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Old June 16 2014, 04:34 PM   #43
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Re: I have a confession to make

martok2112 wrote: View Post
MakeshiftPython wrote: View Post
BillJ wrote: View Post
Nemesis is actually the best of the four TNG films. It is also the most cinematic, which figures since it is actually directed by a real live movie person.
Not sure how that's the case. Carson, Frakes, and Abrams have done much more compelling work on TV than Baird has done on the big screen. Not to dismiss Baird entirely though, I think he's one of the best editors working in the business today and was happy that he went back to that profession after his brief run in directing.
The problem with Carson and Frakes is that on the big screen, their small screen influences show all too well...that's why, to me, the first three TNG movies look more like two-part episodes. Those movies look much better in full-frame than in wide screen. (Personal opinion only. )

Abrams at least can project big screen feel, as did Baird.
(Baird also directed Executive Decision...another movie I fully enjoyed. )
Could you elaborate on how Baird was able to bring something appropriate to "the big screen"? It's often a sentiment I see thrown around but no one ever really gets into how Carson and Frakes only made it seem "small screen" beyond "they come from TV". Like I said earlier, I'd argue their TV work alone has more going for them compared to Baird's work ("Yesterday's Enterprise" is just one great example). For the transition to the big screen, it's not like they merely stuck to the same ways they directed on TV. A good example for Frakes' transition is the opening shot of FIRST CONTACT where we pull back from Picard in the Borg ship.

If there's anything that makes the films seem more TV than movie, it's definitely the scripts as they don't do enough to really differentiate from the show (a sentiment that Frakes and Moore admitted). This is why one would feel NEMESIS is more cinematic because it does go bigger, it's just too bad it's clunkier and directed by someone who was out of his league. Baird may be a movie guy, but he doesn't transition well from editing in the same way like other editor-to-director transitions like Peter Hunt of the James Bond films who truly understood directing better.
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