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The Classic/Retro Pop Culture Thread

The usually religiously episodic Adam-12's been doing an interesting little experiment in nursing a multi-episode plot line the past few I've watched. "Hot Shot" (Oct. 24, 1973) introduced a burglar named Reno West with an M.O. of stealing carefully selected small objects of value (like specific stamps from a stamp collection), who'd recently gotten out of prison after Malloy had busted him previously. They left this plot conspicuously unresolved in that episode, but crimes fitting his M.O. were reported in the next two episodes, "Van Nuys Division: Pete's Mustache" (Oct. 31) and "Training Division: The Rookie" (Nov. 7). Looks like the next one up, "Capture" (Nov. 14) deals with nabbing the guy. I think the only time that I've seen the show do anything like this was with personal subplots, like Reed's wife having a baby.

If they really wanted to do ongoing storylines, though, they should have let Pete keep his mustache for more than one episode.
 
They should have done a multi-episode arc where Reed and Malloy quit the force for some reason and head off across the desert in a '64 Corvette to find America.
 
Wouldn't it have to be a later model? I thought I read that they quietly slipped Tod a new one every year. Also, if they kept the police cruiser, George Maharis and Glenn Corbett could ride in the back.

So...Get Smart...now that I put that into the 50th anniversary viewing mix based on one Daily Binge, Decades has scheduled a combined binge on June 25-27 that covers every episode from the beginning of 1967 to the end of the show--There's a big hunk of lost space on the DVR! Ah, well, I'm just now done recording Kung Fu and next week will start getting Dark Shadows recorded last year off my DVR.

Still keeping an eye out for that Sonny & Cher episode of TMFU, as H&I is back to Season 3. If they play it this time around, it should be coming up around the end of the month.

Also, although it doesn't appear to be part of their regular line-up at the moment, Cozi has been playing an early episode of Adam-12 about once a week in odd slots, so by the time I get to it as 50th anniversary business, I may have quite a bit there rather than just the first few episodes.
 
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Wouldn't it have to be a later model? I thought I read that they quietly slipped Tod a new one every year. Also, if they kept the police cruiser, George Maharis and Glenn Corbett could ride in the back.
I thought about making it a contemporary model, then I decided an iconic model would be better, and then I decided it was too early to give it that much thought. :rommie:

So...Get Smart...now that I put that into the 50th anniversary viewing mix based on one Daily Binge, Decades has scheduled a combined binge on June 25-27 that covers every episode from the beginning of 1967 to the end of the show--
Sweet. I'll put that on.

Still keeping an eye out for that Sonny & Cher episode of TMFU, as H&I is back to Season 3. If they play it this time around, it should be coming up around the end of the month.
It's always the one that you're looking for that never seems to come around.....
 
50th Anniversary Catch-Up Viewing

What was going on the week these episodes aired.

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Batman
"Penguin Sets a Trend"
Originally aired February 1, 1967
Xfinity said:
Penguin dons armor to steal military plans.
"Penguin's Disastrous End"
Originally aired February 2, 1967
Xfinity said:
Penuin unveils his solid-gold tank.


So Batman can tell the Batmobile where to go by itself, or drive it in a suit of armor with the visor down...either of which is apparently less of a hazard than letting Robin drive....

The Caped Crusader said:
I'm afraid I've got it...bad, Robin, baby.

Batman touches the mantle of his cape yet again when he tells Robin that perhaps he does have a little bit of show business in his blood. The gesture always seems to be connected to a mention of acting or theatrics.

Stopping a car crusher with a tire inflator? Has Mythbusters taken that on?

They sure did handwave away the special armor fast enough in the third episode.

H&I programming note: It's odd that in their efforts to avoid splitting up a two-parter (even though it was split across two weeks in the original broadcast) by inserting Season 3 episodes ahead of schedule, they just showed "Ring Around the Riddler," which ends in a cliffhanger with the Siren...a cliffhanger that I presume will now be left hanging for months....

ETA: RIP, Caped Crusader.... :(

_______

Tarzan
"The Golden Runaway"
Originally aired February 3, 1967
Xfinity said:
Tarzan leads a young woman to a red-headed Irishman who may have a clue to her brother's disappearance.


For starters, he's a dark-haired Irishman, and I guess he's supposed to be the main attraction of the episode, an attempt at a lovable rogue guest character. This installment was OK, but not great...at least it wasn't as obviously padded as last week's. Basically he's sitting on a fortune in diamonds but won't use it because of how it would affect the tribe he's living with, whose land the diamonds are on. There's something of a love story going on between him and another guest character who finds him while seeking to vindicate her brother. The girl, at least, doesn't sleep in a jungle explorer outfit...we get a teasing "she's not wearing anything under that blanket" scene.

This one has Cheeta (who can lead Tarzan to crashed planes with stolen money in them when the plot calls for it), but no Jai and no TOS guests.

ETA: I neglected to mention how the episode opens with Tarzan saving some kids from a burning orphanage/hospital/whatever. Apparently nobody on the scene was better equipped for fire rescue than that guy who's naked except for the flammable-looking bit of business he wears on his private parts....

_______

Last Week's 50th Anniversary Viewing

_______

Dark Shadows

Episode 246
Originally aired June 5, 1967
IMDb said:
Carolyn believes the locked basement room contains a clue to Jason's mysterious hold over her mother.

At Collinwood, Carolyn and Victoria speculate as to the purpose of Elizabeth's visit from her lawyer, Richard Garner (a recurring guest character who's making his last appearance in this episode). Liz is querying Garner about getting a formal divorce from her long-missing husband, Paul Stoddard, when Jason barges into the room uninvited. After Garner leaves, Jason gloats about how Liz is following through with his proposed marriage scheme, to make sure the audience remembers what that's all about.

Cut to Roger offering Liz (What else?) a brandy. They drop a quick reference to the missing Maggie Evans before Liz tells her brother about the impending divorce. Roger's happy to hear the news and starts talking smack about marriage, causing Liz to raise the possibility that she may remarry. In comes Jason again, going for the brandy and hinting at his arrangement with Liz, which piques Roger's curiosity.

Carolyn and Vicki are taking their turn at reminding the audience about Maggie's on-hold plot line when Roger comes in, sharing his displeasure with what he's correctly inferred about Liz's plans. The trio speculate about the nature of Jason's hold over Liz, which brings back Carolyn's desire to see what's in the locked room in the basement. Carolyn learns from Roger that her mother wears the key on a chain around her neck.

Displeased with Jason's de facto revelation, Liz expresses a preference for going to prison. Carolyn comes in asking for the key, but Liz emphatically refuses. After Liz storms out, Jason tells Carolyn that he'll help her to get the key, to assure her that there's nothing of importance in the room. Distrustful of Jason's motives, Carolyn expresses her preference for his departure from their lives.

Hey! They've got one of those clocks at Collinwood, too! They're everywhere! It's THE clock of 1967! It's in the room that has a fireplace and some bookshelves.


Episode 247
Originally aired June 6, 1967
IMDb said:
Sam visits the Old House. Later, Maggie sneaks out and is spotted by Sam outside his cottage window.

Sheriff Patterson visits Sam to report that he has no news as to Maggie's whereabouts, despite FBI involvement. Pressed by Sam, the sheriff gives his opinion that Maggie might be dead. Burke also drops by, for his usual reason--none whatsoever. He tries to take Sam's mind off of things, which gives Sam the thought of going back to the Old House to work on the portrait (even though I'm pretty sure that Barnabas told him not to come over for the duration).

Willie eventually lets Sam in despite his characteristic attempts to shoo the uninvited guest away. Willie gets rid of Sam by offering to let him take the paining (even though I'm pretty sure that Barnabas didn't want that, either). As they're carrying Sam's painting gear to his unseen car, Maggie wanders downstairs and finds Sam's pipe...well that explains why he was so conspicuously puffing on it in the first place.

When Willie finds Maggie wandering around, she starts asking who she is, clearly not agreeing with her imposed Josette persona. Willie slips down to the spanking-new Old House basement set in time to witness Barnabas getting up for the night. Barnabas is displeased at Willie's news of visitors, and goes out of his way to mention how vulnerable he is while he's sleeping down there. Hmm, I wonder if that's going to be coming up again soon...?

With the aid of some internal voice-over for the audience's benefit, Maggie starts to remember who the pipe belongs to and where it belongs, and leaves the Old House. At the Evans home, Sam is working on the painting while Burke shows off his "anyone could do this job" skill set by bringing him sandwiches. While Burke is out of view, Sam sees Maggie lingering around outside his windows, and runs out only to find that she's disappeared.


Episode 248
Originally aired June 7, 1967
IMDb said:
While Sheriff Patterson responds to Sam's report of claiming to have seen Maggie, Barnabas locates her and imprisons her inside his coffin in the mausoleum for the night as a punishment for leaving the house.

Back inside, Burke believes Sam when he insists that he saw Maggie. Meanwhile, Maggie wanders the cemetery in her Josette gown, and is caught by a violently displeased Barnabas. It's a twofer week for Sheriff Patterson, who arrives at Sam's cottage to follow up on the Maggie sighting. Sam and Burke give a detailed description of the occurrence, which is of benefit to both local law enforcement and viewers who missed yesterday's episode.

Barnabas takes Maggie to the secret room in the crypt, where he takes out his two-century-old abandonment issues on his hapless victim. He's almost ready to let the incident go without "punishment" when she reacts violently to his taking away Sam's pipe, and starts calling for "Pop." After that, see episode description, and add Maggie's terrified screams.

It falls to Willie to retrieve Maggie the next day and bring her back to the Old House. He tries to talk her into going along with his master's brainwashing. The melody of Josette's music box finally seems to lull her into submission...but later, seeing her reflection, she remembers exactly who she is, and cries out in vain for Pop and Joe.

The sheriff reports to Sam that the search has been called off without results, though he did see a big, ugly dog in the cemetery. Sam starts to believe that it was all his imagination.

And this episode will be Mitchell Ryan's final appearance--I'll miss poking fun at him. I hope they manage to make his replacement more useful, or less conspicuously useless.

It occurred to me around this point that given the symptoms and behavior displayed by Willie and Maggie, including the odd puncture marks, maybe people should have been speculating that some sort of drug use was involved. Too hot for 1967 daytime TV?


Episode 249
Originally aired June 8, 1967
IMDb said:
Jason overhears Carolyn planning to break into the store-room in the basement, so he convinces Liz to give the party a guided tour of the room to try and convince them that it harbors no secrets.

Carolyn announces her plan to break into the locked room to Roger and Vicki, but wily ol' Jason is listening in, so he tries to convince Liz to get ahead of the problem and give her daughter the key, on the basis that they won't know what they're looking for and will find nothing of interest to them. I think this is the first indication that Liz herself doesn't know exactly what they'll find in the room. In this situation, she becomes unusually deferential to Jason.

The audience is privy to Jason making a preemptive trip to the basement set--which looks absolutely nothing like Barnabas's basement set--and its mysterious room, which doesn't hold anything of great significance to our eyes, either...though he does make a show of inspecting a spot on the stone-tiled floor. Carolyn, Roger, and Vicki are recapping pertinent details of Paul Stoddard's history when Liz comes in with Jason, offering to take them down to the room. When the residents of Collinwood (sans David) file down and enter, they're embarrassed to find nothing of interest, and Jason takes full opportunity to rub their noses in their shame...but the camera lingers for a conspicuous while on that spot that Jason had been inspecting.

Back upstairs, Jason having pressed his hold over Liz to full advantage, Mrs. Stoddard formally announces her plans to become Mrs. McGuire.


Episode 250
Originally aired June 9, 1967
IMDb said:
Maggie pretends to believe she is Josette. She prepares to stake Barnabas in his coffin.

Maggie's internal voice-over fills her and the audience in on the details of her true identity. She subsequently plays along at being Josette in the presence of Willie and Barnabas. Their suspicions must be aroused by the way that she's suddenly holding conversations with complete sentences, as Barnabas tries to trip her up by calling her Maggie.

Later, Maggie sneaks down to the basement to overhear Barnabas sharing his plans with Willie...plans that sound an awful lot like he plans to seal the undead deal with "Josette" the next night, topped off by Willie custom-building her a coffin of her very own! When Maggie and Willie are alone, he he quickly surmises that she's no longer under his master's spell. Playing to the greed that got them both into their current situation, she manages to temporarily beguile him with her shiny wedding jewelry...but the influence of Barnabas wins out, as he prevents her from staking the lord of the manor in his coffin. But it doesn't prevent him from being stupid, as that night, he leaves her alone standing by his coffin where the stake is still lying on the floor. Unfortunately for Maggie, Barnabas wakes up too soon, fangs bared....

Another one of those tight little three-actor episodes. Something I've noticed with this more detailed viewing is how compartmentalized the show is, usually featuring a limited number of regulars in any particular episodes, limiting some characters to a certain number of appearances per week, and rarely giving speaking roles to anyone outside the main cast. About the only place where you tend to even see non-speaking extras is the Blue Whale.

From the blog that I've been following:
Incidentally, how is it [Willie] can build an entire coffin but can't bother to knock down the cobwebs in the basement?

_______

50 years ago this week:
June 11 – A race riot occurs in Tampa, Florida after the shooting death of Martin Chambers by police while allegedly robbing a camera store. The unrest lasts several days.
June 12
  • Loving v. Virginia: The United States Supreme Court declares all U.S. state laws prohibiting interracial marriage to be unconstitutional.
  • Venera program: Venera 4 is launched by the Soviet Union (the first space probe to enter another planet's atmosphere and successfully return data).
June 13 – Solicitor General Thurgood Marshall is nominated as the first African American justice of the United States Supreme Court.
June 14 – Mariner program: Mariner 5 is launched toward Venus.
June 14–June 15 – Glenn Gould records Prokofiev's Seventh Piano Sonata, Op. 83, in New York City (his only recording of a Prokofiev composition).
June 16 – The Monterey Pop Festival begins and is held for 3 days.
June 17 – The People's Republic of China tests its first hydrogen bomb.

https://en.wikipedia.org/wiki/Monterey_Pop_Festival
The festival is remembered for the first major American appearances by The Jimi Hendrix Experience, The Who and Ravi Shankar, the first large-scale public performance of Janis Joplin and the introduction of Otis Redding.

The Monterey Pop Festival embodied the theme of California as a focal point for the counterculture and is generally regarded as one of the beginnings of the "Summer of Love" in 1967

"The introduction of Otis Redding" is a bit of an overstatement. The Wiki article clarifies downpage that it was about raising his profile among white audiences, but he'd had a string of charting singles going back to '63...and in the film he performs what was at that point his biggest hit, which had reached #21 in 1965.

Reportedly the inclusion of the Who and Jimi Hendrix was at Paul McCartney's suggestion, in lieu of the Beatles appearing.

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New on the charts:

"More Love," Smokey Robinson & The Miracles
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(#23 US; #13 R&B; Would become a bigger hit for Kim Carnes in 1980, but I'll take this version)

"Carrie Anne," The Hollies
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(#9 US; #3 UK)

"Mercy, Mercy, Mercy," The Buckinghams
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(#5 US)


New on the boob tube:
  • Dark Shadows, episodes 251-255

And new on the silver screen:

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_______
 
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Batman
"Penguin Sets a Trend"
Originally aired February 1, 1967

"Penguin's Disastrous End"
Originally aired February 2, 1967

H&I programming note: It's odd that in their efforts to avoid splitting up a two-parter (even though it was split across two weeks in the original broadcast) by inserting Season 3 episodes ahead of schedule, they just showed "Ring Around the Riddler," which ends in a cliffhanger with the Siren...a cliffhanger that I presume will now be left hanging for months....

Programming with a "don't care" attitude.

Dark Shadows

Episode 246
Originally aired June 5, 1967

Displeased with Jason's de facto revelation, Liz expresses a preference for going to prison. Carolyn comes in asking for the key, but Liz emphatically refuses. After Liz storms out, Jason tells Carolyn that he'll help her to get the key, to assure her that there's nothing of importance in the room. Distrustful of Jason's motives, Carolyn expresses her preference for his departure from their lives.

Although "rebellious" teens / young adults was exploited enough to become routine on random 1960s TV series, it still works here, as the script makes one believe Carolyn is on her way to running into something supernaturally unpleasant if she gets her hands on the key. Of course, the basement (at this point in series history) holds no supernatural dangers, but with Barnabas on the scene, the veil of horror impacts almost every plot, making Carolyn seem like another Willie waiting to happen.

Episode 247
Originally aired June 6, 1967

Sheriff Patterson visits Sam to report that he has no news as to Maggie's whereabouts, despite FBI involvement. Pressed by Sam, the sheriff gives his opinion that Maggie might be dead.

I have to give some credit to David Ford (Sam Evans); he really sold the anguished father throughout this early arc (the kidnapping of Maggie) despite the actor's apparently severe troubles with alcoholism at the time, ultimately leading to his being fired from DS, and divorce from co-star Nancy (Carolyn) Barrett.

Burke also drops by, for his usual reason--none whatsoever.

Yep, Burke still James Olsen-ing in Collinsport.

When Willie finds Maggie wandering around, she starts asking who she is, clearly not agreeing with her imposed Josette persona. Willie slips down to the spanking-new Old House basement set in time to witness Barnabas getting up for the night. Barnabas is displeased at Willie's news of visitors, and goes out of his way to mention how vulnerable he is while he's sleeping down there.

With the aid of some internal voice-over for the audience's benefit, Maggie starts to remember who the pipe belongs to and where it belongs, and leaves the Old House. At the Evans home, Sam is working on the painting while Burke shows off his "anyone could do this job" skill set by bringing him sandwiches. While Burke is out of view, Sam sees Maggie lingering around outside his windows, and runs out only to find that she's disappeared.

The constant tension of "will Maggie remember and/or escape" was well played--thanks to Frid's Barnabas seeming to be such an impossible threat to overcome. Its no wonder Maggie became such a popular character on the series--one could not help but fist-pump for her to not only escape, but expose all things Barnabas.

Episode 248
Originally aired June 7, 1967

Barnabas takes Maggie to the secret room in the crypt, where he takes out his two-century-old abandonment issues on his hapless victim. He's almost ready to let the incident go without "punishment" when she reacts violently to his taking away Sam's pipe, and starts calling for "Pop." After that, see episode description, and add Maggie's terrified screams.

Great stuff. One wonders exactly how a vampire punishes anyone (other than a beating) in a way that plays up the horror of it all? Vampirizing a victim is not much punishment, since the person "lives" again, and is not really suffering, so...

It falls to Willie to retrieve Maggie the next day and bring her back to the Old House. He tries to talk her into going along with his master's brainwashing. The melody of Josette's music box finally seems to lull her into submission...but later, seeing her reflection, she remembers exactly who she is, and cries out in vain for Pop and Joe.

More great tension. Maggie remembers, but she still seemed to be incapable of taking complete control of her will--its as if a part of her still belongs to Barnabas (likely the vampire transformation slowly working), making her chances of survival rather bleak.

And this episode will be Mitchell Ryan's final appearance--I'll miss poking fun at him. I hope they manage to make his replacement more useful, or less conspicuously useless.

As noted in previous DS review, Anthony George will become the new Burke, but Jeremiah Collins will be a pivotal role for the series during one if its most popular arcs.

It occurred to me around this point that given the symptoms and behavior displayed by Willie and Maggie, including the odd puncture marks, maybe people should have been speculating that some sort of drug use was involved. Too hot for 1967 daytime TV?

No, as illegal drug use / drugging victims had been used on police dramas pre-dating Dark Shadows. I think the problem is that the fang marks could not be mistaken for that produced by needles thanks to it being a pair indicative of fang spacing, and larger than any gauge needle typically used for drugs.

Episode 249
Originally aired June 8, 1967

Carolyn announces her plan to break into the locked room to Roger and Vicki, but wily ol' Jason is listening in, so he tries to convince Liz to get ahead of the problem and give her daughter the key, on the basis that they won't know what they're looking for and will find nothing of interest to them. I think this is the first indication that Liz herself doesn't know exactly what they'll find in the room. In this situation, she becomes unusually deferential to Jason.

Elizabeth is so beaten by stress and secrets, that she's officially lost control of the entire situation to Jason--and herself, and as we will see, her only defense is an offense of barking at her family.

The audience is privy to Jason making a preemptive trip to the basement set--which looks absolutely nothing like Barnabas's basement set

Well, they were two different sets, so...

Episode 250
Originally aired June 9, 1967

Later, Maggie sneaks down to the basement to overhear Barnabas sharing his plans with Willie...plans that sound an awful lot like he plans to seal the undead deal with "Josette" the next night, topped off by Willie custom-building her a coffin of her very own!

Gruesome business. Imagine what's going through Willie's mind.

When Maggie and Willie are alone, he he quickly surmises that she's no longer under his master's spell.

You cannot con a con man--that, and being under Barnabas' control, he would recognize signs of real vampire mind control if it was in effect at all.

..but the influence of Barnabas wins out, as he prevents her from staking the lord of the manor in his coffin. But it doesn't prevent him from being stupid, as that night, he leaves her alone standing by his coffin where the stake is still lying on the floor. Unfortunately for Maggie, Barnabas wakes up too soon, fangs bared....

He was not being stupid--just assured that her fate was sealed. Moreover, if he--a more predatory character--failed to end Barnabas, he would never imagine Maggie would no matter what tool was laying around.

Barnabas glaring at her was a classic moment--no longer trying to create Josette 2.0, and being patient with her brushes with her real identity,, his expression just says rage and "your ass is going to pay for that". From various period accounts, ABC viewers were on the edge of their seats during this period of the series.[/quote]
 
Programming with a "don't care" attitude.
I wouldn't say that...they cared enough to go out of their way to not break up that Catwoman/Lesley Gore two-parter...problem was, that two-parter serves an important role as the bridge between the two three-parters, and is better off split up because of it.

I've been reading the old MeTV thread posts when @Christopher was reviewing this part of the series, and it sounds like Me was up to even more bizarre shenanigans at the time just to avoid that...airing the three-parters out of order. I get disoriented just trying to find the right posts.

Although "rebellious" teens / young adults was exploited enough to become routine on random 1960s TV series, it still works here, as the script makes one believe Carolyn is on her way to running into something supernaturally unpleasant if she gets her hands on the key. Of course, the basement (at this point in series history) holds no supernatural dangers, but with Barnabas on the scene, the veil of horror impacts almost every plot, making Carolyn seem like another Willie waiting to happen.
Huh...while one certainly expects there to be some sort of skeleton in the closet--figurative or literal--I never got the impression that they were teasing something supernatural. If this storyline has a problem, it's that it's a storyline that could have been done on any other soap opera, which isn't playing to this show's strengths.

I have to give some credit to David Ford (Sam Evans); he really sold the anguished father throughout this early arc (the kidnapping of Maggie) despite the actor's apparently severe troubles with alcoholism at the time, ultimately leading to his being fired from DS, and divorce from co-star Nancy (Carolyn) Barrett.
Didn't know any of that. I'd heard that the character had alcohol issues, which is hinted at in some of these scenes.

Yep, Burke still James Olsen-ing in Collinsport.
I tease Riker's dad, but I read that what passed for his prior storyline established that he and Sam were old friends, in which case it actually makes sense that Burke would be there for Sam in his time of need, ready to give him the manly shoulder rub.

The constant tension of "will Maggie remember and/or escape" was well played--thanks to Frid's Barnabas seeming to be such an impossible threat to overcome. Its no wonder Maggie became such a popular character on the series--one could not help but fist-pump for her to not only escape, but expose all things Barnabas.
I can't praise her role in this enough. The whole plotline would have fallen flat if Scott hadn't sold every iota of the horror of Maggie's situation. I imagine that it helps to sell Barnabas as a threat for future storylines.

One wonders exactly how a vampire punishes anyone (other than a beating) in a way that plays up the horror of it all?
We saw...he locked her in a coffin overnight.

I think the problem is that the fang marks could not be mistaken for that produced by needles thanks to it being a pair indicative of fang spacing, and larger than any gauge needle typically used for drugs.
But it took them forever to even realize that the marks looked like bite marks...they were describing them as "scratches" and whatnot...which makes mistaking them for needle marks not seem so far-fetched.

Gruesome business. Imagine what's going through Willie's mind.
I wonder if some part of him envies her. She has the prospect of getting to be like Barnabas, while he's stuck as the more daytime-tolerant lapdog.
 
"Columbo Likes the Nightlife": When this final Columbo movie came out in January 2003, I was quite relieved. I'd feared that the mess that was "Murder with Too Many Notes" would be Columbo's final outing, so it was good that he got one more shot at a worthy farewell. And, happily, this is one -- as it happens, written by Michael Alaimo, the son of Star Trek: Deep Space Nine's Marc Alaimo. The film makes an aggressive effort to bring Columbo into the 21st century, with a story focusing on the rave/nightclub scene, a more modern, fast-paced editorial approach, and a modern (techno? something like that) musical score, but it's surprisingly effective -- perhaps because it doesn't compromise Columbo's character and how he does things. Indeed, Falk is in rare form for his final outing as the detective. It's the best installment the series had in quite a few years, and a worthy farewell.

This is the one Columbo movie that came out during a time when I was active on a BBS that still exists today, so I'm able to repost the comments I made on another board at the time of its debut:

I thought this was a very good installment, certainly for a first-time screenwriter. It was a well-crafted, if perhaps a bit overcomplicated, mystery, with good character interplays and some real nuance and subtext to the dialogue. Like when Justin spins his tale about the photographer being suicidal, after Columbo's already ruled out suicide, causing the Lieutenant to say "That's very valuable" -- i.e. you've just made yourself the prime suspect. Or conversely, when Columbo says he hates loose ends, and Justin says "So do I" -- the photographer being the ultimate loose end which he had to tie up.

There were some clever clues (though I could've done without the toilet-related clues), and the final revelation of where the body was hidden was quite clever in more ways than one ("with the fishes," indeed). The direction was excellent, very stylish and effective. Matthew Rhys gave a terrific, nuanced performance, though his transition from superficially friendly to openly hostile was a bit too abrupt. Jennifer Sky isn't one of my favorite actresses, but she was appropriate for this fairly weak-willed and panicky character.

Justin's murder of the photographer guy was very effectively done -- not a quick, sanitary murder like we so often see on TV (and like the accidental death of Tony), but one that was harrowing, messy, difficult, even darkly funny. Perhaps it goes against the traditional Columbo approach of leaving the gore and violence offscreen, but it was a striking sequence.

And the film had some classic Columbo moments, especially the sequence in the alley with the photographer's body. Beat cop Julius Carrey trying to stay businesslike and deliver his report while reacting in bewilderment to Columbo's eccentric investigative techniques was priceless. They even threw us for a loop by having the tabloid editor volunteer "one more thing," thus stealing Columbo's line (though that's been done before).

Since Vanessa was so obviously the weak link here, I was kind of expecting Columbo to put pressure on her to get a confession, as he did with the similar character in his very first documented case, Prescription: Murder. I guess he did do so a little bit, showing her the phone records in order to drive her to meet with him, but that didn't really accomplish anything substantive.

Oh, and they missed an opportunity for humor, when Columbo pulled that ancient hunk of junk up to the rental-car place to ask his questions. I'm sure they could've gotten some kind of comedy sequence out of that, some horrified reactions from the rental people or something. But I guess they didn't have room for it.

But that in itself is kind of a plus. Too many 2-hour Columbo movies are excessively padded and slow, but this one has a dense enough plot to fill 2 hours easily, and even borders on being cluttered.
 
ETA: I neglected to mention how the episode opens with Tarzan saving some kids from a burning orphanage/hospital/whatever. Apparently nobody on the scene was better equipped for fire rescue than that guy who's naked except for the flammable-looking bit of business he wears on his private parts....
And he's not wearing anything under that blanket. Missed opportunity for some comedy there. :rommie:

"More Love," Smokey Robinson & The Miracles
Now that's more like it. I do like the Kim Carnes version, too, though.

"Carrie Anne," The Hollies
Ah, happy 60s. Good stuff.

"Mercy, Mercy, Mercy," The Buckinghams
I kinda forgot about this one. Not bad.
 
Kung Fu

"Superstition"
Originally aired April 5, 1973
Wiki said:
Walls imprison the men unjustly sentenced to work as miners at a brutal labor camp. Yet an even greater barrier holds them captive: fear of the camps ancient Indian curse. But Caine knows no such fear.

This seems like one too many "Caine is unjustly convicted/imprisoned" episodes in a row. And of course, Caine's mad escape artist skills don't come into play when it might shortcut him out of the story.

What results is the obligatory labor camp episode with an emphasis on the benefits of meditation in enduring harsh conditions, and featuring a shared hotbox with standing room inside.


"The Stone"
Originally aired April 12, 1973
Wiki said:
A Brazilian skilled in the capoeira fighting style of his homeland accuses Caine of stealing a diamond. Street urchins offer Caine their savings of $4.08 if he'll kill an Armenian saloon piano player who jilted their mother.

The origin flashbacks intro continues to come and go.

It's particularly interesting when Caine befriends somebody else who's subject to prejudice in the setting...very sign o' the times for the early '70s.

The story feels kind of busy for once, but the seemingly disparate threads of the children and the former slave eventually come together. Guest starring recurring Incredible Hulk heavy Bill Lucking and young Ike Eisenmann.


"The Third Man"
Originally aired April 26, 1973
Wiki said:
Lucky at cards, unlucky in life. A gambler on a hot streak entrusts his winnings to Caine. But the money is soon stolen, the gambler is killed, and Caine seeks answers to the mysteries surrounding both events.

I hate when a capsule description gives away something that should be a surprise...the gambler doesn't get killed until over 20 minutes in.

This story is colorful and suspenseful; Caine has another companion of the week (however short-lived) whose personality and materialistic concerns give Carradine something to play off of. Following his demise, the gambler's wife goes through an interesting little journey. The sheriff's repentance at the end for his role is maybe a little too pat.

Flashback Kan is more charitable to thieves than to his own students.

Kwai Chang Caine said:
I seek not to know all the answers, but to understand the questions.



"The Ancient Warrior"
Originally aired May 3, 1973
Wiki said:
Ancient Warrior (Chief Dan George), an aged Indian accompanied by Caine, seeks burial in his sacred, ancestral land, But the burial site is located dead center in a violent, Indian-hating town called Purgatory.

The origin opening just seems to be occurring randomly now...I wonder if they'll settle on a standard opening. It's perhaps present here to help make up for a lack of episode-specific flashbacks, other than a bit of Master Kan voice-over at the end...a bit of wisdom that echoes a major point of Caine's in the previous episode, about the true test of love being how you feel about somebody when they're gone.

Kwai Chang Caine said:
Do you know the road to Santa Fe?
I've been away so long, I may go wrong and lose my way.

This one revisits the "pay it forward x10" flashback, which is good continuity, but stresses that Caine is doing good deeds to fill a quota.

Victor French is more recognizable here in a mustache, but I would have missed Uncle Jesse if I hadn't seen his name listed. Among the local troublemakers whom Caine beats up this week are Gary Busey and Willaim Katt.

The mayor has THE CLOCK...way back in the Old West...or still around in the 1970s...take your pick.

The story beats with the old gunfighter who shows up the first time just to set up his next scene in which he gets shot seem a bit random. And this is the second episode I've watched recently in which the show comes back from a commercial break to have the characters suddenly in a new situation that makes you feel like you missed a scene. I wonder if that's the original editing or syndication cut business.

Caine picks up a new pseudonym in this one, Long Drink of Silence.


And that does it for Season 1.

_______
 
Though at this point I'll be saving it until I get to its week in the Catch-Up Reviews (Mar. 10, 1967).

And the beat goes on....

_______

50th Anniversary Cinematic Special


You Only Live Twice
Released June 13, 1967

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(Yeah, the UA logo isn't very period-authentic, but they change the thing every 5 minutes....)

Starting with the fifth installment of the official James Bond movie series makes me wish I'd gotten in the swing of this 50th anniversary business much earlier in the decade; I could've done a detailed revisit of each film on its anniversary.

This was the last of Connery's consecutive films in the series, though he'd come back once more a couple of films later, and reprised the role in an '80s remake of Thunderball for the people who only owned the rights to that story. I've seen criticisms that Connery was phoning it in here, but he's still in good form...a stark contrast to how much he'd changed four short years later when he came back for Diamond Are Forever. Of course, it's always a treat to have the original supporting cast: Bernard Lee (the personification of Fleming's M in my eyes), Lois Maxwell, and Desmond Llewelyn.


THE BAD

Let's just get it out of the way:

Connery's "Is That Supposed to Be Yellowface?" Makeup


IIRC, this is one of the few bits from the book that they kept, though in that case I think it was more of a general makeover so that Bond might pass as Japanese from a distance. As realized in the film...it's just laughably bad, an insult to the audience's intelligence. The film never really sells the need for such an unprecedentedly elaborate cover...SPECTRE agents are already popping up left and right wherever Bond's holed up; the wedding is just a half-baked excuse to immerse the audience a bit more in the setting; and the disguise magically disappears once Bond is infiltrating the volcano base.

Blofeld

Ah, the underwhelming piece of casting that resulted in musical Blofelds for the rest of his appearances in the series and, ultimately, the Dr. Evil parody....

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In the books, Blofeld was a physical match for Bond. Here, 007's arch-nemesis is revealed at last as an obvious mismatch with the voice and body actors used in From Russia with Love and Thunderball. Donald Pleasence was a hasty substitute after filming had begun, because the previous choice that they'd started with looked too much like Santa Claus. In a DVD extra, one of the actors playing a SPECTRE control room operator amusingly relates how one day he came in and somebody different was sitting behind him.

The Rocket-Swallowing Rocket

On the subject of nuclear paranoia in 1967, the potential of WWIII is brought up here, but that's becoming a pretty standard Bond film trope at this point...and it's specifically being triggered by a development in what was actually happening in the Cold War at the time, the space race. (Ah, the ill-fated Jupiter Program...a couple of their spacecraft are missing....) The space effects aren't horrible, though 2001 is less than a year away. But the effects of the SPECTRE rocket's already-absurd hard-landing look like something out of an Irwin Allen show. It's all worth it, though, because this OTT element serves as an excuse for for the first entry in our next category....


THE GOOD

Volcano, Volcano, Volcano!

YOLT introduces the ultimate villain lair, Ken Adam's iconic masterpiece, viewed in all its practical, full-scale splendor only briefly in the clip below:

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The use of a volcano lair came out of the film crew's scouting for a more book-accurate location--they couldn't find a coastline fortress matching Fleming's description, but were inspired when they came across the volcanic area that appears in the film.

Little Nellie

At this point, the series is playing up Q as a crowd-pleaser, revisiting the way that he equipped Bond in the field in Thunderball to save him for well into the film.

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In case you hadn't guessed, they gave Connery the helmet so that they could more easily pass off the actual pilot as Bond.

The audience gets its first proper gadgeted-up vehicle after the iconic Aston Martin, and this time it shows its stuff in broad daylight skies, which is much more impressive than the claustrophobic, darkened backlot chase in Goldfinger...

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The helicopters getting blown up are too obviously standing still...and there's a bit of locale fakery going on there, as the crew wasn't allowed to use explosives over a Japanese national park, so the pyrotechnics were done at a passable location in Spain.

Special appreciation must be given to cameraman John Jordan, who lost a foot to a helicopter blade in bringing us this sequence.

I'm not sure why Bond can't go back to Tanaka's place during the Russian space shot, other than the instruction serving as an excuse for that bit of exposition. How much gas could that little thing carry, anyway?

Tiger Tanaka

A likable ally, in spite of the use of a separate voice actor...alas, this was standard practice in the series at the time for ESL actors in major roles with accents that the producers thought might make them difficult for English-speaking audiences to understand. It was good enough for Goldfinger.... Robert Rietty had just done Emilio Largo's voice in Thunderball. The difference compared to Tetsurō Tanba's voice can be heard when Tanaka speaks Japanese during the bath scene.

Ninja!

This film is widely recognized as the mainstream Western debut of ninjas, which would become a staple of popular culture in the '80s. It's a bit of a pity that we didn't get to see more marital arts business than we did. I've read that the one of the ninjas who gets a bit of spotlight at the training camp received an ovation in theaters when he repeated his technique during the volcano raid.


THE MEH

Nancy Sinatra

Her number is OK, but nothing great in the annals of Bond title songs. The volcano motif used in the title sequence is quite visually striking, though.

Hans

There'll always be room in popular culture for big, blond, Germanic henchmen, but he's a pretty uninspired follow-up to Oddjob.


THE BOND GIRLS

Akiko Wakabayashi and Mie Hama switched roles because the former spoke English well enough to not be voiced over, and Aki had more lines. While the role of Kissy is one of the closer elements to the book, it might have been simpler if they hadn't been so formula-bound and had made Aki and Kissy a single character, instead of having the character we become attached to early in the film be the obligatorily killed first girl. Hama, at least, isn't hard on the eyes running around in the bikini. (Diane Cilento, Connery's wife at the time, also doubled for Kissy and several of the other Ama girls in the diving scenes.)

I've seen Helga Brandt described as an obvious clone of Fione Volpe from Thunderball, but reportedly, their original intent had been to cast a more statuesque blonde. Intentional or not, it strikes me that Karin Dor in the red hair looked fairly similar in type to Diana Rigg, who'll be playing a pretty big role in the next film....


OTHER BITS OF NOTEWORTHY SPY-FI BUSINESS
  • M's sub (particularly appropriate in that M is a retired Royal Navy admiral)
  • Tanaka's pimped-up train
  • The helicopter magnet stunt
  • The trick bridge over the pond full of piranhas.


THINGS THAT DON'T MATCH UP


Bond gets a random backstory detail when he says that he took a first in Oriental languages at Cambridge. Fleming's Bond wasn't a Cambridge man, and was fluent in French and German.

The guy who looks like Dr. Evil said:
Only one person we know uses this sort of gun.
In other films, it's said that the Walther PPK is standard issue for the British Secret Service; also, when it's introduced in Dr. No, Boothroyd says that "the American CIA swear by them." It's pretty unlikely that SPECTRE would identify the spy at Osato as specifically being Bond based on the gun.

Tanaka makes a show of supposedly training Bond to become a ninja, but the film doesn't go anywhere with it other than using it as an excuse to show off the training camp. Nowhere later in the film does Bond display any skills that would seem to have come specifically from this training, other than perhaps the human fly bit that he does while wearing his pseudo-ninja mask.

Given that it's presumably deep within the volcano, I'm not sure why the cell where the astronauts and cosmonauts are being kept has barred windows....


PUTTING WAY TOO MUCH THOUGHT INTO THINGS

I have to wonder if those guards at Osato, at least one of whom Bond shoots, even know that they're working for SPECTRE. OTOH, the dock workers seem to, since they know Brandt as "Number 11".


BOND SERIES HALL OF FAME
  • Charles Gray, who plays Bond's contact Henderson, will go on to play our third fully-seen Blofeld in Diamonds Are Forever.
  • Shane Rimmer, uncredited as a Hawaii radar operator, is recognizable as both Commander Carter from The Spy Who Loved Me and a mission control guy in Superman II.


LEGACY

You Only Live Twice represents a turning point for the series. Earlier installments had taken their liberties with Fleming's novels, but were still recognizably based on them. For various reasons, this was the first time that they came up with an all-new story that just used a few elements from the book. This approach also loaned itself to more OTT spy-fi business than in the previous films, which, consciously or not, may have been done to stay ahead of the various Bond knock-offs that had sprung up by this point.

The next film in the series, On Her Majesty's Secret Service, would take the opposite approach by being arguably the closest adaptation of a Fleming story, and perhaps the most grounded installment of the series until the Craig era. But following that film's relatively poor reception, the series would follow YOLT's example for many films to come...even doing a thinly-veiled remake a decade later with The Spy Who Loved Me.


THE END
of
YOU ONLY LIVE TWICE
but James Bond will be back
ON HER MAJESTY'S SECRET SERVICE

_______
 
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50th Anniversary Cinematic Special

You Only Live Twice
Released June 13, 1967

The Rocket-Swallowing Rocket

On the subject of nuclear paranoia in 1967, the potential of WWIII is brought up here, but that's becoming a pretty standard Bond film trope at this point...and it's specifically being triggered by a development in what was actually happening in the Cold War at the time, the space race. (Ah, the ill-fated Jupiter Program...a couple of their spacecraft are missing....) The space effects aren't horrible, though 2001 is less than a year away. But the effects of the SPECTRE rocket's already-absurd hard-landing look like something out of an Irwin Allen show.

That was Bird One: http://fantastic-plastic.com/SPECTREBirdOne-Page.htm

The way I explain it--there was a hypergolic fuel tank inside the "maw" of Bird One that was disgorged off-screen--allowing this TSTO to almost be doable. Musk is trying to recover his second stage. Though the BirdOne launcher seems an Atlas--it also reminds me a bit of Kistler's: https://en.wikipedia.org/wiki/K-1_(rocket)

Here, the first stage seems expendable--or is parachuted down. Only the smaller second stage comes back--looking like the DC-X https://en.wikipedia.org/wiki/McDonnell_Douglas_DC-X

It's was about the size of Bird One, in fact. Blow off the heat shield--and do a hoverslam. Only Falcon didn't need that heat shield--the wake of the rocket exhaust itself served as that.

There were plans for Troop Rockets once:
https://s-media-cache-ak0.pinimg.com/originals/16/7f/74/167f74096ef0ab90ef49341778c3f9ad.jpg

So here--Bond met Bono, Phil Bono: https://en.wikipedia.org/wiki/Philip_Bono

A lesser rocket from Diamonds
http://www.jamesbondwiki.com/page/Whyte+Rocket
 
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^ That's interesting...did they actually use that name in the film? All these years, don't know how many times I've seen it, and I never caught that.
_______

50th Anniversary Catch-Up Viewing

What was going on the week these episodes aired.

_______

Batman
"Batman's Anniversary"
Originally aired February 8, 1967
Xfinity said:
The Riddler ruins Batman's anniversary celebration by going on a criminal rampage.
"A Riddling Controversy"
Originally aired February 9, 1967
Xfinity said:
Riddler plans to destroy police headquarters.

H&I displayed an Adam West tribute card before each of these episodes.

Yeah, some of Astin's blatant attempts at being Gorshinesque seem really half-assed.

The underwater fight is rather novel, if too obviously fake. Thunderball this ain't. There's a nice little blink-and-you-miss-it touch outside the bank of Batman tapping his cowl ear as if there's water in it.

The cake quicksand isn't very convincing either...Tarzan this ain't. Couldn't Batman have just used a Batrope before his utility belt went under?

Sign o' the times: Aquilla's appearance is an obvious Fidel Castro spoof.

The telegram courier said:
Someone here called Batman?
A little Marvelesque touch, when citizens act blase about superheroes.

That last riddle that helped them put together the "Noman" clue is really well-known...though I'm sure that I was first exposed to it via this episode. And Batman reading clues while driving--How's that for driver safety?

_______

The Wild Wild West
"The Night of the Vicious Valentine"
Originally aired February 10, 1967
Xfinity said:
West and Gordon encounter a society lady who plans to change the United States into a monarchy and reign as its queen.

It's maybe a bit soon to say for sure, as I've never seen much of this show, but already I find it more watchable than TMFU. It definitely has its own quirky style that makes it seem like less of a knock-off of other spy-fi productions. In particular, the Old West tech on the show sort of reminds me of the stone-age tech gags on The Flintstones.

The villainess of the story, Emma Valentine, is played by Bewtiched's Agnes Moorehead, and has, among her other resources, an Old West matchmaking computer that uses red paper sheets with heart cutouts in them as punch cards.

One of the underlings in her scheme of arranging marriages to kill the husbands for control of their wealth is played by none other than Trek legend Sherry Jackson. Her character is way too obviously a good girl at heart from the first time that we see her. And in one of her scenes, she comes to see her husband about her dress on the day of the wedding...and they don't even make the usual comment about the groom seeing the bride being unlucky.

In the climax they make a point of showing Valentine getting away, as if they're setting her up for a return appearance, only to tell us in the epilogue that she'd been apprehended.

And they have a blockier-looking variant of THE CLOCK on Jim and Artie's train!

_______

Tarzan
"Basil of the Bulge"
Originally aired February 10, 1967
Xfinity said:
A native chief and a corrupt government official capture Sir Basil Bertram before he can arrange tribal treaty.

Yet another Jai episode with Tarzan bookends...they're not even together in the opening one.

This episode guest-stars Sam's other parent, Maurice Evans, as Sir Basil, an old general who's fixated with his past glories. It's really an unengaging mess of an episode, filling time with, among other techniques, early omniscient viewing of the villains plotting their scheme, as well as cheap flashbacks (audio only the first time, then adding some superimposed stock footage later) of Basil's battlefield experience. It looks like it might pick up a little when Jai and Sir Basil start reluctantly working together, but we don't get enough of it. It just teases us with the idea that there might be a half-decent story in there somewhere, waiting to come out.

The general's climactic glory moment is unconvincing, both in the setup and the execution; he uses no great tactics other than setting up some fires to hedge in the raiders; otherwise, having the villagers come in and beat them up with common implements just seems a little too easy.

TOS guest: Warren Stevens (Rojan, "By Any Other Name"; not to mention Doc Ostrow in Forbidden Planet) as the corrupt government official

_______

Last Week's 50th Anniversary Viewing

_______

Dark Shadows

Episode 251
Originally aired June 12, 1967
IMDb said:
Barnabas locks Maggie in an Old House basement cell and informs her that he will wait until she becomes Josette.

The week begins with a recap of last week's closing segment, involving Maggie, Willie, and Barnabas in the basement.

Barnabas Collins said:
Be careful, it's very sharp.

Barnabas begins to choke Maggie when Willie intervenes, putting his own life on the line to save her.

Barnabas said:
You're assuming that I'm not clever enough to cope with idiots. Unfortunately for you, I am.

Barnabas's attempt to see Willie's hand is interrupted by Victoria knocking on the door upstairs while simultaneously turning this into a four-character episode. She brings news of a curfew imposed by the sheriff, and the two exchange talk of Maggie's mysterious fate...while downstairs, Willie convinces Maggie to go along with his plan. Maggie mentions a couple of times that Barnabas intended to turn her into something "monstrous" and "inhuman" without dropping the V-word. Upstairs, Barnabas seems interested in Vicki's reaction to the music box.

Back in the basement, Barnabas declares that Maggie is no longer worthy of being Josette, and that he intends to see that she dies a slow and agonizing death. Willie buys her time by convincing Barnabas that she's worthy of being given another chance, so the lord of the manor locks her in the basement's metal-doored cell while he contemplates her fate.

Barnabas visits the Great House, ostensibly to apologize to Mrs. Stoddard for not being around for her plot line, but she's not in the episode and he's clearly more interested in gauging Vicki's reaction to another Collins family heirloom. He invites her to drop by his place more often.

Returning to the Old House's basement, Barnabas declares that he'll leave Maggie in the cell until she begs to be his bride, prompting hysterical cries that she'll lose her mind locked down there....


Episode 252
Originally aired June 13, 1967
IMDb said:
Carolyn and Elizabeth argue over Elizabeth's approaching marriage. Carolyn begins dating a hippie motorcyclist named Buzz.

At Collinwood, a displeased Carolyn catches Elizabeth on the phone attempting to hasten her wedding arrangements. Carolyn tries to get the truth out of her mother regarding Jason's hold over her, but Liz's relentlessness drives her away. Roger and Victoria are in the room with THE CLOCK, reminding us that David still exists somewhere offscreen, when Carolyn comes in to commiserate with them.

Roger Collins said:
Each individual reserves the right to ruin his or her life as quietly or as flamboyantly as he chooses.

Somewhere between Roger's comments and her mother's, Carolyn gets the notion to commit a desperate act of spite and calls the Buzz guy mentioned up in the box. We haven't met him yet, but he's about to become a short-term recurring character.

At the Blue Whale, which is swinging again with what sounds like something vaguely calypso-ish this week, Joe shares a drink with Vicki while reporting having sighted Carolyn on Buzz's motorcycle, when the inebriated new couple roll into the joint and make an embarrassing show of their forced new relationship. Given what I've learned of Mitchell Ryan's departure, I strongly suspect that Joe is substituting for Burke here...he even seems eager to rough Buzz up, which is usually ol' lantern jaw's M.O. And some would wonder how I ever got them confused! :p

Buzz brings Carolyn back to Collinwood with the aid of very unconvincing sound effects (sort of like somebody in the room is holding a running weed-whacker perfectly still). Unable to convince her new boyfriend to break the show's budget by riding his chopper into the Great House, Carolyn is putting on some swinging Sixties music and raiding her uncle's brandy when Liz comes in, just in time to have her nose rubbed into the situation.

Dark Shadows Before I Die said:
Suddenly Burke Devlin looks like a real catch.


Episode 253
Originally aired June 14, 1967
IMDb said:
Maggie gives Willie her ring as a bribe, hoping that it will lead to the discovery that she is alive and being held captive.

In the basement cell at the Old House, Maggie's internal voice-over is trying to help her cope with her too-quickly telegraphed plight of potential insanity when Barnabas comes down to visit. He tries to reason with her, and leaves the music box with her after she realizes that she needs to play along; but Barnabas won't agree to delivering the aforementioned ring to her father to let him know that she's alive.

At the Great House, David makes an appearance to prove that he really is still in the cast, unlike some people we could mention.... Vicki reluctantly agrees to let him go out even though it's after dark. The boy also reminds us that he knows perfectly well who Maggie is, even though he didn't recognize her in Josette's veil.

Back in the Old House basement, Maggie enacts a more wily plan by letting Willie have the ring without telling him why. Willie's usual fear of Barnabas takes a backseat to the love-light that he gets in his eyes for potentially valuable jewelry.
Upstairs, David literally breaks in and starts his customary whining for Josette, which is interrupted by an angry Willie. The boy treads on dangerous ground by accusing Willie and Barnabas of conspiring against Josette. After Willie physically throws him out, David finds the ring, which Willie inadvertently dropped outside.

Back at the Great House, David gets a toothless scolding from Vicki, who's clearlly oblivious to what an enabler she was in the first place, when she notices the ring and finds an inscription inside. Barnabas comes over just in the nick of time to apologize for Willie's rudeness. Barnabas spies the ring and takes possession of it, passing it off as one of his family heirlooms. He wastes no time in returning to the Old House and letting Maggie know that he has the ring, sending her into despair....


Episode 254
Originally aired June 15, 1967
IMDb said:
A rebellious Carolyn announces that she will marry Buzz on the same day her mother is scheduled to marry Jason.

Carolyn and Elizabeth are still arguing, with Vicki getting caught up in the plot regurgitation and wheel-spinning. Vicki is intuitive in guessing that whatever Jason is holding over Liz may not be as bad as Liz has been led to believe it is.

Since you can't see the life preserver, I'll fill you in that the next scene takes place at the Blue Whale, where Jason is grilling Willie about his latest errand for Barnabas. Things briefly get a little warmer between the former cohorts when Jason fills Willie in on his scheme to marry Mrs. Stoddard...but then Jason has to ruin the mood by pressing that he wants in on whatever Willie's up to with Barnabas. Carolyn and Buzz come in, the former trading insults with Jason as he leaves. Later, as they're leaving, the couple run into Joe coming in. This scene may actually have been Joe's on paper, since Maggie is brought up. Nobody seems to have a high opinion of Buzz...for the characters, it seems to be a matter of class and hygiene. For me, it's that he's such a cheesy, poorly realized character. The actor's delivery makes me cringe.

At Collinwood, Jason is pressing Liz to set the date as soon as possible, when Carolyn and Buzz come in and Jason seizes the opportunity to announce the date. Two weeks from today...is that when I can look forward to this tedious storyline ending?


Episode 255
Originally aired June 16, 1967
IMDb said:
Sam tells Barnabas that Maggie is thought to be dead. Maggie hears a strange little girl singing outside her cell.

At the Old House, Willie expresses concern to Barnabas for Maggie's welfare. While at the Blue Whale, Sam is knocking 'em down when Joe comes in to learn that Sam is planning to take the finished painting of Barnabas to the Old House.

Sent to fetch Maggie from the basement, Willie implores upon her that she must make Barnabas believe that she wants to be Josette. Maggie tries to play along with her captor's delusions, but eventually asserts her true identity...just as her father comes knocking. Maggie is allowed to hear Barnabas's conversation with her father from the top of the stairs, under the threat that if she reveals herself, Barnabas will have to kill them both.

While Sam is delivering the portrait, Joe comes by to inform Sam that the police have found a badly decomposed body that could be Maggie's. After they leave, Barnabas presses the point to Maggie that everyone already thinks she's dead. Returned to her cell, Maggie is falling into despair when the show's newest character, that ectoplasmic l'il scamp Sarah Collins, sings "London Bridge" just outside the door to keep her company.

At one point Maggie refers to Barnabas as "the living dead"...so close.

_______

50 years ago this week:
June 18 – Eighteen British soldiers are killed in the Aden police mutiny.
June 23 – Cold War: U.S. President Lyndon B. Johnson meets with Soviet Premier Alexei Kosygin in Glassboro, New Jersey, for the 3-day Glassboro Summit Conference. Johnson travels to Los Angeles for a dinner at the Century Plaza Hotel where earlier in the day thousands of war protesters clashed with L.A. police.


A holdover from last week:

"Silence Is Golden," The Tremeloes
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(#11 US; #1 UK; Check out the jacket on the bass guitarist)


New on the charts in the current week:

"Don't Go Out into the Rain (You're Going to Melt)," Herman's Hermits
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(#18 US; Their final Top 20 hit in the US)

"White Rabbit," Jefferson Airplane
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(#8 US; #55 UK; #478 on Rolling Stone's 500 Greatest Songs of All Time)

"A Whiter Shade of Pale," Procol Harum
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(#5 US; #22 R&B; #1 UK; #57 on Rolling Stone's 500 Greatest Songs of All Time)


And new on the boob tube:
  • Dark Shadows, episodes 256-260
  • The Saint, "The Gadic Collection" (UK season finale)

_______

Caught part of a Laugh-In on Decades that had this bit in it:

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_______

As part of their 1967 thing, Decades is going to be doing Daily Binges of a part of M:I Season 1 that I didn't cover and Hogan's Heroes...but both using episodes from earlier in the year than I'll have already covered in the Catch-Up Viewing by that point. Think I'll pass in the interest of making forward progress and having the Catch-Up business done in time for the next TV season.

_______
 
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Batman
"Batman's Anniversary"
Originally aired February 8, 1967

"A Riddling Controversy"
Originally aired February 9, 1967
Yeah, some of Astin's blatant attempts at being Gorshinesque seem really half-assed.

Astin was a gifted performer and it shows here as much as it did on The Addams Family. Honestly, his Riddler is more Gomez than Gorshin.

The underwater fight is rather novel, if too obviously fake. Thunderball this ain't.

Weekly TV did not have Bond budgets, so...

The cake quicksand isn't very convincing either...Tarzan this ain't. Couldn't Batman have just used a Batrope before his utility belt went under?

Remember, you're in the last quarter of season two, and by then, the obsession with gadgets was off the charts, and would be used instead of the most reasonable solution.

Sign o' the times: Aquilla's appearance is an obvious Fidel Castro spoof.

Yep, and mocking Castro was the order of the day for many Hollywood producers & writers of the time. Quite the opposite of the treatment during Castro's last years, where some (in the media) were praising him.

Dark Shadows

Episode 251
Originally aired June 12, 1967
The week begins with a recap of last week's closing segment, involving Maggie, Willie, and Barnabas in the basement.
Barnabas begins to choke Maggie when Willie intervenes, putting his own life on the line to save her.

Easily one of the most remembered scenes from the series; how often did we ever see the vampire servant risk his life to protect a potential victim and show his own ability to play mind games in order to spare said victim's life? Karlen, Frid and Scott brought their "A" game to this period of the series.

Barnabas's attempt to see Willie's hand is interrupted by Victoria knocking on the door upstairs while simultaneously turning this into a four-character episode. She brings news of a curfew imposed by the sheriff, and the two exchange talk of Maggie's mysterious fate

Perfect juxtaposition: Maggie's time as Josette 2.0 is nearing its end right as Victoria sparks Barnabas' interest. Barnabas wont lose any time moving from one woman to the next.


...while downstairs, Willie convinces Maggie to go along with his plan. Maggie mentions a couple of times that Barnabas intended to turn her into something "monstrous" and "inhuman" without dropping the V-word. Upstairs, Barnabas seems interested in Vicki's reaction to the music box.

Is good that she used "monstrous" and "inhuman" as it adds another gruesome face to what being a vampire is than just the V-word. He is, after all, a walking corpse.

Back in the basement, Barnabas declares that Maggie is no longer worthy of being Josette, and that he intends to see that she dies a slow and agonizing death. Willie buys her time by convincing Barnabas that she's worthy of being given another chance, so the lord of the manor locks her in the basement's metal-doored cell while he contemplates her fate.

Willie saves the day. By now, he's done more for Maggie staying above ground than anyone else, including her father, Joe and Patterson.

Returning to the Old House's basement, Barnabas declares that he'll leave Maggie in the cell until she begs to be his bride, prompting hysterical cries that she'll lose her mind locked down there....

Frid really works the split personality here; in one scene, he's the sentimental romantic with Vicki, the next, he's a complete ghoul. Lugosi's or Lee's Dracula never played both sides so well.


Episode 252
Originally aired June 13, 1967

Somewhere between Roger's comments and her mother's, Carolyn gets the notion to commit a desperate act of spite and calls the Buzz guy mentioned up in the box. We haven't met him yet, but he's about to become a short-term recurring character.

Oh, you mean Young George Lucas...

Buzz brings Carolyn back to Collinwood with the aid of very unconvincing sound effects (sort of like somebody in the room is holding a running weed-whacker perfectly still).

Actually, Yamahas of the period had that tiny, underpowered sound to their engines. It could be recorded stock from that, or any other mid-size cycle.

Episode 253
Originally aired June 14, 1967
In the basement cell at the Old House, Maggie's internal voice-over is trying to help her cope with her too-quickly telegraphed plight of potential insanity when Barnabas comes down to visit. He tries to reason with her, and leaves the music box with her after she realizes that she needs to play along; but Barnabas won't agree to delivering the aforementioned ring to her father to let him know that she's alive.

Too quickly? She's facing death at the fangs of the living dead. Not too many would have the psychological strength to resist that for too long.

At the Great House, David makes an appearance to prove that he really is still in the cast

Ah, so David attends the CW Supergirl Method of Inserting Characters Barely Used club.


After Willie physically throws him out, David finds the ring, which Willie inadvertently dropped outside.

I like the idea of Willie having a low tolerance for David. If the series were made today, you would never see that. Instead, the showrunners would TeenNick the show by having the kid rattle off a few pages of smart-ass dialogue while making the adult seem like a buffoon.

Barnabas comes over just in the nick of time to apologize for Willie's rudeness. Barnabas spies the ring and takes possession of it, passing it off as one of his family heirlooms. He wastes no time in returning to the Old House and letting Maggie know that he has the ring, sending her into despair....

As mentioned several episodes ago, no matter what Maggie tries, the feeling of hopelessness successfully drives this arc.


Episode 254
Originally aired June 15, 1967
Things briefly get a little warmer between the former cohorts when Jason fills Willie in on his scheme to marry Mrs. Stoddard...but then Jason has to ruin the mood by pressing that he wants in on whatever Willie's up to with Barnabas

...setting his own doom in motion...

Episode 255
Originally aired June 16, 1967
Sent to fetch Maggie from the basement, Willie implores upon her that she must make Barnabas believe that she wants to be Josette. Maggie tries to play along with her captor's delusions, but eventually asserts her true identity...just as her father comes knocking. Maggie is allowed to hear Barnabas's conversation with her father from the top of the stairs, under the threat that if she reveals herself, Barnabas will have to kill them both.

Well done. Constant tension on Maggie.

While Sam is delivering the portrait, Joe comes by to inform Sam that the police have found a badly decomposed body that could be Maggie's. After they leave, Barnabas presses the point to Maggie that everyone already thinks she's dead. Returned to her cell, Maggie is falling into despair when the show's newest character, that ectoplasmic l'il scamp Sarah Collins, sings "London Bridge" just outside the door to keep her company.

...and soon, Sarah will send all involved parties to various levels of interest or desperation; Barnabas will scold Willie for even saying he's seen her, while David will become a greater threat for developing a friendship with her...

At one point Maggie refers to Barnabas as "the living dead"...so close.

But effective. He's not some human impostor, but a reanimated corpse. Some thing that's creeping around instead of decomposing in the earth.
 
Is good that she used "monstrous" and "inhuman" as it adds another gruesome face to what being a vampire is than just the V-word. He is, after all, a walking corpse.
But effective. He's not some human impostor, but a reanimated corpse. Some thing that's creeping around instead of decomposing in the earth.
I'm not saying that they should use the V-word, just noting how close they come without doing it. I generally appreciate that they're so coy about it, though IIRC, there's a scene still to come in which Willie (talking with Jason, I think) goes a little too conspicuously out of his way not to use it when he should.

From what I know of the show, which is relatively limited, my "head canon" is that in this fictional world in which vampires are real, they're more a subject of obscure folklore than of popular culture.

Willie saves the day. By now, he's done more for Maggie staying above ground than anyone else, including her father, Joe and Patterson.
To be fair to them, they're clueless to her situation. I'm sure that Sam or Joe would be at least as willing to risk their lives to save her.

Actually, Yamahas of the period had that tiny, underpowered sound to their engines. It could be recorded stock from that, or any other mid-size cycle.
It's not just that, it's that it sounds like it's in the room and not moving.

Too quickly? She's facing death at the fangs of the living dead. Not too many would have the psychological strength to resist that for too long.
By too quickly, I was referring to how she melodramatically telegraphed that she'd go insane from being locked in the cell as soon as Barnabas put her back in the cell. A little too on-the-nose...show, don't tell. Not Scott's fault, somebody gave her the line.

I like the idea of Willie having a low tolerance for David.
I'm certainly developing one.

_______

Kung Fu

"The Well"
Originally aired September 27, 1973
Wiki said:
Sickened by tainted water, Caine recovers at the farm of an ex-slave (Hal Williams) who has a working well – but whose embittered spirit keeps him from sharing the water with his drought-stricken neighbors.

I think they're using a new origin flashback intro now.

Caine's future underwhelming brother Tim McIntyre is back.

This episode does a nice job contrasting the conflicting worldviews of the freedman father and Caine, including the former's protectiveness against allowing an outsider to influence his son. The exchange about branding was especially effective.

Here Caine gives a magnifying glass to the son. I don't think we've ever seen it before...could it be one of those mysterious family heirlooms from Caine's grandfather that we didn't get a good look at?

Master Po said:
Which is truly the prisoner: the fly, which moving freely enters unknown danger; or the spider, which having spun its web remains, never knowing the pleasure or the danger of the fly?


"The Assassin"
Originally aired October 4, 1973
Wiki said:
A long-festering blood feud keeps young lovers from hostile families apart…and puts Caine on a showdown course with a murderous ninja employed by one of the families.

This is perhaps the ninja starting to solidify their foothold in Western popular culture during the martial arts craze of the early '70s.

Dana Elcar returns--I'm starting to think of him as Sheriff Patterson now that I'm on a steady Dark Shadows diet. His character in this episode exclaims the following immortal line...
Noah Jones said:
The times they are a-changin'!
:wtf: It's only about a century too early for Dylan--they ain't a-changin' that fast! :lol:

As the description suggests, there's a bit more Romeo & Juliet business here, though that angle isn't central to the story and goes nowhere. The young man's crush seems one-sided, and the girl has eyes for Caine.

As the blacksmith was the only Japanese male in the story, him being the ninja was so way-too-obvious that I was anticipating a twist that didn't come.

Caine badass moment: He sneakily escapes from his bonds when nobody's around, then calmly walks into the house of captors to help heal the man that they think he ambushed.


"The Chalice"
Originally aired October 11, 1973
Wiki said:
Caine promises a dying priest that he will return the liturgical chalice the priest stole, plunging the Shaolin into conflict with covetous thugs...and sparking Caine's recall of events that followed Master Po's death.

This episode does a good job recycling existing flashbacks, in addition to giving us some informative original ones. Although it's obviously new voice work layered over previous footage, the bit about Caine keeping for years the stone that he'd snatched from Master Kan was a nice touch. I'm a bit incredulous that he managed to keep the rock from Master Po's grave up to this point, though, considering that he's been robbed and taken captive so many times.

Caine badass moment: We see his initial attack on one of the four bandits (nice stunt with the ladder); then we cut to him walking out of the fort with all four of them taken captive.

There's effective tension-building in the festering conflict between the Army captain and Caine. Caine fouling up the gattling gun so it can't be used to kill others has a nice hippie vibe to it.

Holy noteworthy guest: Stafford Repp as a Catholic priest who hides Caine and helps arrange for his passage out of Flashback China!


"The Brujo"
Originally aired October 25, 1973
Wiki said:
A powerful male witch paralyzes a small town with fear and earth [death?]. But Caine, drawing on the experience gained when he fell under a sorcerer's sway while he was a boy, knows how to fight evil.

This episode is a bit trippy with its implied supernatural elements. The gist of the episode, reinforced by Master Po's flashback wisdom, is that the witch's power over the locals is all in their minds...but the audience is privy to things that seem to go beyond that. Artistic license? Coincidence?


It seems like it's been a while since we've seen the wanted poster come up.

Doing an inventory of the Kung Fu episodes in my DVR, it looks like I'm missing one part of a two-parter in Season 3. I'll have to keep an eye on H&I's schedule for when it comes up again. (They're currently back in Season 1.)

_______

I've had the Gomer Pyle Decades Binge on in the background this weekend. It's pretty catchy in its lighthearted, fluffy '60s sitcom way. Just saw a 1965 episode with Jack Larson as a corporal, which appears to have been his last acting role until the '90s. And Donald from That Girl is in the one that's on right now. One thing that's been bugging me...in Sgt. Carter's hut, there's a row of red boxes on the wall--Would anybody happen know what those are for?

_______
 
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Been watching ALF on MeTV. When I watched it on Hulu a few years ago I remember the voice being different for the first few EPs and then being the same from like EP8 on but it seemed consistent from EP1 on.
 
It's maybe a bit soon to say for sure, as I've never seen much of this show, but already I find it more watchable than TMFU. It definitely has its own quirky style that makes it seem like less of a knock-off of other spy-fi productions. In particular, the Old West tech on the show sort of reminds me of the stone-age tech gags on The Flintstones.
Wild Wild West was Steampunk before there was Steampunk.

"Silence Is Golden," The Tremeloes
A nice song, and another one with a 50s vibe to my ear.

"Don't Go Out into the Rain (You're Going to Melt)," Herman's Hermits
I don't even remember this one.

"White Rabbit," Jefferson Airplane
Ah, an all-time psychedelic classic. :mallory:

"A Whiter Shade of Pale," Procol Harum
Another classic. I love this.

Caught part of a Laugh-In on Decades that had this bit in it:
That's fantastic. I wish I had caught that one. :rommie: Although there's still a few on the DVR that I haven't seen....

Cool a Whiter Shade of Rabbit. We're cooking with Acid now.
:bolian:

I've had the Gomer Pyle Decades Binge on in the background this weekend.
I noticed that. I never had much tolerance for that show, so I didn't put it on. I don't think there's been much of interest on the binges lately, aside from Vega$ a few weeks ago.

One thing that's been bugging me...in Sgt. Carter's hut, there's a row of red boxes on the wall--Would anybody happen know what those are for?
Movie rentals?

Been watching ALF on MeTV. When I watched it on Hulu a few years ago I remember the voice being different for the first few EPs and then being the same from like EP8 on but it seemed consistent from EP1 on.
That's odd. I remember thinking that his voice changed at some point, too. Maybe they re-dubbed some of the episodes for syndication.

I've been catching up on some of the stuff that I DVR'd a while ago, especially The Avengers, which is now well into the Tara King era-- it really amazes me how slapdash and incompetent Steed's organization is. How the Hell did Mother ever get to be Mother? :rommie:

In one episode, Tara was for some reason replaced by a character named Lady Diana. She didn't really resemble the Lady Di of twenty years later, but she was enough of the same type to be eerily prescient. And she was pretty cool, too, so it's too bad we never saw her again. She did her action scenes very well-- not as good as Emma Peel, but better than Tara King.
 
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