The problem there is that both sentences assume the entire audience will want the same thing. That's never the case. Any decision that delights part of your audience will upset another part. Which is why you ultimately have to go with whatever feels right to you as a storyteller and not be guided solely by what you imagine the audience wants. If you believe in and care about what you're writing, and put your best effort and passion into it, that's probably the most reliable way to satisfy the most readers. In that case, even people who aren't crazy about your story decisions might still find something worthwhile or meaningful in how you tell the story.
This was more or less stated by Mark Waid, I believe. He said that every single character in comic books was someone's favorite character, no matter how obscure you think they are. He, for instance, knew that a friend of his got hate mail for killing "Turner D. Century" who was a character so obscure he figured no one even remembered who he was.
Likewise, Peter David (who some of you may have read the works of
), stated that his Supergirl series was extremely well-liked but every month people would ask when he was going to end the "Earth Angel" stuff--which, for that version of Supergirl, was equivalent to asking, "When would they stop Clark Kent being an alien."
I'm sure it's the same for you, Christopher. If you got permission to shake up the Star Trek EU somehow by killing Trip (again) or blowing up Romulus (oh wait), you'd probably get just as many people supporting it as hating it.