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#1081 |
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Idealistic Cynic and Canon Champion
Location: RJDiogenes of Boston
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Re: sf/f TV development news - 2012
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#1082 | |
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Commodore
Location: New York City
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"Last Resort" ABC
Last Resort Trailer - ABC Network 2:45 length trailer. It was great on the big screen too.
I guess the rest will play out on that Island and a few trips with the sub back into the open waters with loads of flashbacks ala Lost. |
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#1083 |
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Fleet Admiral
Location: Tatoinne
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Re: sf/f TV development news - 2012
Star Trek is going to be changed to fit whatever venue it ends up on - TV, movies, streaming. The TV ecosystem that created the series to date has vanished, and like any species that wants to survive, Star Trek must adapt or die. Of all the possibilities, Netflix strikes me as the one least prone to making big changes, so if you don't like the idea of change, that's the one to root for. |
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#1084 | |
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Rear Admiral
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Re: sf/f TV development news - 2012
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JJverse Star Trek...is gonna rock again! On May 17, 2013! |
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#1085 |
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Admiral
Location: Arizona, USA
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Re: sf/f TV development news - 2012
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Over the course of many encounters and many years, I have successfully developed a standard operating procedure for dealing with big, nasty monsters. Run away. Me and Monty Python. Harry Dresden - Blood Rites (The Dresden Files #6) |
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#1086 |
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Fleet Admiral
Location: Tatoinne
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Re: sf/f TV development news - 2012
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#1087 | ||
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Commodore
Location: New York City
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Re: sf/f TV development news - 2012
even flashbacks set in the 1600s? |
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#1088 |
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Admiral
Location: In the lap of squalor I assure you.
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Re: sf/f TV development news - 2012
That's what really happened. Not that they wouldn't burn women to death on principle or for kicks, but at this one point in the time, perfectly reasonable people were seeing animals with people faces, people with animal faces, their family flying through the sky like Superman, and spiders or snakes everywhere... Everyone was taking the brown acid. Psycho sexual paranormal my ass. I'd just like to see these people trying to make sense of LSD when they have no reason to believe that god and the Devil are not real and physically manifest in front of them. Drew Carey "You can't be the devil, the devil has horns!" The Devil "The Devil has horns? Hell! one bad hairday in the 16th century and suddenly the devil has horns."
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"Glitter is the herpes of arts and craft." Troy Yingst. My Life as Liz |
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#1089 | |
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Idealistic Cynic and Canon Champion
Location: RJDiogenes of Boston
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Re: sf/f TV development news - 2012
Certainly nudity would not be inconsistent with Trek; Trek was originally very sexy, before Trekkies got all conservative. What we need is a Trek that is colorful, sexy and consistent with everything that has gone before, and also pushes the boundaries in the way that the original Trek did-- meaning that it would challenge both traditional and contemporary assumptions, not that it would be faux "edgy" in the grindhouse way that the current audience keeps asking for (in fact, it would be cool if they did a story blasting the superficiality of the D&G trend, a la "Bread And Circuses").
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#1090 |
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Writer
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Re: sf/f TV development news - 2012
So like any work of fiction, ST is adjusted and modified for new incarnations. We fans train ourselves to gloss over the differences so we can pretend that our conceit of a singular, consistent universe remains valid, but the people actually creating them have to take the more realistic view that they're works of fiction made for particular audiences and formats and need to be adjusted and reinvented accordingly. Whatever form Star Trek comes back in, it will be different from what we knew before, because that's how fiction works. Any long-running multimedia franchise survives by change and adaptation - that's axiomatic. And yes, the purists will whine and scream about how wrong it is, just like they did with the Abramsverse and before that Enterprise and before that TNG and before that the TOS movies and before that the animated series. But other fans will accept it and embrace it just like they did with all the others, and they'll find a way to rationalize the changes and go on pretending it all fits together, just like they did with all the others. The key to the pretense of continuity is looking beyond the differences to the fundamental unities. But one shouldn't forget that the differences of approach and interpretation, the changes from one generation or medium to the next, have always been there.
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Christopher L. Bennett Homepage -- Includes purchasing links for Only Superhuman, on sale now! Updated 12/30/12 with annotations for the novel. Written Worlds -- My blog |
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#1091 | ||
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Rear Admiral
Location: Ireland.
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Re: sf/f TV development news - 2012
But yeah, Showtime currently follows the HBO-style model of programs with morally ambiguous characters with varying degrees of swearing sex and violence. Examples include Dexter (protagonist is a serial killer), Homeland (bi-polar, paranoid CIA operative), and The Borgias (notoriously corrupt pope).
Wanting Star Trek to suddenly act like it's The Wire meets Mad Men by way of Breaking Bad only there's Vulcans and Klingons is not quite the same as it actually becoming that kind of franchise. For similar reasons I'm fairly leery of the proposed Star Wars series which has invoked Deadwood as a comparison because when I think of Star Wars I think of two men conducting business transactions by saying 'cocksucker' every few minutes. And really, space opera done in the manner of modern cable drama is nuBSG's thing. There is obviously a benefit to cable though in that higher budget series can survive with much smaller audiences. This would allow Star Trek, which has bordered on niche, near-cancellation TV in the past, to hypothetically survive there... probably with a setup not that different to what Syfy's done int he past, honestly.
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'Spock is always right, even when he's wrong. It's the tone of voice, the supernatural reasonability; this is not a man like us; this is a god.' - Philip K. Dick |
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#1092 |
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Vice Admiral
Location: Columbus, Ohio
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Re: sf/f TV development news - 2012
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The greatest science fiction series of all time is Doctor Who! And I'll take you all on, one-by-one or all in a bunch to back it up!" --- Harlan Ellison, from his introduction to the PINNACLE series of Doctor Who books |
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#1093 | |
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Writer
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Re: sf/f TV development news - 2012
Still, for the most part, later ST has been somewhat more family-friendly -- not always suitable for small children (particularly not DS9 with its adult holosuites and lesbian makeouts and rough Klingon sex and so on), but far from an adults-only show. And I think established fans sometimes forget that it's valuable to make a franchise accessible to a new generation of fans rather than just catering to the existing one. But maybe there's room for more than one approach. Star Trek hasn't been just one thing for a long time. It's a whole big universe that can be a backdrop for many series. Look at how the all-ages Doctor Who has spun off both the decidedly adult Torchwood and the kid-oriented Sarah Jane Adventures. We've heard hints that Kurtzman & Orci may be considering developing a new Star Trek animated series, which would definitely have youth appeal; maybe that could be complemented by a more adult incarnation of ST on Showtime or the like.
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Christopher L. Bennett Homepage -- Includes purchasing links for Only Superhuman, on sale now! Updated 12/30/12 with annotations for the novel. Written Worlds -- My blog |
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#1094 | ||||||||
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Fleet Admiral
Location: Tatoinne
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Re: sf/f TV development news - 2012
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The problem is, that approach won't succeed because wherever Star Trek ends up, its first job is to appeal to people who already watch that channel. So if it's Showtime, it needs to win over Showtime viewers, etc. After that, they might think about appealing to Star Trek fans, to the extent that doesn't clash with appealing to Showtime viewers. The one exception could be Netflix. Being subscription based, Netflix should be able to get by with a smaller audience than other outlets, which depend wholly or partly on ads (much less lucrative), and it might see Star Trek as a way of gaining new subscribers, by being "faithful" to what they want. Then the problem is: what do they want? It's far easier for Showtime or Netflix to make shows for their own customers, who they know and understand, than for Star Trek fans, who are all over the map about what they want anyway.
Terra Nova was a recent attempt at family friendly programming. The adult audience bailed on it, probably because they were bored (I know I was.) Maybe it appealed to kids, but FOX only counts 18-49 as viewers, so kids under 18 did them no good. The Cartoon Network or ABC Family would be happy to get those kids as viewers, but wouldn't care about anyone over 18. I can't think of any broadcast or cable channels that target both adults and kids.
Also, it makes no sense for them to be making those comparisons unless the show is going to be on HBO or maybe FX. On broadcast, that approach would never fly with the FCC. Also, that notion is very far from playing to Star Wars' strength, and seems like a pointless exercise. But the distance between DS9 and Game of Thrones doesn't seem like an unbridgeable chasm. There's some point at which they could meet midway.
Yeah, convincing Les Moonves to give a flying frak about Star Trek sounds like a real cakewalk.
Last edited by Temis the Vorta; July 14 2012 at 08:09 PM. |
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#1095 | |
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Writer
Location: Yorkshire
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Re: sf/f TV development news - 2012
Salem... Was local politics. The town council changed and decided to get rid of the local minister by cutting his stipend, cos he'd been taking over. He, faced with homelessness, struck back by having his daughter and his slave put on good performances in the courthouse witchfinding show...
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"I got two modes with people- Bite, and Avoid" ![]() Reading: Mystery Man (Colin Bateman) Blog- http://lonemagpie.livejournal.com |
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Certainly nudity would not be inconsistent with Trek; Trek was originally very sexy, before Trekkies got all conservative. What we need is a Trek that is colorful, sexy and consistent with everything that has gone before, and also pushes the boundaries in the way that the original Trek did-- meaning that it would challenge both traditional and contemporary assumptions, not that it would be faux "edgy" in the grindhouse way that the current audience keeps asking for (in fact, it would be cool if they did a story blasting the superficiality of the D&G trend, a la "Bread And Circuses").






