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Spoilers Star Trek: Discovery 1x05 - "Choose Your Pain"

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As promised, here's my review for the latest episode. I've copied it over from my other social media channels!


Discovery hits its fourth episode (or fifth, if you’re counting the premiere as two separate episodes, which… you shouldn’t no matter what CBS claims to the contrary) with “Choose Your Pain”. It’s a title that makes me think of a Pokemon gym leader with two-foot biceps who grunts a lot, which I suppose is fair considering all the male Klingons in this episode could have sent out their trusty Geodudes and I wouldn’t have batted a lash. There’s a lot to like in this episode coupled with one major misstep and a few rather personal quibbles. In other words, it’s one of Discovery’s best episodes yet: a perfect encapsulation of a flawed but richly enjoyable new series still getting its space legs but finding them bit by bit each successive Sunday night.


The general plot is simple enough: Lorca is kidnapped by Klingons led by L’Rell (Voq’s somewhat steamy first mate, arguably literally) while Saru assumes command and Burnham pushes her shipmates to save the dying tardigrade. The complexity comes with the maturity of these narrative threads’ presentation; like any good Star Trek episode, there’s a depth to the goings-on.


The majority of that depth stems from Burnham, who is more likable here than at any point in the first four episodes. That’s not to say she’s by any means bad earlier on, but I’ve found her writing somewhat inconsistent. There’s no way to know whether or not that inconstency will continue for a while to come, but I can say with enthusiasm that I greatly appreciate her empathetic struggle this week. There’s an obvious literary connection here between the tardigrade and Burnham herself; it’s served as metaphor for a woman who has suffered and found herself in unfamiliar territory. The anthropologist in me (of which there is plenty) has loved watching her develop this charming affection for the creature. It’s so alien and yet so oddly easy to sympathize with, despite killing Landry. Considering a big part of Discovery’s premise involves identifying with the ‘other’, I dig this all greatly. (And besides, was Landry really all that nice? Perhaps in hindsight it would have worked even better if she had been, since it’s not hard to say goodbye to her at all, whereas if she’d been more nuanced and approachable we might struggle a bit more to stop worrying and love the tardigrade.)


I’ve written a great deal about the tardigrade gig but I haven’t even touched the fact that Stamets and Tilly both got a lot of very agreeable material this week. The episode seemed to ease back on the Burnham-centric reins despite giving her the best material she’s gotten -- an irony, but a welcome one, as it allowed these two to be fleshed-out accordingly. Tilly continues to be a golden get; Mary Wiseman perfectly encapsulates her nervous excitement and earnest personality. I have to wonder -- and fear -- if she’s being set up to die later into the season. It would certainly be a dramatic blow. Stamets on the other hand is a rough-edged egotistical sort, but like Stargate Atlantis’ Rodney McKay, we’re seeing his self-sacrificial quest for scientific achievement now too. I admit to being played like a fiddle here because the episode opens with Burnham dreaming she’s hooked herself up to the machine and all throughout the hour I had wished they hadn’t shown that because it robbed what I expected to be the climax of some of its power. Then instead Stamets is the one who suits up; clever. Speaking of Stamets, good work revealing he’s got a thing with that Dr. Culber fellow, writers. Subtle and frank. I still feel like this whole “look, we finally have gay main characters!” is very, um, 2006, but Star Trek’s got a lot of ground to make up for, I suppose. I’m surely glad it’s finally happening.


There’s also the matter of Saru and Burnham, which is very nicely-handled here and feels like a well-earned partial exhalation after all the tension they’ve experienced together. Saru gets some good material here and the Enterprise fan in me smiled at the inevitable Jonathan Archer reference when he requested a list of Starfleet’s most distinguished prior captains. (I imagine more TOS-centric fans were especially enthusiastic about the Pike and April nods.) But the real meat of the episode is of course Lorca’s torture and our introductions to Ash Tyler and Mudd. Well, rather, our reintroduction to Mudd, classic TOS recurring antagonist, now played by The Office’s Rainn Wilson. While there’s a lot to like in this subplot, including some very welcome development for Lorca and a nice brooding atmosphere to the whole arrangement, my issues with “Choose Your Pain” are also all tied to this side of the story.


First, Discovery has a pacing problem. It just does. More often than not the pace is fine or even good, but on the occasions that it fails this aspect, it really goes the whole nine yards with that failure. This week, the egregious pacing issue rests squarely with Lorca’s capture in the teaser. We’re given a reasonable amount of time following his meeting with Starfleet brass, including newly-introduced Admiral Cornwell, but afterward we jump to some five seconds maximum of Lorca on a shuttlecraft en route back to the Discovery when suddenly, Klingons, everywhere. It was almost farcical how rapidly this occurs. Maybe it’s a stylistic choice -- “keep folks on the edge of their seat!” -- but it doesn’t work. Instead it comes across as breathless in a bad way and I’d really love to see the show improve here because it seems like almost every week there’s one glaring example of this awkward momentum at play.


I’m also not entirely sold yet on Mudd. To be fair, that’s not really Rainn Wilson’s doing. It’s Mudd’s doing. I have never been a Mudd fan. His TOS appearances are just painfully hokey o me and on the one hand I’m glad to see it toned down but on the other hand I kind of hope Wilson turns it up a notch. It’s hard to explain. Perhaps John Bishop in Fringe is a good example of what I’d like from this guy. Yeah, just give him some LSD and I think I’ll be good. This isn’t to say he doesn’t serve his role well in this episode, but if you’re going to shout “you haven’t seen the last of Harcourt Fenton Mudd”, maybe twitch and flail like a YouTube streamer while you’re at it. I don’t know. I’m a hard sell sometimes.


We’ll close this week’s review with a nice big four-syllable word called ‘implications’. There’s an implication here that we’ll see more Mudd. Which is fair, because, well, we will. There’s an implication here that Stamets is not quite well; we close the episode with his mirror reflection smiling creepily after he’s left his quarters. Could this be our segue into the Mirror Universe? Very, very probably, yes. (“But it’s too obvious!” Eh, Star Trek’s been off the air for 12 years. What’s obvious to the fans is less so to newcomers.) And my favorite implication of all -- the wild, crazy theory I just knew someone else had dreamed-up, although I must confess I wasn’t prepared for half of r/StarTrek to be dreaming it -- Ash Tyler is a genetically modified Voq. We’re told through Lorca his story’s a bit hard to believe. We’re told through Tyler himself that Klingon captain has taking a liking to him. The Klingon captain is L’Rell. Last week, L’Rell said Voq would have to sacrifice everything. Well, many of us figured that might have meant his Klingon identity, didn’t we? Now, there’s a chance this isn’t what’s happening here, but after seeing how many of my fellow fans are feeling it, I’m thinking it’s at least somewhat likely. The real question on my mind is, could Tyler be a sleeper agent? It felt very much like he believed who he was, especially with how raw his attack on L’Rell during the escape. If that’s true, we’re in for some ‘fun times’ ahead. I’m excited.


“Choose Your Pain” overcomes a hilarious title and some customary mishaps to deliver one of Discovery’s strongest episodes yet. A very solid 8.

Nice review...well done!
 
Real mixed feelings here. I like the Discovery itself. I don't like my Trek dropping unexpected F-bombs and other profanities. We've ventured a long way from seeking out new life and new civilizations and that positive, upbeat view of mankind's future. We have a dark captain, a mutinous officer, secret experiments using a (perhaps) sentient lifeform. How does one draw a line from this show to interconnect it to the Next Generation? Or even the original series? Admittedly, there are threads to that series. So, I don't know how to rate it. There are things I like and things I intensely dislike. I really want to like it, but at this point, only my curiosity keeps me from canceling that CBS subscription.

I think I'm of the opinion this is interesting sci-fi, but not good Star Trek. My opinion only, your mileage may vary. Come on, Trek, I'm really trying to like you.
 
Real mixed feelings here. I like the Discovery itself. I don't like my Trek dropping unexpected F-bombs and other profanities. We've ventured a long way from seeking out new life and new civilizations and that positive, upbeat view of mankind's future. We have a dark captain, a mutinous officer, secret experiments using a (perhaps) sentient lifeform. How does one draw a line from this show to interconnect it to the Next Generation? Or even the original series? Admittedly, there are threads to that series. So, I don't know how to rate it. There are things I like and things I intensely dislike. I really want to like it, but at this point, only my curiosity keeps me from canceling that CBS subscription.

I think I'm of the opinion this is interesting sci-fi, but not good Star Trek. My opinion only, your mileage may vary. Come on, Trek, I'm really trying to like you.

This is how I'm handling / interpreting it right now...

1. This show is about the journey...not the destination. The other shows, for the most part...were all about LIVING in the destination (the great moral/ethical superiority of the Star Trek world). Here, the show runners are making us earn that destination rather than just dropping us in it and allowing us to take it for granted...and I like it that way thus far...in spite of myself.

2. This is the first time in a LONG time (maybe the TOS movies) where Star Trek has felt "real" and not like a fantasy world. And, if the sacrifice is that a little of that old "Trek Philosophy / Formula" is lost, than that's reasonable for me. Again, I think where we are going to end up is a hopeful and positive place...but we're going to have to earn that destination.

And honestly, that's part of what's made this series cool thus far. Very interesting diversion from the typical (admittedly tired) Trek stuff.
 
This argument holds up if you honestly think Georgiou was only twenty minutes into her first command. We know Burnham was her first officer for seven years, and she was a captain even before that. We don't have enough information to make a judgement if she was a great captain or not. If Starfleet holds her in such esteem, then there it is. And the tie-in novels have something to work with.

Let's be honest, Georgiou was inserted because it would have been terrible if everyone on the list was a man.

Of course, they could have invented a female decorated captain who wasn't from Trek lore. And there's absolutely no excuse for not having a Vulcan/Andorian/Tellarite on the list.
 
Let's be honest, Georgiou was inserted because it would have been terrible if everyone on the list was a man.

Of course, they could have invented a female decorated captain who wasn't from Trek lore. And there's absolutely no excuse for not having a Vulcan/Andorian/Tellarite on the list.

I think we're getting a little excited about what amounts to literally nothing.

They could have put up this list:

J. Edgar Hoover
Carrot Top
Monica Lewinsky
Sid the Squid
(and the symbol of the Artist Formerly Known as Prince)

and it wouldn't have made a damn bit of difference to anything anywhere at any time.

It was really just an easter egg for the fans. Not much more.
 
I think I'm of the opinion this is interesting sci-fi, but not good Star Trek.
This is certainly part of my gut reaction thus far. However I don't want to judge it too harshly yet. I'll make my judgement at the end of the first season when I can evaluate it in its entirety. I hope in my final estimation it isn't "interesting sci-fi, but not good Star Trek." Only time will tell.
 
I think we're getting a little excited about what amounts to literally nothing.

They could have put up this list:

J. Edgar Hoover
Carrot Top
Monica Lewinsky
Sid the Squid
(and the symbol of the Artist Formerly Known as Prince)

and it wouldn't have made a damn bit of difference to anything anywhere at any time.

It was really just an easter egg for the fans. Not much more.

We're trekkies damnit,

every detail is EVERYTHING!
 
Probably why it was such a good episode! :lol:

Poor Martin-Green - I know she's a good actor based on how she did in Walking Dead for years. I'm not entirely sure where they're going with her character but I hope they get there soon.
Yep. Not quite sure about that one yet.

The ending.... Not only spacial displacement, but also temporal? As in, if a consious mind wants to, it can bend time and space with the spore drive?
 
The double F Bomb. Got no problem with profanity per se, but it adds nothing and I found the scene in question borderline cringeworthy and very puerile. "Oooh look at us, we're swearing on Star Trek".
Yeah, I kind of felt that way too. Though I did think it kinda cool when Tilly said it, I thought it went overboard when Stamets echoed her line right back. I'm hoping now that the writers have gotten the f-bomb out of the way, we won't be revisiting another any time soon.

L'Rell's make up looked bad in this episode.
I noticed this as well. In fact, at first I wasn't entirely sure that it was L'Rell. It sort of looked like her, but something was off with the makeup on her lower lip that I hadn't noticed in previous episodes. I was surprised, also, that on the cringeworthy After Trek, both Matt Mira and Mary Chieffo pronounced her character's name as "Larell" -- I had been clearly mispronouncing it "El-Rell."
 
I did not even know Jor El was in this episode until i started reading this. I just thought she was some generic Klingon prison creep.
 
The ending.... Not only spacial displacement, but also temporal? As in, if a consious mind wants to, it can bend time and space with the spore drive?
I got that impression too. The Stamets in the mirror basically did everything the real-world Stamets did, just with about a 5-second lag. The mirror Stamets did nothing extra, or nothing less, to indicate it was a different individual with different motivational tendencies. So, yeah, I would say some kind of temporal phase-shift. Just can't remember if the phase shift was noticeable when he and the medical guy were having their conversation. If it was, why didn't he notice?
 
I noticed this as well. In fact, at first I wasn't entirely sure that it was L'Rell. It sort of looked like her, but something was off with the makeup on her lower lip that I hadn't noticed in previous episodes. I was surprised, also, that on the cringeworthy After Trek, both Matt Mira and Mary Chieffo pronounced her character's name as "Larell" -- I had been clearly mispronouncing it "El-Rell."

It was like that before as well. For whatever reason, the prosthetic lips (why the hell do they make Klingon lips more full now) don't seem to align properly with her natural lips. Maybe it's just the process of speaking naturally pulls them out of being flush.
 
If it's a sentient being, they have no choice.
Agreed that they have no choice (or shouldn't have a choice) if that is the case- only reason I bring it up is because Lorca (to this point) doesn't strike me as someone who would give much weight to a tidbit like that, especially as it would throw a wrench into Discovery's progress during the war effort. Additionally, Starfleet (early in the episode) seemed anxious enough about utilizing the tech on a wider scale to the point that they ordered Lorca to stop using it- now it's gone, unless going forward, they want to use people to make it work.
 
It was pretty clear that it was killing the tardigrade (who should have looked in the camera and said "I don't feel tardi").
Lorca seems pretty bright. he can understand he got as many jumps as he can out of the thing. They at least know how to continue right, now, even if that also violates the rules.
 
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