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TOS Rewatch

A clone would be an exact genetic copy. She'd just be an android, or if part of her is built using human genetic material, a cyborg. And unlike Scotty, Kirk is more prone to get involved with a woman, though Love? Well, he is a pretty lonely guy, so when the "perfect woman" for him comes along . . .

True, clone isn't the right word either - but McCoy claimed she was completely organic/normal human physiology (like Flint). That's why it makes no sense to me to call her an android (or a cyborg). She was an organic creation, not a machine.

And Kirk has almost always managed to keep his romantic feelings heavily under control before now (except when under the influence of weird mind altering technology/aliens) - so for him to lose it so hard over a girl he met literally less than 2 hours ago... That was weird.
 
Like Ilia's copy (Star Trek: TMP) the micro details on the inside could be mechanical - just not seen. I don't recall how closely McCoy scanned Rayna - he mostly scanned Flint and was concerned with his peculiarities. Later, when they discovered the string of androids, he knew more, but I don't recall him ever saying she was biologically human - just human "looking." Beside, even humans are biological machines. It just depends on how you want to define some terms. But the TOS prejudice is clear - not human, therefore, substandard and it would be wrong to have a relationship with "it." TNG and beyond, it's fine, though doubtless prejudice from some would always remain.

Did you hear Kirk has a life sized doll he keeps? What a weirdo. I'm not sure such a pervert should be in command of a starship.

Or something like that.

Kirk fell pretty hard and pretty fast for Edith, too, but a couple hours is PDQ. But that's also what makes it possible for Spock to easily suppress those memories - there aren't that many of them, and they aren't intertwined with others. Besides, Kirk may have been coming off a bad relationship that just ended and she was just his rebound girl. The guy's a romantic and he was more in love with the idea of her, than her. Even without Spock's help, I think he'd have gotten over it soon enough. He was just feeling sorry for himself.
 
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The Way to Eden

'Charges of entering hostile space' - interesting that that's a crime.

So did the writers have it in for someone named Herbert?

The songs actually aren't terrible, other than the instrument being an empty stick and the troubadour character being played by a creepy, slimy version of Josh Lyman.

But why is the music being piped to every corner of the ship?

Did that purple haired guy just use a vulcan neck pinch?

Kirk just blurts out his orders to undermine Sevrin while the comm channel is still open...

And Kirk, Spock and Scotty go after the whole group with no security backup at all.

So if Adam ate the poison fruit, does that make Dr. Sevrin Eve?

So... Yeah, that wasn't great. It wasn't the absolute worst episode - there were some potentially interesting concepts buried in there and Dr. Sevrin was kind of intriguing, though not truly fleshed out. But at the end of the day, all of the other hippies were terrible, their dialogue was practically painful to listen to, their ideology made no sense and the whole myth of Eden was so utterly vague that it might as well have been left out entirely (really, if they're all about 'back to basic', why do they even need some specific Eden planet? Any M class planet should be acceptable). It also seemed strange to drag up the spectre of violating Romulan space when the writers had no intention of ever actually involving the Romulans. And a planet full of super acidic plant life (including poison fruit, even though Spock said there were no animals?) that instantly gives you serious burns, but won't affect you through super-thin clothing is kind of reaching, as well.

But, hey, Chekov actually had some decent character development. That's something, I guess.

The Way To Eden
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I've never really liked this episode since it seemed abundantly clear how irrational the space hippies were. Granted, they were led by a mad man, but the rest seemed oblivious to the almost suicidal actions of their leader. They nearly died trying to get away on the ship they stole, could see they couldn't get away, but let the ship blow up anyway - almost like everyone of them would rather die than be captured, or were certain they would be rescued and just needed to make a point. But they certainly couldn't count on being saved by the Enterprise's transporters - they just happened to be saved by Kirk's actions and the abilities of a starship. They offered nothing but asked for much. Clearly, they felt the universe owed them a living, perhaps for its audacity in letting them be born into it without first asking. If this was supposed to accurately reflect a counter culture in the late 60's, either they got it wrong, or those hippies were totally mind warped. Maybe you can act that way when stoned, but are you stoned 24/7? I dunno. Anyway, their quest did not impress me, or the need for a particular planet to find such a simple life. Alternatively, perhaps somebody was trying to ridicule the counter culture by an inaccurate portrayal. I dunno.

Space Hippie Songs
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The songs are O.K., but the lyrics don't really match their actions, so . . .

Worse, they were, in the end, willing to murder hundreds of people to obtain their ends. Again, a mad man, yeah, but the others weren't mad. They knew they were killing the Enterprise crew (or at least Tongo Rad also knew) but he let it happen anyway. The others may have simply been gullible and mislead by Sevrin. Hard to believe one who qualified to get into Star Fleet Academy could be so taken in.

I'm not overly convinced a space legend of a planet coincidentally named Eden would exist, either, but maybe it has many names - any planet with ideal conditions should suffice. And the explanation Spock gave for locating planets seemed like something you'd do in a known solar system. It just seems inconsistence that sometimes they find these tiny things a great distance away but other times could have difficulties locating a major planet in a solar system.

Fun Facts
Chekov's full name is finally mentioned - Pavel Andreievich Chekov.
Adam dies eating a reused Kaferian Apple from Where No Man Has Gone Before.
Spock plays his vulcan harp/lute. It's an interesting sounding thing when played in his quarters.
Walter Koenig called this episode his character's low point.
James Doohan said it was the only Trek episode he really did not like.
Lt. Palmer is back since Uhura isn't around.
Skip Homeier returns as the loony Dr. Sevrin.
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Is this a step up or a step down from portraying the traitorous Nazi, Melakon?
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The only new effects are essentially the Aurora - a better-looking ship than before - and the planet Eden, now a double-moon system - it's pretty.

Speaking of which, Phyllis Dougless returns and space chick #2, or whatever.
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But we've seen her before in The Galileo Seven as Yeoman Mears.
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Side-by-Side Comparison
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I had given this episode a 3 out of 10 in the past, reflecting my displeasure with the story, but it's not quite as bad as I remember. The songs aren't bad (though one bridge crewman's reaction to it seems way off) and there is some social commentary here worth thinking about. But there's nothing great about this story - and it's not very sci-fi like. I've revised its score upwards by one point, so 4 out of 10. Space Hippies, Songs, and Jam sessions - some of it is fun, but not much of a science fiction feel to it, despite the backdrop.
 
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The Cloud Minders

As cloud cities go, this one isn't particularly nice looking.

So Spock has long winded musings on sweetness and light? I mean, he clearly isn't non-emotional the way he claims to be, but this is edging close to him sitting on a bed braiding hair...

And Droxine's breathy delivery and horribly fake innocene is probably as close to porn as Trek has ever gotten...

So all of them evolved on Ardana, but the Troglytes' name is based on an old earth word?

Kind of have to agree with the High Poobah that it makes no sense for a society that evolved around all this zenite gas to have ever invented Stratos in the first place.

Mining with bare hands in the 23rd century...

2 hours 59 minutes left to deliver the zenite.... So, luckily, the affected planet is literally right next door, I guess.

Well, that was disappointing. TOS (well, most trek in general) is rarely what I would call subtle, but this episode wasn't just cliched it was also largely boring. And it generally failed to even engage with its own theme, what with the Troglytes' problems having really been caused by gas that was actually lowering their IQs, and the cloud people, other than the high advisor, never even having to confront their actions. I suppose it's realistic in that expecting any real paradigm shift in such a short time would be too much, so giving the Troglytes the tool they needed to gain equal footing was the best possible outcome.
 
And what the heck was going on with Scotty and his last minute save telling Spock to eject him or something because he couldn't reverse the doo-dad on the thingemygyg? They were all going to die anyway. I don't understand that sequence.

You and your technobabble
 
The Cloud Minders

As cloud cities go, this one isn't particularly nice looking.

So Spock has long winded musings on sweetness and light? I mean, he clearly isn't non-emotional the way he claims to be, but this is edging close to him sitting on a bed braiding hair...

Yeah, Spock's interactions with Droxine are pretty odd for a Vulcan and out of character for Spock.
 
The Cloud Minders

As cloud cities go, this one isn't particularly nice looking.

So Spock has long winded musings on sweetness and light? I mean, he clearly isn't non-emotional the way he claims to be, but this is edging close to him sitting on a bed braiding hair...

And Droxine's breathy delivery and horribly fake innocence is probably as close to porn as Trek has ever gotten...

So all of them evolved on Ardana, but the Troglytes' name is based on an old earth word?

Kind of have to agree with the High Poobah that it makes no sense for a society that evolved around all this zenite gas to have ever invented Stratos in the first place.

Mining with bare hands in the 23rd century...

2 hours 59 minutes left to deliver the zenite.... So, luckily, the affected planet is literally right next door, I guess.

Well, that was disappointing. TOS (well, most trek in general) is rarely what I would call subtle, but this episode wasn't just cliched it was also largely boring. And it generally failed to even engage with its own theme, what with the Troglytes' problems having really been caused by gas that was actually lowering their IQs, and the cloud people, other than the high advisor, never even having to confront their actions. I suppose it's realistic in that expecting any real paradigm shift in such a short time would be too much, so giving the Troglytes the tool they needed to gain equal footing was the best possible outcome.

The Cloud Minders
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This is another episode for which I never really cared - except, of course, hey, that's quite an outfit on the babe with the nice stomach muscles. Speaking of which, the beauty of the day (and hear tell a work of art) would be Diana Ewing playing Droxine.
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Of course others may prefer Charlene Polite playing Vanna, but that's none of my business.
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Jeff Corey, who plays Plasus, doesn't really get his just deserts in this episode, so instead, for your edification, Kim Darby (who played Miri) will show you what that might look like.
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The Haves and the Have Nots - a common enough theme. The story dwells on class bigotry and the unreasonable belief in one's own innate superiority, or another's innate inferiority. But it seems too simplistic on the surface, and Plasus and Vanna are both too unreasonable and intractable. If Kirk comes back - kill him. Why? Because he disagrees with you? We don't believe in an unseen gas. Why? Because you can't see it - just like you can't see the air? Silly. Vanna, at least, was partially still affected by the gas, but Plasus? What was his excuse? Even Kirk, later, apparently went off the deep end quite quickly. Hard to believe anything that affects people that rapidly would go unnoticed for centuries, so maybe the Stratus Dwellers (or the leaders, anyway) knew of it but just were content with a slave labor force and their own high and exalted standard of living.

Later, in DS9, the standards for Federation members seem higher - they won't allow a society that has a caste system into the Federation. Here, the unfair division of labor probably should have excluded them from membership, so maybe they hid it well, or the Federation looked the other way for strategic galactic positioning. Or maybe the Federation is just still evolving. Anyway, it's made clear here Federation member planets are required to help out other Federation member planets, though that doesn't give Starfleet the right to interfere with local governments.

I didn't care for the opening of this episode, to what I assume are just a writer's words who fully intended the executive directors (or whoever) to later fill in the appropriate names - but it was just read as it was written. Wow.

Captain's Log: A botanical plague is devastating a planet in the quadrant of the galaxy where the Enterprise is operating at present.

Seems like one would name the planets and the quadrant, maybe even the name of the plague, and one would assume the Enterprise was operating there, naturally, since it was in the Enterprise's logs, so it just seemed goofy right from the start - like something Kirk wouldn't really say, but a writer would fully expecting somebody who knew the show would add some names.

Though, I must admit, the new special effects are better and the Enterprise zipping through open space is cooler looking there than normal.

This youtube clip does not really do the Blu-Ray HD resolution justice to see what I mean, but here's the fx reel for the episode. In the clip, space looks almost grey instead of a deep black, for example, and nothing is overly crisp or vibrant. But at least you can see which scenes were altered.
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At one point, Kirk is speaking in this episode without moving his lips. "What is the meaning of this attack?" or some such. They could have fixed that by showing a different shot - like the back of Kirk's head when he was saying that, but they didn't fix it. Oh well.

The unusual way they overlay images while Spock is thinking, recapping the situation, was just odd. I'm not saying I have a better idea, but I found it a little weird. Of course, I find it weird whenever Spock talks about the "pride" Vulcans have for their unemotional logic. I'm not sure what the fix would be, though. "We logically prefer logic," just doesn't cut it. But it's very strange and seemingly inconsistent how readily Spock talks to Droxine about Vulcan mating habits, or that Droxine even knows about this closely guarded secret that is not for the ears of out worlders. But then, Stratus dwellers are as smart as Vulcans - not that we ever use that fact in other stories, like having their ambassadors speak for Federation concerns.

I also dislike the timing here - the urgent need for zenite and having only hours to deliver it. I would think a plague could travel slowly enough that, while urgent, a few days would be fine - long enough for a starship to travel to another solar system. The way they talk, one would have to conclude the plague planet was in the same solar system in order the make those deadlines.

Timing that close is always a bit of a joke in space (or many places) but I suppose they've already taken into account how far and how fast they have to go, so they have 2 H 59 M before they have to hit the road to make their deadline, though their destination may be days away yet. But it would be in their patrol sector, so it's relatively close by, yeah. Still, measuring such things to the nearest minute can't be an actual deadline but just one set for themselves to stay within their safety margins.

We can only assume most of these names are not the native names, but weird translations from the human culture centric point of view seemingly built in to the their universal translator.

As we wind down, it's just sad knowing they all knew the executives had pretty much given up on the show mid 2nd season. Only a letter writing campaign convinced them to give it a 3rd season, and even then, they condemned it to the Friday 10 p.m. time slot (9 central) rather than the Monday 8 p.m. time slot (7 central) that it had enjoyed. Its core audience would be out on Friday nights, but they didn't care. Morons. Had those executives understood it or given it a chance, the 3rd season would have been better, and I believe we could have had 4 or more seasons of TOS. I don't think it lacked ideas, but the enthusiasm to go on knowing your bosses had already marked it for death was lacking. So no - those dunderheads knew better - and the fact they are so frequently wrong doesn't deter them from repeatedly acting that way later. Idiots.

Regardless, this episode only received a 3 out of 10 before, but I do like the new effects more here, and the story, despite being simplistic, is more valuable social commentary than I was interested in during my younger years, so I'd upgrade this to a 3.5 and then 4 for those reasons. And the babe? Maybe a 4.5 for that, but since opinions vary, and she'd probably just be accused of having anorexia today, or just yet another objectification of women, despite her intellect, a 4 out of 10 is probably more objectively correct.
 
Thing is we see another version of Rayna on the table and she is without doubt a machine being! So maybe she's a bit like Pinocchio and became a real woman because of Kirk and Flint's love for her!
JB
 
There must come a moment when the device exceeds its programming, or goes beyond what was given it to synthesize new things. In this case, emotions is the tricky goal - something beyond Data, but not Lore. It mostly has to be a function of computing power - whether of a biological brain and its synapses, or an electronic/positronic one with its connections and random chance elements that create new things, new thoughts, new feelings. That's life - or life enough for some purposes, though reproduction enters into some definitions of "life" too.

But in Data's case, I don't think it was an inability, but a deliberate, built in short coming to assuage the fears of the others in the group.

Flint's love, Kirk's, even Spock's or McCoy's emotions, are experienced and learned from and synthesized into new emotional reactions. That how intelligent life learns - from examples. As many as possible.

But what is intelligent and alive is pretty arbitrary, and when Humans are the arbitrators, you might imagine how any definition we make would include us and exclude as many as reasonably possible, lest we be less special than we think, or not the pinnacle of creation, or whatever.
 
The Cloud Minders

As cloud cities go, this one isn't particularly nice looking.
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You think so? I like the Streamline Moderne architecture of Stratos in the remastered version. I keep expecting to see Fred Astaire and Ginger Rogers dancing in one of the rooftop gardens.
 
The Savage Curtain

Playing with historical figures is an interesting concept, but sadly it doesn't really get much farther here than 'Lincoln good, fake hitler bad'. I like the idea of the excalbians - molten rock people (though, why do lava people need legs and claws?) who are genuinely curious about the difference between good and evil. And the Excalbian spokesman's admonishment about his right coming from the genuine search for knowledge was an interesting point which could've used a lot more development (realistically, exploration actually can put newly discovered peoples in serious jeopardy yet Starfleet keeps doing it anyway).

But at the end of the day, this episode is really just a blatant rehash of Arena, only the bad guys here are far less unique and interesting and the fight scenes are among the worst in the franchise. (What on earth the ST writers/directors thought the point was of randomly tossing shit towards your enemy with no hope of hitting them, or even of hurting them if you actually do hit them, I'll never know.)
 
All Our Yesterdays

Now this is a much more interesting and meaty concept. I love the idea of a people escaping the end of the world through history. The idea of that library is so tantalizing (though one that includes the future/other worlds would be even better).

I do think the execution here is a little bit shaky. It's odd that it takes them so long to realize what Mr. Atoz is saying (though, again, that may be me having the benefit of the episode title/prior knowledge). It's odd how the portal just stays open all the time, but only for the people who went through, even though the whole thing is intended as a permanent transistion (unless it was originally excursion based - visit the past a few hours at a time?). And it's odd how the mere act of going back in time seems to make Spock regress evolutionarily. Especially since Vulcan savagery wasn't eliminated by evolution, but by culture. I also have to say the whole 'witch' subplot was rather uninspired for such a great premise. I'd have preferred almost any other historical period. And dramatic license or no, they were way too casual about getting back to the ship before the sun exploded.

Having said that, the ice age plot was really interesting. I like how the Atavachron has apparently been a thing for a long time on this world - that using it can actually result in meeting other time travelers from a completely different time (at least, it certainly felt to me like 'Zor-chan the tyrant' was a historical figure). I think it's a fascinating idea to use an ice age as a prison, and what a tragic tale Zarabeth has about that: this is definitely one of the saddest endings I've seen, not just because she's now alone again but also because I couldn't help but think that soon she'll convince herself she really did go mad and she was never not alone. I enjoyed all the guest stars - even the weasely prosecutor (much as that subplot bored me, I do have to wonder about the personality of a man who would choose to live out his life in that period). Mr. Atoz was a very amusing mix of helpful confusion. I'd call this one very solid overall.
 
Turnabout Intruder

So all those women on the ship are just illusions, I guess.

The bitterness of this character is just terrible. And she's utterly awful at impersonating Kirk.

It's weird to continue the 'Captain's log' style voiceover when 'Janice lester' has no reason to (or presumably capability to) record logs on the ships computer.

Even weirder for 'Captain Kirk' to talk about beating McCoy's exam in a captain's log.

'Give it up, all charges will be dropped.' That doesn't sound guilty at all.

Oh no. Janice is unmasked by 'hysteria'? Seriously?

What the hell is she looking so happy about when she's completely ruining her entire plan?

Mutiny, mutiny, mutiny. Is Janice Lester an anti-Burnham fan? Literally everything under the sun is apparently called mutiny now.

So, that was basically a Star Trek episode about a viciously bitter divorce told entirely through the lying, vindictive husband's recounting. There could have been so much potential in exploring what its like to experience the other gender, and in having something valuable to say about the mistreatment of women in society, but this is not that story. At the end of the day, this story is solely about this one obsessed woman's quest for vengeance, and since she is possibly the worst character in the history of the franchise and simultaneously doesn't even have any discernable grievance to start with, that makes it quite possibly the worst episode of the series. Well, maybe Spock's Brain is still worse.

Overall, I thought season 3 had a surprisingly large number of solid, fun episodes considering its reputation. But looking at how it started (Spock's Brain) and how it ended (Turnabout Intruder), it's not surprising that many people might forget the better moments in between.
 
So I officially finished my rewatch. I'm not entirely done with this thread, because I intend to continue on now to the Animated Series (which I've actually never seen before), but before I do that I thought I might talk about some general impressions I've had.

For now, this rewatch has really cemented TOS as my second favorite show (though that could partly be because my rewatches of TNG, VOY and ENT are still all in the first season, and DSC hasn't had enough time yet to even try to compare). I very much enjoyed the lead triad of Kirk, Spock and McCoy and the very strong characterization from them. I was pleasantly surprised by the in depth characterization of Scotty (who was almost as well developed as the leads) and Sulu (although he seemed to fall by the wayside in later seasons). I also very much enjoyed this wild frontier sense of a dangerous universe filled with incomprehensible things that can control your every move - something the later series rarely bothered to try and usually didn't do very well (Q, uh, somewhat excepted). This rewatch also mildly improved my assesment of the characterization in the Kelvin movies, actually, with Kirk, Spock, Sulu and McCoy being noticably much closer/more believable as different versions of the same characters than I may have originally thought.

Looking back over my impressions of the show, it seems clear that season 1 is the breakout season, with by far the most excellent episodes. Season 2 is the most consistent, with relatively few excellent episodes, but almost no terrible ones, either. Season 3 does live up to its poor reputation at least in so far as it has the most terrible episodes, but even then, they are clearly in the minority. Most of season 3 is at least watchable, and much of it is quite good.

Since there was some list making going on in here recently, my favorite episodes by far were (in order):

This Side of Paradise
The Naked Time
The Empath
Balance of Terror
The Corbomite Maneuver
The Trouble with Tribbles
By Any Other Name
Amok TIme
Let That Be Your Last Battlefield
City on the Edge of Forever
The Menagerie
Space Seed

The worst episodes by far were:
Spock's Brain
Turnabout Intruder
Court Martial
The Enemy Within
Whom Gods Destroy
The Way to Eden
The Cloud Minders
The Savage Curtain

(I've been keeping a ratings sheet - those are all the episodes I gave my highest/lowest rating to, so happily the excellence heavily outweighs the tripe.)
 
TAS Beyond the Farthest Star

Oh, my that theme song. The Love Staarshiiip soon will be making another run....

The animation is ok. I like the space scenes a lot better than the people/interiors.

So at this point, extra-galactic missions are apparently just normal business now. Starfleet's come a long way since WNHGB.

The music continues to be terrible.

The guest voice actor sounds like a scooby doo villain.

The ending is really kind of sad though. 'So Lonely...'

It's a pretty standard little 'alien takes over the ship story', but reasonably well done overall.


Yesteryear

It's neat to revisit the Guardian of Forever. But the Federation is being pretty cavalier about time travel for some reason - and once again, the voice chosen for it is ridiculous.

I like the Andorian first officer.

The whole 'you couldn't be in two places at once' explanation is pretty wonkey. Or at least wibbly, wobbly time-wimey...

Vulcan bullies are more over the top than a Revenge of the Nerds movie.

The Selat is as adorable as I've heard.

Uhh... That's Godzilla's roar....

So that was a pretty good little episode with some interesting insight into who Spock is as a character. I like that he didn't succeed into setting the past perfectly to rights, but only mostly so. And, while the voice actor for young Spock might as well have been reading the lines off a milk carton, it was nice to see that character learn to stand up and be counted, even among the adults ('Has it ever been said that Spock, Son of Sarek is a liar?' was a particularly nice touch).
 
Hey @grendelsbayne

Let's keep the posting down to one or two at a time. 5 in a row is definitely too much.

Give people a chance to reply, discuss, etc.

This is a discussion board, not a blog.

;)

Thanks!

:techman:
 
The Savage Curtain

Playing with historical figures is an interesting concept, but sadly it doesn't really get much farther here than 'Lincoln good, fake Hitler bad'. I like the idea of the Excalbians - molten rock people (though, why do lava people need legs and claws?) who are genuinely curious about the difference between good and evil. And the Excalbian spokesman's admonishment about his right coming from the genuine search for knowledge was an interesting point which could've used a lot more development (realistically, exploration actually can put newly discovered peoples in serious jeopardy yet Starfleet keeps doing it anyway).

But at the end of the day, this episode is really just a blatant rehash of Arena, only the bad guys here are far less unique and interesting and the fight scenes are among the worst in the franchise. (What on earth the ST writers/directors thought the point was of randomly tossing shit towards your enemy with no hope of hitting them, or even of hurting them if you actually do hit them, I'll never know.)
Starfleet doesn't force people to risk their lives in space exploration, however, as it is an entirely volunteer organization. My theory is many marvel at the universe, see they have little time in it, and would rather make a difference and contribute to the betterment and possibly even the very survival of Humanity than play it safe at home where most challenges are gone and existence might be boring in many ways.

Anyway, these aliens didn't exactly call for volunteers, though in a round about way, Starfleet provided them. It's not quite the same, of course.

The Savage Curtain
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Good vs. Evil, and an alien culture's difficulty understanding the very concept, and their perfect willingness to experiment on other intelligent life, perhaps even killing them in the process, under the belief it is their right to experiment and learn in this way. Is this similar to our right to explore the universe - perhaps knowing conflict might occur and deaths might result from the use of our weapons, but we explore anyway? I don't think so since there seems to be more choice involved on our end than one forced on another.

But it's a honor to be our test subjects.
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Yeah, and an honor to be one of our many victims, too.
You think they'll buy that?
Naw.
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I like the fact this episode demonstrates other intelligent life can be sufficiently different that we have difficulty understanding one another, right down to our core beliefs. I like that ultimately good and evil use the same methods, but often only differ in motivation. It's frequently not enough to do the right thing, but it must be done for the right reasons as well.

I dislike the fact these aliens can learn so much about us, so quickly, that they can duplicate Lincoln and Surak with such detail, yet miss the more obvious explanations of good vs. evil in the abundant literature stored in the same computers they earlier riffled through with ease. And how can they test evil if they create the evil characters? They captured Kirk and Spock for good, and gave a couple other good characters, but they made all 4 evil characters so are they evil, or just the Excalbians idea of evil, which is what they are trying to figure out? How is this a real test of anything?

Answer. They outright lied and just wanted to be entertained. Well, O.K., I dunno. Just chalk it up to another overly powerful race who can do far too much while knowing far too little to make it too believable. It's bad writing, IMO. Maybe Kirk and Spock and the ship were never really in any danger, either, but just made to believe it, and so they aren't really as nasty as we are lead to believe. We can't really be sure.

Nevertheless, I liked the story. It's a bit slow in places, but I liked Lincoln marveling at the Enterprise and modern technology, the comments on race, the historical (though fictitious figures, apart from Lincoln) - and a bit of future history for us to munch on. And I think it's great we can compare Earth's idea of Kahless with the one later developed in TNG and DS9 and beyond.

Also I disliked Scotty and Bones verging on the point of insubordination again - maybe just to add excitement and drama, but doing so as if the primary mission of exploration is, well, kind of unimportant to them, or some other department's problem. Bones, O.K., but Scotty's third in command - he ought to know why we're out there and what we're doing and why we're risking our lives. With those two, if they want to be safe all the time, they should stay at home. As Q said - with a tough love lesson, maybe - this is not for the timid.

As we near the end of the series, some inevitabilities occur - like the last appearance of . . .

In this case, this is the last appearance of Lt. Uhura (and dress uniforms, too).

It was interesting Sulu remained in the captain's chair even when ranking officers were on the bridge. He eventually gave it up to Scotty later.

There are some nice shots of the ship - of course - but more from a distance than new close ups, as usual, so that was cool.

Side-by-Side Comparison
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I gave this episode a 6 out of 10 before, and while good, I'd reduce it a bit for implausibility, as often happens when god-like beings are involved, but probably raise it the same amount for better special effects. So, still 6 out of 10.
 
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All Our Yesterdays

Now this is a much more interesting and meaty concept. I love the idea of a people escaping the end of the world through history. The idea of that library is so tantalizing (though one that includes the future/other worlds would be even better).

I do think the execution here is a little bit shaky. It's odd that it takes them so long to realize what Mr. Atoz is saying (though, again, that may be me having the benefit of the episode title/prior knowledge). It's odd how the portal just stays open all the time, but only for the people who went through, even though the whole thing is intended as a permanent transition (unless it was originally excursion based - visit the past a few hours at a time?). And it's odd how the mere act of going back in time seems to make Spock regress evolutionarily. Especially since Vulcan savagery wasn't eliminated by evolution, but by culture. I also have to say the whole 'witch' subplot was rather uninspired for such a great premise. I'd have preferred almost any other historical period. And dramatic license or no, they were way too casual about getting back to the ship before the sun exploded.

Having said that, the ice age plot was really interesting. I like how the Atavachron has apparently been a thing for a long time on this world - that using it can actually result in meeting other time travelers from a completely different time (at least, it certainly felt to me like 'Zor-chan the tyrant' was a historical figure). I think it's a fascinating idea to use an ice age as a prison, and what a tragic tale Zarabeth has about that: this is definitely one of the saddest endings I've seen, not just because she's now alone again but also because I couldn't help but think that soon she'll convince herself she really did go mad and she was never not alone. I enjoyed all the guest stars - even the weasely prosecutor (much as that subplot bored me, I do have to wonder about the personality of a man who would choose to live out his life in that period). Mr. Atoz was a very amusing mix of helpful confusion. I'd call this one very solid overall.

All Our Yesterdays
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Another great episode – I almost wish it had been the last so the season ended this strongly, but the best is not yet to come, I'm afraid. And according the stardates, it actually is last – the airing order was a little different, though. But at least this episode is pretty darn good. Super Nova, time travel, world history, politics, a love story, Spock going wild, witchcraft, McCoy standing up to Spock and winning, Kirk in dire trouble, and the clock ticking down to the end of the world. What's not to like?

Well, a few things, anyway. First, I highly doubt one can count down to the nearest minute when a Super Nova is going to occur. Some time this century might be a pretty good guess. And even if they can, these are pretty close margins – a few hours to unravel a mystery. But warning the population? To what end? Hey, you've got 3 hours to get off the planet – we can take maybe 400 if we double up but the rest of you got to find your own ride. It's stupid if that's what they were thinking. But maybe it was just the mystery. Where is everyone? I mean, they were going to die, regardless, and we sort of wanted to see that for ourselves, but it is curious - no?

It's even luck they managed to be there at this exact time, but to then go exploring like that when time is so short – it's almost reckless. True, the ship is fine and one should be able to negotiate an uninhabited planet and beam back and warp away quickly enough – if everything goes as planned, but you are looking into a mystery, so you're not that certain of your facts to be that confident everything will go as planned. And it doesn't.

Mr. Atoz – what a hoot of a name for a librarian, right? A to Z. Decades later and I still think it's funny.

Ian Wolfe returns to Trek, this time as Atoz, but last time as Septimus (Bread and Circuses).
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And it almost really is a wonderful concept of a doomed population escaping into the past, but with so many, how do they ensure not one of them changes the past and destroys the future where it is even possible to travel into the past?

I just wish it wasn't so obvious they were almost trying to not ask pertinent questions or get straight answers.

The technology is old, and how it was first used by some tyrants becomes apparent – still, a far kinder way to get rid of your political enemies than mass murder, but again, only assuming they can't change the past in some way to screw your future. Isolation works, apparently. And one way trips, unless not prepared; so short excursions into history must have been a real treat for historians at some point in this planet's . . . history.

Doubtless, however it is managed, they don't appear to be able to change the past, so whatever they do has always been part of their collective history - maybe even anything alien visitors might do.

A few questions remain, like why going into the past renders some equipment inoperative, or culturally reverts Spock to behavior his ancestors engaged in 5,000 years ago. Perhaps if first prepared by the Atavachron it might make sense, but he wasn't, so I'm not sure why unless the portal does more than time travel – like deactivating advanced tech, or at least weapon's tech so as to not alter the balance of power – though the tricorder remains functional. And maybe Spock's behavior is just a coincidence it mirrors his ancestor's of 5,000 years ago due to some other factor.

But, as usual, they get into trouble.

Curses, foiled again.
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Cold logic won't help us here.
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And while Zarabeth might have lied, or just have been mistaken and hopeful, she eventually confesses she only knows she can't get back. Luckily, they might.

No one that hot would lie. It must be an inadvertent mistake.
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But thanks to threat and more pertinent questions, the Quaker Oats man reveals what Spock missed – without preparation by the Atavachron they can only survive a few hours in the past, and Kirk gets back on his own without help from his two buddies.
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But Spock and McCoy are eventually on the right track, and with Kirk ensuring Mr. Atoz's help, they find them and all get back in time. Even nicer, Atoz makes his escape and can spend the rest of his life with his family.

And the Enterprise trio beam up and escape as the sun explodes, which is pretty cool in the remastered version, and they solved the mystery to boot. All is well.

And while it is only implied in TOS, some non-canon fiction went there, and the suggestion Spock had sex with Zarabeth and left her with child was nice – to end Zarabeth's loneliness, and the kid, not having been "prepared," I suppose, found his way to some future point through the portal – probably the one Zarabeth came from. But that's all just non-canon fiction – but I like it.

Anyway, this was a pretty good story, some fine acting, and never forget, despite the frigid temperatures outside, a volcanically heated cave can get hot enough so that this clothing is appropriate. Realism!

Yeah, I'm hot. That's why I'd dress this way, FYI.
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And so Mariette Hartley plays Zarabeth, our beauty of the day.

Some remastered effects are pretty nice and certainly better.

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Escaping at maximum warp sounds pretty dramatic, but anything higher than warp 1 would suffice.

I don't really see much difference in part 2, but . . .
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Despite its problems and mistakes, I think this is a very good episode and I'd have given it an 8 but for those nitpicks, which should be important, but don't really take you out of the moment, so a solid 7 out of 10.
 
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Starfleet doesn't force people to risk their lives in space exploration, however, as it is an entirely volunteer organization. My theory is many marvel at the universe, see they have little time in it, and would rather make a difference and contribute to the betterment and possibly even the very survival of Humanity than play it safe at home where most challenges are gone and existence might be boring in many ways.

Anyway, these aliens didn't exactly call for volunteers, though in a round about way, Starfleet provided them. It's not quite the same, of course.

That's not what I mean, though. Realistically, Starfleet isn't just risking their own lives when they explore. They're also potentially risking the lives of the new civilizations they encounter (as occurred when the Native Americans contracted European diseases).
 
The Cloud Minders

As cloud cities go, this one isn't particularly nice looking.

So Spock has long winded musings on sweetness and light? I mean, he clearly isn't non-emotional the way he claims to be, but this is edging close to him sitting on a bed braiding hair...

And Droxine's breathy delivery and horribly fake innocene is probably as close to porn as Trek has ever gotten...

So all of them evolved on Ardana, but the Troglytes' name is based on an old earth word?

Kind of have to agree with the High Poobah that it makes no sense for a society that evolved around all this zenite gas to have ever invented Stratos in the first place.

Mining with bare hands in the 23rd century...

2 hours 59 minutes left to deliver the zenite.... So, luckily, the affected planet is literally right next door, I guess.

Well, that was disappointing. TOS (well, most trek in general) is rarely what I would call subtle, but this episode wasn't just cliched it was also largely boring. And it generally failed to even engage with its own theme, what with the Troglytes' problems having really been caused by gas that was actually lowering their IQs, and the cloud people, other than the high advisor, never even having to confront their actions. I suppose it's realistic in that expecting any real paradigm shift in such a short time would be too much, so giving the Troglytes the tool they needed to gain equal footing was the best possible outcome.

I can't believe I'm defending "Cloud Minders" as its definitely a bottom 5 episode for me.
But aside from the Droxine-Spock thing which is absolutely ridiculous I don't mind the rest of the episode. I like that the two women antagonists didn't change their lifelong beliefs immediately just on the word of the two very handsome Enterprise men. I like the part where Kirk and the "High Poopah" started fairly quickly succumbed to the gas. Anyway I can't really get over the Spock romance thing. Droxine was awful - hot but awful and Spock talking pon farr with her arrghhh - please make it stop.
 
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