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Old June 13 2013, 10:14 PM   #97
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Location: La Belle Province or The Green Mountain State (depends on the day of the week)
Re: Star Trek Into Darkness & The Bechdel Test

Pauln6 wrote: View Post
beamMe wrote: View Post
Pauln6 wrote: View Post

Both movies were very sexist in fact.


both movies are definitely sexist.
Concise! But I'll rephrase. In failing to show on screen an equivalent mix of male and female characters in equal numbers, both movies fail to demonstrate a reasonable level of gender equality in the 23rd century (or the 21st century).

As an aside, after you remove Uhura and Carol from the mix, do you think there are enough women remaining? And where are they?
I think there are exactly as many women as the filmmakers intended to have and I have zero problem with that (meaning I have zero problem with the filmmakers producing a film that reflects what they, rather than anyone else, wants). I would have zero problem with that if the ratio of men to women in the film was reversed, if that is what the filmmakers wanted. What I don't want is for any artistic production to decide that it is more important to meet the requirements laid down by the Committee of the Way Things Ought to Be than to put out what they want.

Art of any type--commercial, fine, big-budget, tiny budget, (fill in the blank)--should always reflect the desires of the artist (in the broad sense of "makers of the art"). Artist wants to make a Tarantino-esque bloodbath in the Trek universe? That's ok. Wants to make a version with an explicitly pro-feminist message and theme? That's ok. Wants to make an action-adventure movie just like the one that came out last month in the cinema? That's ok. Do I have to like each option equally? Nope. It is entirely my choice whether to like, dislike, love, hate, viscerally loathe, adore…the film (or other artwork) in question. BUT, I have no right to expect satisfaction on my terms. I have the right to partake of the artistic endeavour and judge it according to my views. The artist has the right (one I will vociferously defend) to put out exactly what he or she wants--subject to whatever praise or criticism it engenders once in the public space. What I will NEVER countenance is the idea that an artist has an obligation to satisfy an arbitrary set of criteria to meet the expectations of the self-appointed guardians of The Way Things Ought to Be. When that becomes a requirement, it stops being art (good, bad or other) and becomes propaganda. The world has enough propaganda already, thanks.
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