• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Spoilers Catching up on the last 4 years of TrekLit

Prey: The Jackal's Trick

I enjoyed this much more than the prior entry. The first third or so was fairly generic setup, and this flashback was much less interesting than the one about Spock, but the main storyline here was delightfully chaotic and twisty from the H’atorian Conference with no clear winners or losers and many mistakes on both sides to the space battle at the end with a similarly ambiguous outcome. With Cross and Korgh not quite getting along, there is a thread all along of various villains working at cross purposes, and this is much expanded at the end with the reveal of Shift’s true allegiance. I always enjoy these stories where no one has complete information and everyone is trying to promote their own interests. Timothy Zahn, I think, writes them the best, and this isn't quite up to the Zahn standard, but Miller does use the extant continuity regarding the Typhon Pact to grand effect (the Kinshaya, in particular, are great despite blunting a bit of Christopher’s development with them) and produces villains with convincing motivations.

If anything, the problem with this book is that it goes too far in that direction – we spend a lot of time with Korgh, Cross, Valandris, and Zokar. We learn a whole complex backstory of these illusionists operating from the time of Sulu on the Excelsior through TNG and to the present day. We fill in even more of how Korgh went from a dumb kid to a master manipulator (helpfully, as that felt like a bit of a problem last book). We learn of Korgh’s long relationship to his engineer Odrok, and how she always loved Kruge and did this for Kruge but is disappointed in Korgh. We see Valandris’s conflict between following Kruge and her conscience. We see the daughter of the fellow Worf killed at the end of book one, and give him time to reconcile with her. While we’re at it, we also learn a lot about Kahless and how he feels about himself and his relationship to the Empire and his alcoholism. What we don’t get much of is any actual development or characterization of the ongoing main characters on Enterprise and Titan. Aside from Worf once again being abducted by the Unsung and once again having his conceptions of honor theoretically challenged but not really examining his ideas in response, we get LaForge and Tuvok finding the illusion ship and chasing down Blackstone and we get Kyzak and Xaatix figuring out the bomb. And that’s it? Riker and Picard are commanding people to attack and raise shields and follow their leads, etc, but they’re just moving pieces; no one aside from the few mentioned above really gets to have new thoughts or be uniquely themselves or make an impact on the story that Generic Officer/Captain/Admiral couldn’t make.

While this is a weird choice for such a climactic trilogy, it's not necessarily an invalid one. Destiny also introduced a bunch of new characters and ended up centering on Hernandez more than anyone else, for instance (though it must be said that Destiny featured strong character arcs for Picard, LaForge, Riker, Troi, and Dax, among others). But after sitting with this story for two books, I am interested in the guest stars (particularly in Shift now that she’s killed Cross and we know her real motivation), and so that’s success enough. It’s weird that this has so many characteristics of one of these ongoing-continuity-anchor-series but still mostly feels like an old numbered book in style – expanding some corner of the universe and focusing on that as our main characters just generally are competent and good at their jobs over top of the developing story. Back then, it was because they weren’t really allowed to develop the characters much (or, at least, it seemed that way until you read the standout novels, like Peter David's first few); now, it’s hard to figure out why he’s made this choice.

So from that perspective this still feels like a bit of a missed opportunity. But while this passes over any real development for our leads, it does give some pretty fascinating tales in their place, and we did get Kyzak and Xaatix in a section that felt very Titan specifically (as opposed to generically Star Trek) and that fun trip with the Nausicaan engineer, both of which had a specificity and a whimsy that were a lot of fun and missing from the first book. So I’m happy with this. It isn't quite what I was expecting or looking for, but I’m enjoying reading it for what it is, and the third book has a lot of potential.
 
(the Kinshaya, in particular, are great despite blunting a bit of Christopher’s development with them)

As I recall, I was happy with how John used the Kinshaya in Prey. When they were mentioned in passing in Plagues of Night (I think it was), they were referred to as still being a theocracy, as if the events of The Struggle Within hadn't happened. I guess they were such a minor part of the novel that the inconsistency was overlooked. But John did a good job of following through on the events and worldbuilding I established in TSW and reconciling them with PoN.
 
Oh, that makes sense! In that case, I retract that complaint. Indeed, given the contradiction, this is a very nice continuity spackle.
 
Oh, that makes sense! In that case, I retract that complaint. Indeed, given the contradiction, this is a very nice continuity spackle.

And sadly plausible. I was inspired by the reforms of the Arab Spring, but a lot of those reform efforts ultimately failed, so it makes sense that the Kinshaya's might have suffered setbacks as well.
 
Given that I pretty much created the Kinshaya culture, I suppose I should read The Struggle Within and the Prey trilogy at some point to see how y'all ran with it....
 
Prey: The Hall of Heroes

This was certainly the best of the three, as Miller takes the machinations of book two and ups his game a bit, producing a delightful sequence of thrilling reversals. The emphasis this time on the Breen conning the Kinshaya meant that we had a lot of different political powers in this one – the Klingon High Council, Korgh separately, the Unsung separately, Starfleet, Breen Intelligence, the Kinshaya government, the Illusionists – all with their own ends, and tangling them all together was rather delightful. I didn’t like Ardra enough on the show to find her reappearance inherently meaningful, but the book does well with it, and the Kinshaya temple showdown between the two fake illusions is damned entertaining.

It also somewhat ameliorates my complaint in the last book about the actual main characters having no impact on the story; here, it is absolutely true that Riker, Picard, and Ezri figure out the situation and set in motion the plan that solves it, while leaving plenty of room for Unsung heroics to end their arc in a satisfying way. Still, this is primarily not a story about our heroes, this is a story about the Unsung, Korgh, Cross, and Shift. They’re the dynamic characters, the characters that put everything into motion, and the drivers of the plot twists throughout the trilogy. This is the primary reason that I didn't enjoy this more. It’s a good time, fleshes out some delightful Typhon Pact politics (something often missing from the novels over the past three years before this), and is brought home satisfyingly, but this never in its three books worth of wordcount quite makes a character arc for any recurring character at all. It’s lovely to see the Aventine crew, but they could’ve been anyone except Dax and then only by connection to Curzon’s appearance in book two. The Enterprise crew could’ve been anyone, LaForge aside. The Titan crew could’ve been anyone, Tuvok aside.

And the biggest missed opportunity of this trilogy remains missed – Worf doesn’t grow or change at all. Even as the story flirts with him discussing his past dead loved ones, Miller doesn’t mention Choudhury or any sense that he’s been struggling with this recently, and so the whole Worf-focused storyline goes by with the only moment of surprise for him being the moment when Valandris says his son is hot and he realizes he’s old. Ok, that’s not entirely true; he also decides discommendation shouldn’t affect children, which is important, but weirdly we never see him struggle with that thought. He just shows up at the end and pronounces it. If this is to be a story built upon that moral, our characters should think about it at some point, yes?

I also don’t like how Miller writes the ending. The scene where Korgh is exposed is very self-righteous; everyone becomes a lecturing self-satisfied jerk. They should be sorry that they’ve discovered this; this is a tragedy. It leaves a bit of a bad taste in my mouth.

Still and all: this was a lovely romp. After three books, I did care about all the non-main characters to be invested in the ending, and their stories came to satisfying conclusions. I especially liked the work he did with Valandris and Kahless, and I would enjoy seeing Shift again. But I wish he'd developed the main characters more. I feel too much like I got to the end of this and nothing had really happened. Like if I'd skipped it I wouldn't have noticed. These stories don't need reset buttons anymore; you've got a big event trilogy - make something meaningful happen!
 
Given that I pretty much created the Kinshaya culture, I suppose I should read The Struggle Within and the Prey trilogy at some point to see how y'all ran with it....

Especially after the third book in the Prey trilogy, I really think you'd be happy - the Kinshaya are great in this book.
 
Of your list, I've only read The Long Mirage, Control, Enigma Tales, I the Constable, and Fortune of War. I generally only bother with following the DS9 and Titan series, with the occasional dabble elsewhere. And even then I didn't bother with all of them, as my disappointment with The Long Mirage meant that I never picked up Original Sin. So I'll be following your thoughts with interest, to see if I feel like I'm missing out.


Skipping the Prometheus books might me a big mistake. On the other hand, I know how you feel: there is hardly time to read all the great Trek novels.
IMHO if you're thinking you're not going to be into Prometheus I can't think of a reason to try to change your mind.

I haven't read the Prometheus novels – I'm guilty of dismissing them as verging on "not real TrekLit". Their mere existence feels too "fan-fic-y" to me (especially hypocritical given that I would love for everyone to accept my own actual fan-fic as the official version). Given that the authors created their own crew rather than follow an existing crew, it smacks of Mary-Sueing, of artificially shoe-horning into continuity rather than smoothly belonging among it. However, I say all of this based on literally no evidence whatsoever, so I'm willing to at least see what other people think.

Could someone at minimum spoil for me what the DS9 crew do in this, please? The MB pages say that Ro, Cenn, Nog, Quark and O'Brien appear in it, following The Fall series, but without specifics.


I really liked Prey, it cemented John Jackson Miller as a new favourite Trek writer.
Prey: Hell's Heart
I'm completely happy with this book through the end of Act 2....

Since the Aventine and the Titan appear, I assumed I would get around to these eventually, even if they weren't a priority. I am trying to do a Dark Tower re-read at the moment after all, and then I've got the Harry Potters... Would you say overall they were worth your time?

.
 
Last edited:
Given that the authors created their own crew rather than follow an existing crew, it smacks of Mary-Sueing, of artificially shoe-horning into continuity rather than smoothly belonging among it.

Uhh, but that's what the novels have been doing for more than two decades now, with New Frontier, S.C.E., Vanguard, DTI, etc. Creating new crews consisting largely or entirely of original characters, telling stories about new, unexplored facets of the Trek universe. Why should Prometheus be seen any differently?
 
Uhh, but that's what the novels have been doing for more than two decades now, with New Frontier, S.C.E., Vanguard, DTI, etc. Creating new crews consisting largely or entirely of original characters, telling stories about new, unexplored facets of the Trek universe. Why should Prometheus be seen any differently?


Oh I know – I'm aware it's an unfair characterisation, that I'm in the wrong here. It's just my knee-jerk reaction, which I'm open to other people persuading me out of.

.
 
The feeling I had was that if the Prometheus books were an integral part of the post-Nemesis continuity, they would have been published close to the same time in Germany and the U.S. I am still open to reading them; I just haven't had a prod that makes me want to accelerate the process.
 
Since the Aventine and the Titan appear, I assumed I would get around to these eventually, even if they weren't a priority. I am trying to do a Dark Tower re-read at the moment after all, and then I've got the Harry Potters... Would you say overall they were worth your time?.

On balance, definitely. I have my complaints, but they were worth the time. Lots of nice use of underutilized corners of the Trek universe, if not much development for the main characters / long term impact.
 
The feeling I had was that if the Prometheus books were an integral part of the post-Nemesis continuity, they would have been published close to the same time in Germany and the U.S.

First off, I don't think that sort of thing is determined by content alone. For one thing, it took time to translate them. And there were also different publishers' schedules and available slots to consider, most likely.

Second, even the interconnected Novelverse has never been published strictly in chronological sequence. Lots of books are years earlier in the timeline than others, or books come out that jump back to an earlier point in the timeline than the books before them (e.g. The Left Hand of Destiny). The entries in Worlds of DS9 and the first four Typhon Pact books didn't come out in linear chronological order within the miniseries themselves. So when a book is published has nothing whatsoever to do with whether it's "integral" or not.

Besides, it's not like the Pocket novels themselves were ever "integral" to canon or ever could've been. They're all just outside works trying to create the illusion of slotting into something they aren't actually part of. So there's no reason you can't slot in other stories from outside them in turn.
 
First off, I don't think that sort of thing is determined by content alone. For one thing, it took time to translate them. And there were also different publishers' schedules and available slots to consider, most likely.

Second, even the interconnected Novelverse has never been published strictly in chronological sequence. Lots of books are years earlier in the timeline than others, or books come out that jump back to an earlier point in the timeline than the books before them (e.g. The Left Hand of Destiny). The entries in Worlds of DS9 and the first four Typhon Pact books didn't come out in linear chronological order within the miniseries themselves. So when a book is published has nothing whatsoever to do with whether it's "integral" or not.

Besides, it's not like the Pocket novels themselves were ever "integral" to canon or ever could've been. They're all just outside works trying to create the illusion of slotting into something they aren't actually part of. So there's no reason you can't slot in other stories from outside them in turn.

A couple of things which I heard (I’m sure you’ll correct me if I’m wrong)

- rough English translations were done before the novels were published in Germany because, as usual, CBS approval was required. Keith then turned those translations into something suitable for publication

-the trilogy was offered to Pocket first but for some reason they turned it down (as you say, maybe they didn’t have available slots). The novels were then offered to Titan.
 
Last edited:
The Face of the Unknown

There are a lot of small details in this story that are lovely; Christopher is always outstanding with continuity work, and small arcs and character moments for Spock, Chekov, Uhura, and Sulu are great. In particular, there is a nice moment where Spock ponders ever getting together with Uhura, and various other things dot some "i"s and cross some "t"s. There’s also a brilliant core worldbuilding concept here; the Web of Worlds is one of the more beautiful ideas TrekLit has ever come up with, and the opening sequence as the Enterprise discovers the modules is one of the most awe-inspiring sequences I’ve read in recent sci-fi. It feels like something from the 60s, complete with a lot of well-researched information about jovian atmospheres to make it feel real and all the more impressive as a result. Fascinating, vivid, and memorable.

After that, things get a little more predictable. This isn't necessarily a bad thing, but boy does this feel like a book for the TOS anniversary. This is TOS as fuck. Kirk gives speeches, Spock figures shit out, Sulu does some flying, there’s a jail break, there’s a fling for Kirk that goes nowhere… Every cliché except the red shirt dying is here and here in spades. It was fun to read, but it did end up a little... safer? I guess... than Christopher's usual big picture grand design kind of storytelling. I will say that the setting never fails to be incredible, at least, and the visualizations of the attack on the Web with the charges going off in the blue atmosphere out the windows are vivid and unusual.

I was surprised about the emphasis on action here - I wonder if that's left over from this book's initial conception as a Kelvin Universe novel? The action is really good, surprisingly so for me, as I don't remember many long intense sequences like this in his previous books. (Though I haven't read the Enterprise ones, so maybe I'm wrong about that.)

I will say I didn't like the villains much. I do like that there’s some sympathy for the Dassik through Koust, but the other Dassik in orbit are still generic death obsessed weirdo baddies just like every third numbered novel throughout their entire run, and I feel like Christopher usually chooses to aim for something more subtle.

In any case, this book did what it was trying to very well. It wasn't quite the Christopher style I was expecting, and I'm hoping for something more structurally, thematically, or literarily ambitious from his next one after enjoying those aspects of his earlier works so much, but this was a fun romp (if cliched) at heart, with a lot of lovely worldbuilding and detail around the edges.
 
The Face of the Unknown

Thanks for the kind review!


There’s also a brilliant core worldbuilding concept here; the Web of Worlds is one of the more beautiful ideas TrekLit has ever come up with, and the opening sequence as the Enterprise discovers the modules is one of the most awe-inspiring sequences I’ve read in recent sci-fi. It feels like something from the 60s, complete with a lot of well-researched information about jovian atmospheres to make it feel real and all the more impressive as a result. Fascinating, vivid, and memorable.

Thank you! Part of the reason I wanted to do this novel was because I was really proud of that and some of the other Web sequences and didn't want to see them go to waste.


It was fun to read, but it did end up a little... safer? I guess... than Christopher's usual big picture grand design kind of storytelling.

Perhaps because this is my only book set entirely during the 5-year mission? I generally explore more unfamiliar parts of the continuity.


I was surprised about the emphasis on action here - I wonder if that's left over from this book's initial conception as a Kelvin Universe novel?

Got it in one.


The action is really good, surprisingly so for me, as I don't remember many long intense sequences like this in his previous books. (Though I haven't read the Enterprise ones, so maybe I'm wrong about that.)

Not so much in Trek, but my original novel Only Superhuman is very action-packed.
 
Given that this started in the Kelvin Universe, you did a killer job redoing the character work so it was *very* TOS. I was impressed at how specific the arcs were about this particular point in these characters' lives.
 
Skipping the Prometheus books might me a big mistake.

I haven't read the Prometheus novels – I'm guilty of dismissing them as verging on "not real TrekLit".

To be honest the only reason I bought and read the Prometheus novels was because they came out during the year long hiatus of Pocketbook Star Trek novels. I was caught up with all the current novels and nothing new was coming out (other than the 2 or 3 Discovery books that came out that year) so I figured why not give them a try. If there was never a hiatus I'm not sure I would have picked these up.

And I actually did enjoy them quite a bit. My only complaint might be that perhaps they could have been condensed into 2 books instead of 3. But not a huge deal. The story does take place in the existing relaunch novelverse for the 24th century, though written in such a way that it doesn't really run a risk of being contradicted by other relaunch novels, nor is it required in the sense that it's a continuing story. More like an offshoot of the existing novelverse.

Could someone at minimum spoil for me what the DS9 crew do in this, please? The MB pages say that Ro, Cenn, Nog, Quark and O'Brien appear in it, following The Fall series, but without specifics.

The DS9 crew only appear at the very beginning when the Prometheus makes a stopover. Ambassador Spock does have a prominent role in the story and Martok is part of the story as well, though mainly because the Klingons are involved.

Given that this started in the Kelvin Universe, you did a killer job redoing the character work so it was *very* TOS. I was impressed at how specific the arcs were about this particular point in these characters' lives.

I actually didn't even know this originated as a Kelvin-verse novel until after I had read it. It definitely felt like a 5 YM story to me as well so Christopher did a good job making any needed transitions.

I love continuity building books and Christopher is known for filling in gaps in Star Trek history and lore as you noted. This, as you noted also, is sort of an exception, though it does add to "The Corbomite Maneuver" story.

I look at 5 YM books as comfort food. As I noted I love filling in the blanks as far as uncovered periods in Star Trek history and the relaunches. But sometimes it's nice to go back to the 5 YM and just have a mission, problem and solution like an episode of the TV series. Greg Cox's recent "Antares Maelstrom" novel was another such novel. It doesn't fill in any missing gaps in Star Trek history really but it's like macaroni and cheese. Enjoyable to go back to from time to time (and Greg is another that sometimes likes to fill in continuity gaps).
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top