I thought the basic plot and character interaction was all classic Indy stuff, it just had too many "hang on a moment?!" moments. It had the makings of a great Indy movie, which gives me hope that they can learn from their mistakes and get it right this time.
Contrast that to some of the other less subtle unbelievable as rocks starting to glow on a verbal command.
I will forever consider Cystal Skull (which is classic Indy all the way through, even with the addition of CGI) to be the second-best film in the franchise (running a close second to Temple of Doom), so I'm all for a direct or semi-direct continuation of it. I'd also really like to see Willie and Shorty come back somehow, just to bring things sort of full-circle.
Same here, when I point out the movie is enjoyable if not perfect this is one of the points I concede to as well.My biggest problem with KotCS is that the aliens were from another dimension-- they should have been classic 50s B-Movie space aliens.
Same here, when I point out the movie is enjoyable if not perfect this is one of the points I concede to as well.
Why not just aliens? They had to go and be Interdimensional Beings that live in the spaces between the spaces? What the hell Lucas--just make them little grays and be done with it but no you had to layer in a convoluted explanation for them.
No, you're right and that was exactly my thinking. KotCS should have gone for the 50s vibe, just as RotLA went for the 30s vibe.I agree as well. The point of Indy is that the original movies were inspired by Saturday morning adventure serials--so by extension, the KoCS should incorporate a fifties style science fiction element. I've not seen dimension hopping aliens in any of the fifties movies I've watched (but I'm sure someone out there will prove me wrong),
So it's not George's fault for a change?As I recall, Lucas wanted proper aliens, but Spielberg was very adamant about not having extraterrestrial beings in the film. So they compromised on "Interdimensional Beings"
Indiana Jones meets Jorge Luis Borges in South America--looking for the Book of Sand in the Library of Babel. He finds something else.
It is the Aleph, my son.
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