What examples do you have?
* the inhabitants of Tristan Adams's asylum (and he himself)
I mean Marvick is a grown man so he should understand that not everyone gets the girl they want.
I don't think Marvick and Spock can be held responsible for what they did after they saw Kollos. It was like they were drugged. The same thing that happened to McCoy in COTEOF. So not really mental illness at best like a temporary psychosis.
Is Izar the Klingon Hell, or perhaps Cleveland?
I think that is the biggest problem with this episode: far and away from any material that could seem dated from a show made in the '60's, there is the basic fact that the audience just is not going accept Scotty could be that kind of murderer.
And this is what makes the episode so excellent. We know that Scotty is being framed, but we have no idea how.
It's the kind of story that works best when you already know the guy from prior episodes, just as the characters know Scotty from having worked alongside him: you're not just taking their word for it. A similar episode with a character of the week who the main characters know would hit different - you would have more reason for suspicion, while they would be fairly certain of that person's innocence, but still having a nagging fear they might be wrong.
What I wonder is: did the writers take what both of you have said into account, or was the story written for just any crewman, and then someone realized it would give Doohan/Scotty some unusual material to do?
Kirk's dialogue would have to be subtly different in each case: Kirk in TOS is made to seem heroic, so he should not be be shown as trying to get the crewman off if that is not the truth. So Kirk would have to be given some reason to need to get the guy off apart from his actual innocence for your first version to play out. It would be interesting if an early draft with that approach existed. Although the way you put it suggests that putting Scotty or another of the continuing supporting characters in the role of the accused really does make the most sense for showing Kirk the way they wanted to show him in TOS.If it was a Guy We've Never Met Before and Won't Meet Again, then the audience would say "This is ridiculous, he's so obviously guilty, and Kirk is trying to get him off Scot-free." And then the Redjack Space Monster would be like a crazy Deus Ex Machina solution that makes fools of the audience.
But if the audience is on Scotty's side because they know him, then when Redjack comes along, they'll say "Of course, I knew it!" It's a whole different vibe.
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