Discussion in 'Star Trek - Original Series' started by LeadHead, Aug 8, 2012.
KIRK: Continue the alert, Lieutenant.
UHURA: I can't, sir. He's cut off the alert channels.
RILEY: Lieutenant Uhura,
RILEY [OC]: You've interrupted my song. I'm sorry, but there'll be no ice cream for you tonight.
KIRK: Cut him off.
UHURA: I can't, sir. There's no way to do it.
RILEY: Attention, crew. This is Captain Riley. There will be a formal dance in the bowling alley at 1900 hours tonight.
SPOCK: No way, Captain. He controls the main power panels. He can override any channel from down there. Seventeen minutes left, sir. (ship is jolted severely)
MCCOY: Sickbay to Bridge.
KIRK: Can you tie me in to the Sickbay?
MCCOY: I'm getting you, Jim. Look, can you keep this beast level? I've got Sulu tranquillized and we're running tests on him.
MCCOY (over comm): So far there's nothing unusual in his bloodstream. Body functions seem normal.
KIRK: Riley's the immediate problem, Doctor. Is there any way, anything you can do to snap him out of it?
MCCOY: Negative, until I can get a little farther on these tests.
RILEY (over comm): This is Captain Riley. Crew, I have some additional orders.
RILEY: In the future, all female crew members will wear their hair loosely, about their shoulders.
RILEY (over comm): And use restraint in putting on your makeup. Women, women should not look made up. And now, crew, I will render Kathleen one more time!
KIRK: Please, not again.
RILEY: (singing) I'll take you home again, Kathleen...
(meanwhile, Scotty is working in a Jefferies tube) ... I've watched them fade away and die....
Scott: I've set the jumpers up there. Stand by 'til I give you a signal.
RILEY: And tears bedim your loving eyes. Oh,
[Corridor outside Engineering]
RILEY [OC]: I will take you home Kathleen.
Scotty: Engineering to Bridge. Try your helm. You'll have enough power to keep her stabilised. Here, let's have a look at that.
SPOCK: 16 minutes left, Captain. We've stabilized, but still spiraling down.
UHURA: Emergency signal, Captain. Both decks four and five. Fights and disorders.
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