Star Trek is about those things too.Soap operas are about relationships, fashion, petty arguments and what have you. Star Trek is more.
Star Trek is about those things too.Soap operas are about relationships, fashion, petty arguments and what have you. Star Trek is more.
Unfortunately, then you get into the conflicting opinions held by Berman and Braga vs what UPN wanted. Berman and Braga really wanted to make the show distinctly different from the other Star Treks. No transporters, and a first season which would largely be Earth centred, as the ship would still be under construction. Then UPN stepped in and said it's not Star Trek without transporters nor is it Star Trek if they stay at Earth. And UPN also wanted a shipboard boy band which would break out into a musical number every episode. Berman and Braga fought UPN about the boy band and won, but the price was they had to do a "traditional" Star Trek series with planets of the week and transporters. And since UPN had no faith in the prequel concept, they had to add the Temporal Cold War to give the show some sort of "future momentum."And if they were serious, they should have named the ship something other than "Enterprise".
No wonder UPN failed.Unfortunately, then you get into the conflicting opinions held by Berman and Braga vs what UPN wanted. Berman and Braga really wanted to make the show distinctly different from the other Star Treks. No transporters, and a first season which would largely be Earth centred, as the ship would still be under construction. Then UPN stepped in and said it's not Star Trek without transporters nor is it Star Trek if they stay at Earth. And UPN also wanted a shipboard boy band which would break out into a musical number every episode. Berman and Braga fought UPN about the boy band and won, but the price was they had to do a "traditional" Star Trek series with planets of the week and transporters. And since UPN had no faith in the prequel concept, they had to add the Temporal Cold War to give the show some sort of "future momentum."
Honestly, if Star Trek doesn't have relationships then I'm out. It's ostensibly about the human journey, how we survived to the future despite the dangers faced and were willing to work together as a species. That unity, not uniformity, would contribute to humanity's greater good and expansion across the stars. If that isn't about relationships then I honestly don't know what is.Soap operas are about relationships
That's...generous.Romantic relationships...well, let’s say it’s mixed...
Watched an episode of Voyager last night, that had a romance between the Doctor and a Vidiian , which was sell done. Done in one romances seem to fare better than ones between main characters.I think they do friendships very well.
Romantic relationships...well, let’s say it’s mixed...
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Torres/Paris was probably one of the few relationships in Trek done OK.Although it ultimately become on of the better romances, Tom Paris and B'Ellanna Torres kind of came out of left field when they first started it. The two characters have practically no interactions at all during the first two seasons, then suddenly in the third they're flirting with each other. As it is, I'm pretty sure it had more to do with the performances of Robert Duncan McNeil and Roxann Dawson that the relationship worked as well as it did rather than the writing.
Stamets and Culber probably is the best romance in the franchise, though.
I'm watching Voyager, almost through season 2, and Torres is one character that seems adrift. She has ties to Chakotay, but it rarely comes up. She and Janeway sort of bonded early on, but that faded. She's stuck with a lot of tech the tech stuff. At least she got a showcase when she split in two.Although it ultimately become on of the better romances, Tom Paris and B'Ellanna Torres kind of came out of left field when they first started it. The two characters have practically no interactions at all during the first two seasons, then suddenly in the third they're flirting with each other. As it is, I'm pretty sure it had more to do with the performances of Robert Duncan McNeil and Roxann Dawson that the relationship worked as well as it did rather than the writing.
Stamets and Culber probably is the best romance in the franchise, though.
Berman and Braga really wanted to make the show distinctly different from the other Star Treks. No transporters, and a first season which would largely be Earth centred, as the ship would still be under construction. Then UPN stepped in and said it's not Star Trek without transporters nor is it Star Trek if they stay at Earth.
Honestly, if Star Trek doesn't have relationships then I'm out. It's ostensibly about the human journey, how we survived to the future despite the dangers faced and were willing to work together as a species. That unity, not uniformity, would contribute to humanity's greater good and expansion across the stars. If that isn't about relationships then I honestly don't know what is.
I think they do friendships very well.
Romantic relationships...well, let’s say it’s mixed...
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Watched an episode of Voyager last night, that had a romance between the Doctor and a Vidiian , which was sell done. Done in one romances seem fare better than ones between main characters.
The relationship between Sisko and his son was wonderfulI think they do friendships very well.
The relationship between Sisko and his son was wonderful
Torres/Paris was probably one of the few relationships in Trek done OK.
This comes up ocassionally. Was the boy band thing being pushed hard, or was it just some casual thought in a brain storming session and no one gave it any priority?the boy band
UPN was right (imho) on not staying on Earth for the first season, I think it would have killed the series. Getting into space during the pilot was the way to go. The producers were wrong.Then UPN stepped in and said it's not Star Trek without transporters nor is it Star Trek if they stay at Earth
The unpopular opinion is praising Keiko and Miles or saying anything positive about Keiko.![]()
UPN was right (imho) on not staying on Earth for the first season, I think it would have killed the series. Getting into space during the pilot was the way to go. The producers were wrong.
If it was made today, every episode would have a flashback to the ship being built on Earth.
Unfortunately, then you get into the conflicting opinions held by Berman and Braga vs what UPN wanted. Berman and Braga really wanted to make the show distinctly different from the other Star Treks. No transporters, and a first season which would largely be Earth centred, as the ship would still be under construction. Then UPN stepped in and said it's not Star Trek without transporters nor is it Star Trek if they stay at Earth. And UPN also wanted a shipboard boy band which would break out into a musical number every episode. Berman and Braga fought UPN about the boy band and won, but the price was they had to do a "traditional" Star Trek series with planets of the week and transporters. And since UPN had no faith in the prequel concept, they had to add the Temporal Cold War to give the show some sort of "future momentum."
Now I want a Trek show about bad future music. Maybe a Federationvision Song Contest?
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