Not everybody's favorite, but I really like these episodes. The clever use of the now two-year old original pilot footage,
The Cage, as part of the Enterprise's past lends
HUGE weight to the Star Trek Universe as not something that's been around for only a few weeks, but for years, decades, and perhaps longer, with a real history (and the Enterprise will have a 40-year history, so it's good to see this part of it).
Here we see glimpses of the on-going evolution of Technology, uniforms, crew compliments, etc., and gain insight into crew rotation, see what Starbases are like, learn about a threat to the Federation so dire it alone still carries the death penalty (general order 7), see a trial, discover what Spock was like in the past compared to what he's like now, ~13 years later, and we gain insight into how much genuine loyalty he holds for his friends. We also learn Kirk took command of the Enterprise directly from Pike (around 2 years ago).
We see, for the first time, the shuttlecraft (and the hanger bay is mentioned), too. In the re-mastrered version, they give that shuttlecraft a name in a shot there, too - Picasso.
New visuals are cool, though I think they corrected a continuity error (before re-mastering, they arrived at noon but apparently held their first meeting at night, judging from window shots. Did they go out to dinner and drinks first and then have the meeting? But it's day time now). Anyway, good work with all that roto-scoping or whatever in new window shots and space shots throughout these episodes, including Pike's cabin windows on the Enterprise, the shuttle craft's windows, and Starbase 11's windows, complete with "flying" lights in the sky - ostensibly ships flying at night - flying cars, FINALLY! But after showing a cool daytime shot of the sky that includes a ringed planet, they later show it as a darker, nighttime shot, that also includes that same ringed planet but a darker sky. I'm sorry, but I doubt you could still see that same planet at night as the world would have rotated and you'd be looking in the opposite direction at night. That's why it's night. Kudos when they use the same scenic imagery (of the ringed planet in the sky) for starbase 11 (both in
The Menagerie and
Court Martial.) That's continuity for you. However, oddly enough, due to stated star dates, the episode
Court Martial occurred before Spock illegally took control of the Enterprise to help Commodore Christopher Pike in
The Menagerie. In any event, I think this starbase is partially, or mostly, on a planet/moon orbiting that gas giant, for what it's worth.
They only have part 2 for a Side-By-Side Comparison, but here it is:
I love they correct things they discover are wrong - not just camera jitters, but things like where Spock studies the view screen (moving forward) pondering the shuttlecraft that's following them, like they're looking at it. They change from forward stock footage to this new rear view (with nacelles) footage, and now they're actually looking in the direction of the trailing shuttlecraft they're pondering.
Massive failure, still, for the mistaken belief communication would be so difficult for Pike. Morse code, at least, and they totally didn't predict how well we could tie into the brain. And that's weird since they have the chair respond to his brain. If they can do that, they should have been able to communicate better than just yes or no. But then I guess they wanted it for the story, so . . .
Fascinating story all around.
And once again, a former yeoman was way hotter than Rand, IMO, though YMMV. Though I didn't catch her name in the show, Laura Goodwin's character is listed elsewhere as Yeoman J.M. Colt.
And she's got unusually strong female drives, so there's that.
I gave this a 6 or 6.5 before, but I'm fine giving it a 7 out of 10 now. Those extra effects are something to look at all right.