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#16 |
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Admiral
Location: Flags of the World: Republic of Cape Verde
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Re: Joss Whedon and the blurry line between homage and appropriation
__________________
This dream must end, this world must know: We all depend on the beast below. |
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#17 |
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The Man
Location: Defying Gravity
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Re: Joss Whedon and the blurry line between homage and appropriation
In any event, "simple entertainment" generally = crap. It's a waste of time unless someone just needs background noise on while they drink. The two most populous planets of the human civilization in "Firefly" represent the eastern and western cultures - Sihnon and Londinium. So the writer may have gotten the details wrong, but certainly understands the premise fine.
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"I think [J.J. Abrams has] done a great thing for Star Trek. I’m very grateful to him. We all owe him a lot. When someone comes along like he has done and picks it up and elevates it, we should be grateful." - Leonard Nimoy |
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#18 |
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Admiral
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Re: Joss Whedon and the blurry line between homage and appropriation
What doesn't slip by is the complete lack of Asian faces on the series, especially considering the premise, and especially considering the population distribution between the United States and China, the two surviving superpowers (or, the two surviving powers, anyway) after Earth's abandonment. Actually, the history is a bit muddled, since we don't have much to go on beyond a few comments and that montage that opens Serenity, but that seems to be the general idea.
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"This begs explanation." -- de Forest Research on Star Trek Visit my blog: Star Trek Fact Check. |
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#19 |
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Admiral
Location: Missile Command
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Re: Joss Whedon and the blurry line between homage and appropriation
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#20 |
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Admiral
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Re: Joss Whedon and the blurry line between homage and appropriation
__________________
"This begs explanation." -- de Forest Research on Star Trek Visit my blog: Star Trek Fact Check. |
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#21 | |
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Captain
Location: Los Angeles, CA, USA
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Re: Joss Whedon and the blurry line between homage and appropriation
...Unless the lack of Asian people was eventually going to be explained. Maybe there was a genocide before the exodus from Earth. |
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#22 | |
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Fleet Admiral
Location: Tatoinne
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Re: Joss Whedon and the blurry line between homage and appropriation
![]() I wouldn't at all mind some Asian actors if they can get the likes of James Kyson Lee, Daniel Dae Kim and Ken Leung. But those guys tend to get work anyway, don't they? James Kyson Lee in particular needs a better show, unless Bryan Fuller can really turn things around and give the poor guy something to do for a change. There was also that guy on Surface. Remember him? Ian Anthony Dale - IMDB lists a role on Dollhouse anyway. He had a certain spark to him; I think he could handle a lead role in his own series. |
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#23 |
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Commodore
Location: Toronto, Canada
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Re: Joss Whedon and the blurry line between homage and appropriation
When a culture has been canned, commercialized and exported for sale abroad for decades, there's nothing to appropriate. I think the criticism of appropriation is somewhat valid if you start taking some third world culture's folk music and then record it with white artists and try to copyright it and make millions off of it and never pay a cent to the original artists. But Japan and Bollywood for another example, they've marketed their cultures and I think the whole appropriation criticism is bull. I think Whedon has "appropriated" feminism and used a cheap version of it to offset his fetishes and soft core porn fantasies he keeps writing into his stories. |
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#24 |
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Rear Admiral
Location: Adelaide
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Re: Joss Whedon and the blurry line between homage and appropriation
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#25 |
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Vice Admiral
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Re: Joss Whedon and the blurry line between homage and appropriation
Also, as far as the English language in the future being unrecognizable, there is some truth to it, but considering how much media we have these days, we get as much of our language from movies, podcasts, radio, tv, etc. as we do from our environment. Language isn't going to evolve as fast because that media remains something that links all of us and remains long after it was made. Firefly went a lot further than most productions do, and I expect the reality won't be much more jarring than their guess.
__________________
"There is no reason why good cannot triumph as often as evil. The triumph of anything is a matter of organization. If there are such things as angels, I hope that they are organized along the lines of the Maffia." - Winston Niles Rumfoord. |
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#26 | ||
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Admiral
Location: Flags of the World: Republic of Cape Verde
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Re: Joss Whedon and the blurry line between homage and appropriation
However, for all I know, it's possible that they did send Asian actors over and he and the other producers felt that none of them were right for the parts. It's also possible that they simply engaged in color-blind casting and found there weren't enough Asian actors to use. I don't know.
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This dream must end, this world must know: We all depend on the beast below. |
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#27 |
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Rear Admiral
Location: London
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Re: Joss Whedon and the blurry line between homage and appropriation
I guess that doesn't explain why none of the cast were Asian, though. I suspect Joss just had people he wanted already in mind for the big roles long before it got to the actual casting stage.
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DS9-R fans! Want to know what happened after The Soul Key? Read Deep Space Nine, Season 10 All 22 eps also available here. |
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#28 |
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Commodore
Location: Backwoods Minnesota
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Re: Joss Whedon and the blurry line between homage and appropriation
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#29 |
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Captain
Location: Wolfram and Hart
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Re: Joss Whedon and the blurry line between homage and appropriation
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#30 |
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Admiral
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Re: Joss Whedon and the blurry line between homage and appropriation
__________________
"This begs explanation." -- de Forest Research on Star Trek Visit my blog: Star Trek Fact Check. |
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