Locutus of Bored wrote:
Oh and I wasn't the one talking about the bridge window, that was King Daniel Into Darkness.
Yeah, but he's just discussing it as a curiosity. You extended it to a commentary on the entire film and the filmmakers, instead of just a VFX oddity, which is silly.
In a 200 million dollar production, there is no such thing as a VFX oddity. The camera zooming in on Kirk standing behind the bridge window is an elaborate shot that needed a specifically created CG model. So if that one is different to the other model, it is clearly because the filmmakers favor composition over continuity. They didn't go: "oh gee, we wanted Kirk standing behind the big glass viewscreen, but the model doesn't have that window, so let's skip that shot".
It's basically the same thing as 78 decks on the Enterprise-A in The Final Frontier. Shatner wanted an exciting scene in a turbolift shaft. So he decided continuity wasn't as important as the excitement of the sequence.