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TrekToday http://www.trektoday.com/content Daily Star Trek news Sun, 02 Aug 2015 16:53:37 +0000 en-US hourly 1 http://wordpress.org/?v=4.2.3 Retro Review: Learning Curve http://www.trektoday.com/content/2015/07/retro-review-learning-curve/ http://www.trektoday.com/content/2015/07/retro-review-learning-curve/#comments Fri, 31 Jul 2015 21:16:02 +0000 http://www.trektoday.com/content/?p=41256 Tuvok attempts to train four Maquis crewmembers who are having difficulty following Starfleet protocols.

Plot Summary: Lieutenant Dalby discovers a malfunctioning bio-neural gel pack and replaces it without getting authorization, which causes several systems ship-wide to stop working. Tuvok expresses concern to Janeway that Dalby and some other Maquis crewmembers are not trained or disciplined enough to work on a Starfleet vessel. Though Janeway is more worried about the possibility of multiple gel pack failures disabling Voyager’s systems, she recommends an on-the-job training course for the crewmembers having the greatest difficulties. Chakotay gives onetime Starfleet Academy instructor Tuvok a list of possible candidates, from which Tuvok selects four junior officers – impulsive Dalby, belligerent Henley, unfocused Chell, and bitter Gerron – who deeply resent being singled out for extra attention. The group complains when Tuvok insists that they remove all traces of their personal style from their professional demeanor and marches out after what they consider to be an unfair physical exercise. Neelix offers Tuvok some wisdom about plant stalks needing to be flexible, which Tuvok at first takes to mean that the young crewmembers are too rigid, then discovers that Neelix means to criticize himself and his teaching methods. He tries to get to know Dalby and realizes that some of the Maquis crewmembers suffered traumas that make it impossible for them to become contented, well-adjusted Starfleet officers overnight. Meanwhile, the Doctor discovers that Neelix’s attempt to make cheese has cultivated a bacteria that now infects the gel packs. The Doctor proposes raising the temperature to help the gel packs fight off the infection, but although the gel packs are saved, Tuvok and his unhappy team become trapped in a cargo bay where Gerron is injured. Dalby becomes irate when Tuvok orders him to get to safety with Henley and Chell, but when Tuvok himself violates procedure, risking his life to save Gerron, the Maquis officers are impressed and promise to work harder to obey the rules.

Analysis: I didn’t like “Learning Curve” when it first aired for its obnoxious attitude toward Maquis dissidents and indeed toward anyone who refused to assimilate entirely into Starfleet’s arbitrary regulations, which I thought at the time might just reflect my lack of understanding of how military protocols worked. But it rubs me the wrong way even more so now that we’ve seen some of the history of Vulcan intolerance in Enterprise, and now that we know the Maquis will be asked to give up their sense of belonging to their own cultures as well as their identities as members of an organization in conflict with Starfleet (the latter a demand that’s completely justified on a mission like Voyager’s, though I note that Worf was allowed to wear the accoutrements of a Klingon warrior on duty even when the Klingons were at war with the Federation). Of course it’s a problem that many of the Maquis have not had Starfleet training in teamwork, physical fitness, even self-protection, though I might note that Neelix and Kes haven’t either. It would seem both reasonable and fair for Tuvok to include them in a course to get underprepared crewmembers ready for life traveling through the Delta Quadrant, particularly since Kes had never left her village, let alone her homeworld, until just before Voyager arrived. The cheese incident that almost destroys the bio-neural gel packs is a far more heinous betrayal of safety protocols than the replacement of one of those gel packs, even if Dalby is rude when reprimanded while Neelix only stammers in embarrassment. And surely there are Starfleet crewmembers as well as Maquis who were unprepared to have a brief mission into the Badlands turn into a potentially lifelong journey? Couldn’t many of the junior officers use a refresher course in focus and teamwork? If Janeway and Chakotay’s goal is to get their two crews functioning as a single unit with the same ease with which Torres now works with Carey, they’d be well advised to include some Starfleet officers in the remedial class even just for show. Not so long ago, Tom Paris was a criminal and Torres was punching fellow officers, while now they’re fourth and fifth in the command chain; seems like a lot of people on that ship could use a bit of extra attention.

And although Tuvok may have been an Academy instructor for more than a decade, he seems like the wrong person to be leading an exercise in new-to-Starfleet teamwork. These angry, demoralized Maquis crewmembers need a counselor, not a disciplinarian; the morale officer might do them more good, and indeed does them more good when he lectures Tuvok, than a stern Vulcan whom they consider a traitor to their cause. I think it’s a mistake that we see the senior officers’ point of view rather than that of the recruits, since we don’t get to learn the positive independent-minded aspects of what Chakotay dismisses as “the Maquis way.” A strong left hook may get someone hauled before a disciplinary committee in Starfleet, but we’ve had such behavior by the Klingons rammed down our throats for years now as something we should admire, so it just doesn’t look particularly outrageous when a Maquis crewmember does precisely what a Klingon would do in a similar situation of being singled out for his temper. Apart from Dalby, who joined the Maquis because Cardassians brutalized his girlfriend, we never get to know the Maquis crewmembers, and the more Tuvok talks, the more arrogant he seems, like the obnoxious Vulcans of “Take Me Out to the Holosuite” rather than thoughtful, nuanced individuals like Spock and Sarek. Now that the US military and other such organizations have relaxed their rules about whether and when soldiers can wear yarmulkes, hijabs, and other items directly related to the practice of religion, I feel even more justified in my fury against Tuvok when he orders Gerron to take off his Bajoran earring – an accessory quite different from the headband that Tuvok forbids Henley to wear. The Bajoran earring is a symbol of faith. It’s also a mark of one’s family and social caste, two things that the young Gerron has lost being stranded 70,000 light years from home. Whether he had lost those already in a traumatic incident that led him to join the Maquis, as Dalby seems to believe, or whether he joined the Maquis out of sympathy for the settlers’ desire to protect their homes, like Kasidy Yates, Gerron is clearly clinging to this one meaningful relic of his former life, which Tuvok orders him to put away without any care for its significance.

Clearly, Tuvok is obsessed with the letter of the law rather than its spirit – he’s closer to being Javert from Les Miserables than was Sisko when Eddington mocked him with that sobriquet – but given the pettiness of the Vulcans we saw in many TNG and DS9 episodes, I gather we’re supposed to assume that it’s because Tuvok’s a Vulcan, for whom logic demands holding even to the most trivial of regulations. But I can’t understand why Chakotay agrees to let someone whom he thought served his own cause, then turned out to have been working behind his back all along, serve as corrections officer for other Maquis crewmembers. Chakotay’s facial tattoo would not be permitted even in the current US military, and I’d love to hear his response if Tuvok ordered him to remove it or cover it up. He’s usually a champion of diversity and broadmindedness, yet he seems amused at the thought of having four shipmates for whom he was once responsible, who are as troubled as they are troubling, put under Tuvok’s yoke. Of course ship-wide discipline is important in a crisis, as we see when it takes much of the crew working together to solve the problem with the gel packs, but a rigid dress code for people who will be working together for many years can hardly be the element that makes them see themselves as a team. It will be acknowledging, understanding, accepting, and taking advantage of their differences which will accomplish that. If the Starfleet uniform serves to bond Voyager’s crew in early days, it later serves to homogenize them; no wonder Sisko preferred spending his off-duty hours in African dress and Kira never stopped wearing her Bajoran earring even when in Starfleet uniform. “Learning Curve” fails in its effort to be “Lower Decks” because it fears to let us get to know and admire the quirks of the individual Maquis, erasing their distinct histories and grievances even as Janeway’s off playing traditional British governess in a traditional British novel knockoff. She needs to spend more time thinking about exactly which aspects of the Federation she plans to keep thriving on her ship as it creeps toward home.

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Star Trek: The Exhibition In Washington State http://www.trektoday.com/content/2015/07/star-trek-the-exhibition-in-washington-state/ http://www.trektoday.com/content/2015/07/star-trek-the-exhibition-in-washington-state/#comments Fri, 31 Jul 2015 19:00:37 +0000 http://www.trektoday.com/content/?p=41252 Star Trek: The Exhibition will be arriving at the Washington State Fair in September.

The Washington State Fair will take place September 11-27 in Puyallup.

Star Trek: The Exhibition, under license by CBS Consumer Products, will run for seventeen days and gives visitors the opportunity to enjoy an interactive, museum-style experience of one of the largest collections of authentic Star Trek artifacts and information ever put on public display. This is a separate ticketed exhibit, and requires Fair admission. Exhibit tickets can be purchased in advance for $6.50 until Sept 10 here, or $8 at the State Fair. Children five years and under are free in the exhibit with a paid adult. Online orders are subject to standard processing fees.

The Exhibition brings visitors into the Star Trek universe and allows them to connect with iconic Star Trek moments. Throughout this experience, visitors, especially younger visitors and youth, will be inspired and motivated to seek out more education, and perhaps ignite a passion for lifelong learning and careers in science and technology.

Star Trek fans and novices alike will have a first-hand interactive experience to explore the worlds, wisdom, science, stories, cultures, characters, fashions and fantasies of the Star Trek universe. In the States, and around the world, Star Trek has become a sub-culture for many, supported by countless fan conventions and fan gatherings where many regularly gather and role-play in their favorite Star Trek characters.

“Among the main attractions of The Exhibition is the opportunity to sit in the legendary Captain’s chair where Captain Kirk and subsequently Captain Picard took command of the U.S.S. Enterprise; the opportunity to pose in front of a replica of the U.S.S. Enterprise; and one-of-a-kind displays, interactive kiosks and rare photo opportunities.”

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August-September 2015 Trek Conventions And Appearances http://www.trektoday.com/content/2015/07/august-september-2015-trek-conventions-and-appearances/ http://www.trektoday.com/content/2015/07/august-september-2015-trek-conventions-and-appearances/#comments Fri, 31 Jul 2015 18:53:51 +0000 http://www.trektoday.com/content/?p=41248 There will be nineteen conventions, shows or appearances in August and September that will feature actors of interest to Star Trek fans.

This listing of conventions and shows features actors from all of the televised series and several of the Star Trek movies.

August begins with The Official Star Trek Convention will be held Aug. 6-9 at the Rio Suites Hotel in Las Vegas, Nevada. In attendance at The Official Star Trek Convention will be Marc Alaimo, Vaughn Armstrong, Richard Arnold, Rene Auberjonois, Robert Beltran, Casey Biggs, John Billingsley, Brannon Braga, Bobby Clark, Joan Collins, Jeffrey Combs, Denise Crosby, Olivia d’Abo, Michael Dante, James Darren, Roxanne Dawson, Nicole de Boer, John de Lancie, Elizabeth Dennehy (Commander Shelby), Chris Doohan, Michael Dorn, Doug Drexler, Aron Eisenberg, Terry Farrell, Jonathan Frakes, Bryan Fuller, Joseph Gatt, Max Grodenchik, Richard Herd, J.G. Hertzler, Jennifer Hetrick (Vash), Manu Intiraymi, Sherry Jackson, Salome Jens, Dominic Keating, Walter Koenig, Alice Krige, Cirroc Lofton, Don Marshall, Chase Masterson, Robert Duncan McNeill, Anthony Montgomery, Ronald B. Moore, Kate Mulgrew, Larry Nemecek, Adam Nimoy, Denise Okuda, Mike Okuda, Robert O’Reilly, Linda Park, Ethan Phillips, Robert Picardo, Andrew Robinson, Rod Roddenberry, David L. Ross (Lt. Galloway and Lt. Johnson), Saul Rubinek, Tim Russ, Jeri Ryan, Judson Scott (Joachim from The Wrath of Khan), William Shatner, Mark Allen Shepherd (Morn), William Morgan Sheppard, Armin Shimerman, Alexander Siddig, Marina Sirtis, Rick Sternbach, Sir Patrick Stewart, Kitty Swink, George Takei, Connor Trinneer, Karl Urban, Nana Visitor, Garrett Wang, and Michael Westmore.

Next up is Shore Leave, to be held Aug. 7-9 at the Baltimore Hunt Valley Inn in Hunt Valley, Maryland. In attendance at Shore Leave will be Daniel Davis (Professor James Moriarty).

The Steel City Con will be held Aug. 7-9 at the Monroeville Convention Center in Monroeville, Pennsylvania. In attendance at Steel City Con will be Nichelle Nichols.

The Dublin Comic Con will be held Aug. 8-9 at the Convention Centre Dublin in Dublin, Ireland. In attendance at Dublin Comic Con will be Gates McFadden.

The Windsor ComiCon will be held Aug. 15-16 at the Caesars Windsor in Windsor, Ontario, Canada. In attendance at Windsor ComiCon will be Marina Sirtis.

Crypticon Kansas City will take place Aug. 21-23 at the Howard Johnson Plaza in Kansas City, Missouri. In attendance at Crypticon Kansas City will be Sid Haig, Chris Sarandon, and Tony Todd.

Walker Stalker Con will be held Aug. 22-23 at the Westin Waterfront in Boston, Massachusetts. In attendance at Walker Stalker Con will be Denise Crosby.

The Central Coast Comic Con will take place Aug. 28-30 at the Ventura County Fairgrounds in Ventura, California. In attendance at Central Coast Comic Con will be Sid Haig (Lawgiver in Return of the Archons) and Deep Roy.

Wrapping up August will be the Bournemouth Film & Comic Con, to be held Aug. 29-30 at the Bournemouth International Centre in Bournemouth, England. In attendance at the Bournemouth Film & Comic Con will be Max Grodenchik.

September begins with Fan Expo Canada, which will be held Sept. 3-6 at the Metro Toronto Convention Centre in Toronto, Ontario, Canada. In attendance at Fan Expo Canada will be Jeffrey Combs, Malcolm McDowell, Jennifer Morrison, Kate Mulgrew, Ethan Phillips, Robert Picardo, and Jeri Ryan.

Dragon*Con will take place Sept. 4-7 at several hotels in Atlanta, Georgia. In attendance at Dragon*Con will be Terry Farrell, Jonathan Frakes, Gary Lockwood, and Paul McGillion.

Wizard World Comic Con San Jose will be held Sept. 4-6 at the San Jose Convention Center in San Jose, California. In attendance at Wizard World Comic Con San Jose will be Adrienne Barbeau.

The Alamo City Comic Con will be held Sept. 11-13 at the Henry B. Gonzalez Convention Center in San Antonio, Texas. In attendance at Alamo City Comic Con will be Olivia d’Abo and Ron Perlman.

The Wizard World Comic Con Pittsburgh will be held Sept. 11-13 at the David L. Lawrence Convention Center in Pittsburgh, Pennsylvania. Appearing at Wizard World Comic Con Pittsburgh will be Colm Meaney and William Shatner.

RocCon will be held Sept. 11-13 at the Kodak Event Center in Rochester, New York. In attendance at RocCon will be Nichelle Nichols and Marina Sirtis.

Wizard World Comic Con Columbus will be held Sept. 18-20 at the Greater Columbus Convention Center in Columbus, Ohio. Appearing at Wizard World Comic Con Columbus will be Brent Spiner.

The Rose City Comic Con will be held Sept. 19-20 at the Oregon Convention Center in Portland, Oregon. In attendance at Rose City Comic Con will be Walter Koenig, Nichelle Nichols, and Wil Wheaton.

The Salt Lake Comic Con will be held Sept. 24-26 at the Salt Palace in Salt Lake City, Utah. Walter Koenig will be appearing at the Salt Lake Comic Con.

September wraps up with the London Comic Con, to be held Sept. 25-27 at the Western Fair District in London, Ontario, Canada. In attendance at the London Comic Con will be Nicole de Boer and Ron Perlman.

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Shatner To Pen Book On Nimoy http://www.trektoday.com/content/2015/07/shatner-to-pen-book-on-nimoy/ http://www.trektoday.com/content/2015/07/shatner-to-pen-book-on-nimoy/#comments Fri, 31 Jul 2015 18:45:58 +0000 http://www.trektoday.com/content/?p=41245 William Shatner is planning on writing a book about his friend Leonard Nimoy.

Shatner considered Nimoy to be a brother to him.

“I’m writing a book about Leonard,” said Shatner. “I had a brother, whose life arc was so much like mine that we understood each other completely. Our age, our birth, the same types of problems in our marriages – our careers arced in the same manner.

“We had a great deal in common, Leonard and I. And thusly we were able to understand each other. I’ve lost a dear friend.”

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Star Trek Beyond Building Continues http://www.trektoday.com/content/2015/07/star-trek-beyond-building-continues/ http://www.trektoday.com/content/2015/07/star-trek-beyond-building-continues/#comments Fri, 31 Jul 2015 18:42:43 +0000 http://www.trektoday.com/content/?p=41236 More photographs from the Star Trek Beyond set have emerged.

Five new photos show the progress made in building the set which began back in May.

STB-1

The first photo shows the bare bones of the set back in May.

STB-2

The second photo shows what appeared to be a building with some broken trees on it.

STB-3

In the third photo, it becomes clear that the second photo was not a building, but hills with broken trees. The plywood of the second photo has been covered with dirt.

STB-4

STB-5

In the last two photos, the “hills” set is being expanded.

Larger-sized photos are available at the referring site.

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Trinneer In Western Horror http://www.trektoday.com/content/2015/07/trinneer-in-western-horror/ http://www.trektoday.com/content/2015/07/trinneer-in-western-horror/#comments Thu, 30 Jul 2015 17:14:05 +0000 http://www.trektoday.com/content/?p=41232 Fans of Connor Trinneer will be able to see the actor in a western horror movie set to release on DVD and VOD beginning August 4.

The movie is called A Good Day To Die.

In A Good Day To Die, “Baron Emerson uses his vast wealth to travel the world and hunt. He does not hunt animals, he hunts warriors. The Baron arrives at the American frontier and is looking for his next prey. An outlaw gunslinger named Chamberlin who is in jail and set to be hanged. The Baron arranges for Chamberlin to be freed so that he can hunt him like an animal in a bloody game of life and death in the Wild West.”

Trinneer portrays the hunted Chamberlin, while Robert Koroluck is the hunter Baron Emerson. Others included in A Good Day To Die include Nadia Lanfranconi, Jay Kown, and Leia Perez.

A Good Day To Die was written and directed by Rene Perez.

The movie has already made its European debut, where it was released under the title Prey For Death.

For US fans, to pre-order A Good Day To Die, which sells for $8.46, head to the link located here.

 

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Beam Me Up Scotty Figurines http://www.trektoday.com/content/2015/07/beam-me-up-scotty-figurines/ http://www.trektoday.com/content/2015/07/beam-me-up-scotty-figurines/#comments Thu, 30 Jul 2015 17:10:46 +0000 http://www.trektoday.com/content/?p=41229 Two new original series figures feature Kirk and Spock in the process of “beaming up.”

The figures will be available from Funko beginning next month.

Each poseable figure is 3 3/4″ in height and features a beaming effect (the bottom part of each character shows this effect). “Captain James T. Kirk [and Spock have five] points of articulation and features unique accessories and the 1980s style card back design.”

The Beaming Kirk and Spock ReAction figures will ship next month. Each sells for $12.99 and can be pre-ordered here for Kirk, and here for Spock.

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UK Auction To Feature Spock Costume http://www.trektoday.com/content/2015/07/uk-auction-to-feature-spock-costume/ http://www.trektoday.com/content/2015/07/uk-auction-to-feature-spock-costume/#comments Thu, 30 Jul 2015 17:08:35 +0000 http://www.trektoday.com/content/?p=41226 TrekUKAuction073015

An auction to be held in the UK this autumn will feature a costume worn by Leonard Nimoy.

The Prop Store and Odeon Entertainment Memorabilia Live Auction will take place September 23.

The catalog for the auction isn’t available yet, but at least two Star Trek items will be auctioned.

A costume worn by Nimoy during the second season (blue shirt and black trousers) will be up for auction, and is expected to fetch up to £70,000.

Also in the auction will be a model starship used in The Next Generation and Deep Space Nine.

Other non-Trek items of interest include a Star Wars stormtrooper helmet, Arnold Schwarzenegger‘s jacket from Terminator 3, a Lord of the Rings Witch King’s dagger, and a set of claws worn by Hugh Jackman in X2:X-Men United.

In all, four-hundred-and-fifty items will be auctioned.

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Pine To Star In Wonder Woman http://www.trektoday.com/content/2015/07/pine-to-star-in-wonder-woman/ http://www.trektoday.com/content/2015/07/pine-to-star-in-wonder-woman/#comments Wed, 29 Jul 2015 17:57:20 +0000 http://www.trektoday.com/content/?p=41222 PineWonderWoman052815

Back in May, TrekToday reported that Chris Pine was in negotiations to star in Warner Bros. Wonder Woman; today comes word that Pine has signed on for the role.

Pine will be playing Steve Trevor, Diana Prince’s love interest.

In the Wonder Woman comics, Trevor “was an intelligence officer in the United States Army during World War II whose plane crashed on Paradise Island, the isolated homeland of the Amazons. He was nursed back to health by the Amazon princess Diana, who fell in love with him and followed him when he returned to the outside world. There she became Wonder Woman (and also his co-worker, Diana Prince).”

Pine’s deal reportedly includes sequel options.

Written by Jason Fuchs, Wonder Woman will be directed by Patty Jenkins. Pine will be starring with Gal Gadot, who will take on the role of Diana Prince.

Wonder Woman will be released June 23, 2017.

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Pegg Teases Elba Character http://www.trektoday.com/content/2015/07/pegg-teases-elba-character/ http://www.trektoday.com/content/2015/07/pegg-teases-elba-character/#comments Wed, 29 Jul 2015 17:54:46 +0000 http://www.trektoday.com/content/?p=41218 Elba072915

Simon Pegg spoke briefly about the character that Idris Elba will be playing in Star Trek Beyond.

The character that Elba will be playing will be unique, Pegg promised.

“It’s a really interesting, complex character,” said Pegg. “We shouldn’t expect to see anything like Benedict Cumberbatch‘s creepy genius Khan from Star Trek Into Darkness in Elba’s performance, however. His performance is all his own.”

There’s a good reason that Elba’s villain is different than Cumberbatch’s. “Only because it would be a retread,” said Pegg. “What we don’t want to do is have the same kind of villain with the same motivation.”

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Old November 20 2011, 04:42 AM   #211
Greg Cox
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Re: the state of sf/f TV development for 2012-13

sojourner wrote: View Post
But there have been more vampire series than that in the last few years. Moonlight and Being Human (and you can almost count this twice) among others.
But how does that stack up against, say, shows about time-travelers, or people with super-powers, or space operas or whatever? Or cops or lawyers for that matter.

Granted, I'm grew up watching Dark Shadows after school everyday, so it just seems natural to have vampires and werewolves on tv again . . . .
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Old November 20 2011, 04:44 AM   #212
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Re: the state of sf/f TV development for 2012-13

Vampire shows have been a steady fixture on TV for decades, going back through Buffy/Angel and Forever Knight at least.
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Old November 20 2011, 04:49 AM   #213
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Re: the state of sf/f TV development for 2012-13

Christopher wrote: View Post
Vampire shows have been a steady fixture on TV for decades, going back through Buffy/Angel and Forever Knight at least.
Exactly. It's not like this is some pernicious new trend. It's just a tv staple, like space operas, spy shows, or courtroom dramas.

Zombies, on the other hand, have never appeared regularly in prime-time before. The idea of a doing a weekly tv series about a zombie apocalypse is actually a pretty radical and original notion . . .
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Old November 20 2011, 10:43 AM   #214
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Re: the state of sf/f TV development for 2012-13

Christopher wrote: View Post
It's fascinating to me that so many Hulk fans these days are fans of the TV show as well as the comics, given that the show was as far from the comics as its creator could possibly make it. It really gives the lie to the assumption of modern fans that any adaptation that isn't slavishly accurate can't be any good. The Incredible Hulk proved that you can change everything except the most basic defining elements -- even the character's name -- and still produce something good and worthwhile. (At least, if what you put in their place is good in its own right. No denying that there are plenty of unfaithful adaptations that failed.)
Of course it can be good. It just gets to the point where you have to wonder why they recycle any bits of the original at all; they could just as easily have the show a re-imagining of Jekyll and Hyde, or made it something original.
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Old November 20 2011, 02:36 PM   #215
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Re: the state of sf/f TV development for 2012-13

RJDiogenes wrote: View Post
Of course it can be good. It just gets to the point where you have to wonder why they recycle any bits of the original at all; they could just as easily have the show a re-imagining of Jekyll and Hyde, or made it something original.
Why did Picasso use live models if his art was so profoundly unlike what live human beings look like? Because every artist needs a starting point, a reference to build from. Art is a process of interpretation. It's not about pulling stuff out of thin air, it's about responding to what came before, building something new on an existing foundation.

Authors and playwrights have always based their works on previous works. The previous work is the inspiration even if the resulting work is transformed into something extremely different. That's just the way creativity happens. Shakespeare's Macbeth bears little resemblance to the history it's based on (the historic Macbeth was a far more benevolent figure, but England's king at the time was descended from Macbeth's enemies so Shakespeare had to make him a villain), but it still grew out of the history. Pretty much all creative works are a response to or outgrowth of earlier creations, sometimes more directly than others.

Or there could be less highfalutin explanations, like maybe the network/studio already bought the idea from Marvel and then happened to assign it to a producer who didn't like the comics and tried to get as far away from them as possible. But that's still a form of creative response to a prior work.
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Old November 20 2011, 04:29 PM   #216
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Re: the state of sf/f TV development for 2012-13

T.v' s new approach is to give people everything they don't want and see what happens and how far they can push it, er, shove it down our throats. Unfortunately there aint no substitute for things like oxygen and food and water. Is there? Real life is a crutch for people who can't do science fiction right.
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Old November 20 2011, 09:59 PM   #217
Temis the Vorta
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Re: the state of sf/f TV development for 2012-13

they could just as easily have the show a re-imagining of Jekyll and Hyde,
ABC's got two of those under development.

I'm still waiting for someone to make a vampire show that really interests me. The last time that happened, it was Dark Shadows and I'm pretty sure my tastes have changed radically since then.

The really overdone tropes are: superheroes; sci fi/fantasy cops; and the Touched by an Angel/Medium type show.
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Old November 20 2011, 10:33 PM   #218
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Re: the state of sf/f TV development for 2012-13

Christopher wrote: View Post
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Of course it can be good. It just gets to the point where you have to wonder why they recycle any bits of the original at all; they could just as easily have the show a re-imagining of Jekyll and Hyde, or made it something original.
Why did Picasso use live models if his art was so profoundly unlike what live human beings look like? Because every artist needs a starting point, a reference to build from. Art is a process of interpretation. It's not about pulling stuff out of thin air, it's about responding to what came before, building something new on an existing foundation.

Authors and playwrights have always based their works on previous works. The previous work is the inspiration even if the resulting work is transformed into something extremely different. That's just the way creativity happens. Shakespeare's Macbeth bears little resemblance to the history it's based on (the historic Macbeth was a far more benevolent figure, but England's king at the time was descended from Macbeth's enemies so Shakespeare had to make him a villain), but it still grew out of the history. Pretty much all creative works are a response to or outgrowth of earlier creations, sometimes more directly than others.

Or there could be less highfalutin explanations, like maybe the network/studio already bought the idea from Marvel and then happened to assign it to a producer who didn't like the comics and tried to get as far away from them as possible. But that's still a form of creative response to a prior work.
I think the less high-falutin' explanation is more likely. As you say, writers throughout the ages have been inspired (both positively and negatively) by other or prior writers; most of them have used that inspiration to create something original. Forbidden Planet was inspired by The Tempest, but it was neither slavishly derivative nor did it recycle names and terminology. If it did, it would have been weaker; as it is, it stands as a classic in its own right. If the producers of the original Hulk TV show wanted to combine the theme of the inner demon with The Fugitive, they should have created something original. But the real answer is that they took what was felt to be a marketable commodity and they mainstreamed it to reach a wider audience.

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they could just as easily have the show a re-imagining of Jekyll and Hyde,
ABC's got two of those under development.
And the Hulk character is a re-imagining of the Jekyll and Hyde concept, but done in an original way.
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Old November 21 2011, 12:39 AM   #219
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Re: the state of sf/f TV development for 2012-13

RJDiogenes wrote: View Post
As you say, writers throughout the ages have been inspired (both positively and negatively) by other or prior writers; most of them have used that inspiration to create something original.
Actually, no. That's completely wrong. Throughout most of recorded human history, the normative pattern was to retell pre-existing stories, whether classic myths or legends, historical events, or the like. Keep in mind that the vast majority of human history took place before the printing press, before literacy was widespread, before it was easy to propagate a single version of a story. For most of the time our species has existed, the only way to keep a story alive was to retell it, and it's the nature of oral history and lore in any culture that it changes with the retelling, adapted to suit the tastes and inclinations of its teller and audience. Look at all the classical Greek and Roman plays that are based on mythology, or all the various different, evolving versions of Arthurian legend from Geoffrey of Monmouth to de Troyes to Malory to Tennyson to White. Retelling and reinventing old stories is the way humans have done things for most of the history of creativity.

The cultural practice of creating mostly new stories rather than retelling old ones is a fairly recent innovation in our society. There's a reason why novels are called novels, meaning "new" -- because at the time they started to come out, it was a distinctive thing for stories to be new rather than retold. It wasn't something people were used to seeing.



Forbidden Planet was inspired by The Tempest, but it was neither slavishly derivative nor did it recycle names and terminology.
And Malory's Arthur is not "slavishly derivative" of de Troyes' (or whatever his other sources were), and indeed it reinterprets the lore considerably and adds a lot of new elements to it, but it definitely recycles names and plot points, just like every other iteration of Arthurian legend or every Greek play or most of Shakespeare's canon. For that matter, The Tempest itself, while just about the only thing in Shakespeare's canon that doesn't have a single clear source it's adapted from, definitely draws from a variety of other sources, such as the traditions of commedia del'arte, the writings of Montaigne and Strachey, and the like. One of Prospero's speeches is cribbed almost verbatim from a passage of Ovid's Metamorphoses. They didn't have copyright laws back then.

It's a straw man to say that the only two options are total originality and "slavish" imitation. That's so obviously false that I shouldn't even need to call you on it. Many works of fiction, including the one we're talking about, combine adapted elements with original elements.


If the producers of the original Hulk TV show wanted to combine the theme of the inner demon with The Fugitive, they should have created something original.
They did, by any legitimate and reasonable definition of "original." Anyone who knows jack about creativity knows that originality is in what you do with the ideas, not where you get them from.

And I categorically and emphatically reject any argument based on what creators "should" be prohibited from doing. That way lies censorship. It's a hideous notion. Creators need to have the freedom to try whatever they feel is appropriate. There's no guarantee it'll work, but who the hell are you to seek to impose limits on what they're able to try?
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Old November 21 2011, 01:27 AM   #220
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Re: the state of sf/f TV development for 2012-13

The Hulk concept actually is a bit flexible, since unlike a lot of other Marvel heroes the character has had multiple incarnations apart from being just the Savage and Bruce Banner...perhaps Del Toro's series will reflect this in some way.
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Old November 21 2011, 01:56 AM   #221
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Re: the state of sf/f TV development for 2012-13

Right. Even the canonical Hulk has been interpreted many different ways by different creators. It's already a series of distinct creations that derive from and reinterpret their predecessors, no matter how much it pretends to be a continuous story. So it's silly to say there's anything wrong with finding different ways of exploring the concept and characters in adaptations.
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Old November 21 2011, 02:07 AM   #222
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Re: the state of sf/f TV development for 2012-13

Besides Mr. Hyde, the Hulk was also inspired by Frankenstein's monster.
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Old November 21 2011, 10:45 AM   #223
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Re: the state of sf/f TV development for 2012-13

^^ That's true as well. My favorite era was when Hulk was misunderstood and childlike.

Christopher wrote: View Post
RJDiogenes wrote: View Post
As you say, writers throughout the ages have been inspired (both positively and negatively) by other or prior writers; most of them have used that inspiration to create something original.
Actually, no. That's completely wrong. Throughout most of recorded human history, the normative pattern was to retell pre-existing stories, whether classic myths or legends, historical events, or the like. Keep in mind that the vast majority of human history took place before the printing press, before literacy was widespread, before it was easy to propagate a single version of a story. For most of the time our species has existed, the only way to keep a story alive was to retell it, and it's the nature of oral history and lore in any culture that it changes with the retelling, adapted to suit the tastes and inclinations of its teller and audience. Look at all the classical Greek and Roman plays that are based on mythology, or all the various different, evolving versions of Arthurian legend from Geoffrey of Monmouth to de Troyes to Malory to Tennyson to White. Retelling and reinventing old stories is the way humans have done things for most of the history of creativity.

The cultural practice of creating mostly new stories rather than retelling old ones is a fairly recent innovation in our society. There's a reason why novels are called novels, meaning "new" -- because at the time they started to come out, it was a distinctive thing for stories to be new rather than retold. It wasn't something people were used to seeing.
Maybe so. I might research that later. But this is the modern era-- I'd rather see something original.

Forbidden Planet was inspired by The Tempest, but it was neither slavishly derivative nor did it recycle names and terminology.
And Malory's Arthur is not "slavishly derivative" of de Troyes' (or whatever his other sources were), and indeed it reinterprets the lore considerably and adds a lot of new elements to it, but it definitely recycles names and plot points, just like every other iteration of Arthurian legend or every Greek play or most of Shakespeare's canon. For that matter, The Tempest itself, while just about the only thing in Shakespeare's canon that doesn't have a single clear source it's adapted from, definitely draws from a variety of other sources, such as the traditions of commedia del'arte, the writings of Montaigne and Strachey, and the like. One of Prospero's speeches is cribbed almost verbatim from a passage of Ovid's Metamorphoses. They didn't have copyright laws back then.

It's a straw man to say that the only two options are total originality and "slavish" imitation. That's so obviously false that I shouldn't even need to call you on it. Many works of fiction, including the one we're talking about, combine adapted elements with original elements.
It may be a straw man, but since I never said it, it doesn't matter.

If the producers of the original Hulk TV show wanted to combine the theme of the inner demon with The Fugitive, they should have created something original.
They did, by any legitimate and reasonable definition of "original." Anyone who knows jack about creativity knows that originality is in what you do with the ideas, not where you get them from.

And I categorically and emphatically reject any argument based on what creators "should" be prohibited from doing. That way lies censorship. It's a hideous notion. Creators need to have the freedom to try whatever they feel is appropriate. There's no guarantee it'll work, but who the hell are you to seek to impose limits on what they're able to try?
And now you're totally off the rails. I never said anything about censorship. You live in a strange world if you think advocating creativity means advocating censorship.
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Old November 21 2011, 03:10 PM   #224
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Re: the state of sf/f TV development for 2012-13

^Saying that creativity "should" only be approached in a certain way is advocating censorship, or at least it's the first step in that direction and should be guarded against carefully.

Your problem is that you're defining originality in a very narrow and illegitimate way, as being solely about making up new character names or settings or whatever. That's complete rubbish. Like I said, originality is in what you do with the ideas, not where they come from. There are countless examples of creators taking pre-existing characters and plots and doing wildly original things with them, and there are sadly even more examples of creators inventing new characters and situations and doing painfully unoriginal and cliched things with them.
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Old November 21 2011, 10:12 PM   #225
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Re: the state of sf/f TV development for 2012-13

Rare genre comedy sighting.

Ghost Ghirls (SyFy) - executive produced by Jack Black, Ghost Ghirls is a comedic take on popular paranormal procedurals like Medium and Ghost Whisperer about two women - Heidi, who has self-proclaimed psychic abilities, and Angelica, who is a tech wiz - who attempt to solve paranormal mysteries each week while trying to prove to themselves and their customers that they are competent ghost hunters.
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