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Old June 10 2014, 11:57 PM   #23
Dukhat
Commodore
 
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Location: Baltimore, MD
Re: USS Kelvin - is there an official size?

From wikipedia:

Ridley Scott publicly disowned this workprint version of the film as a Director's Cut, citing that it was roughly edited, lacked a key scene, and the climax did not feature the score composed for the film by Vangelis (it was a temp track using Jerry Goldsmith's score from Planet of the Apes).In response to Scott's dissatisfaction, Warners briefly allowed theatrical screenings of the workprint beginning in the fall of 1991, but only at the NuArt Theater in Los Angeles and the Castro Theatre in San Francisco. As a response to these sold-out screenings of the workprint (and screenings of the theatrical cut in Houston and Washington, D.C.), in addition to the film's resurgent cult popularity in the early '90s, Warner Bros. decided to assemble a definitive Director's Cut of the film, with direction from Scott, for an official theatrical re-release in 1992. Warners hired Arick, who was already doing consultation work for them, to head the project with Scott. He started by spending several months in London with Les Healey, who had been the assistant editor on Blade Runner, attempting to compile a list of the changes that Scott wanted made to the film. He also received a number of suggestions/directions directly from the director himself. Three major changes were made to the film:
  • The removal of Deckard's 13 explanatory voice-overs. As such the blimp promotion sounds different and when Deckard looks up at it.
  • The insertion of a dream sequence of a unicorn running through a forest. As a result, the music of Deckard waking up has been changed from a trumpet version of his and Rachel's love theme to a more magical chorus. (The original sequence of Deckard's unicorn dream was not found in a print of sufficient quality; the original scene shows Deckard intercut with the running unicorn. Arick was thus forced to use a different print that shows only the unicorn running, without any intercutting to Deckard. What was used was a slightly extended take of the second shot of the unicorn running placed into what had previously been a continuous tracking shot of Deckard sleeping at the piano, via fade away transition.) The unicorn scene suggests a completely different ending to the film: Gaff's origami unicorn means that Deckard's dreams are known to him, implying that Deckard's memories are artificial, and therefore he would be a replicant of the same generation as Rachael.
  • The removal of the studio-imposed "happy ending", including some associated visuals which had originally run under the film's end-credits. This made the film end ambiguously when the elevator doors closed.
  • The cut did not include the extra violence included in the "International version" of the film.
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