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Old April 10 2013, 12:25 PM   #50
Christopher
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Re: Why is DC so far behind Marvel in terms of movies?

The Overlord wrote: View Post
Negotiable for you perhaps, but not me.
You've made your personal opinion clear, but obviously no television show or movie is made to satisfy the tastes of a single individual (aside from its own creator). I'm not talking about me, and I'm certainly not talking about you. I'm talking about the audience in the aggregate, because that's what's relevant when we're talking about the popularity or success of a work of mass entertainment.


If Star Trek had to cut out characters to work in another adaption, wouldn't that mean that something is missing in the adaption?
Well, aside from the fact that the word is adaptation rather than "adaption"... no. The word "adapt" means "change to fit a new context." It is not the purpose of an adaptation to exactly duplicate the original. If you want the original, just read or watch the original! The point of doing an adaptation is to create something that takes the concepts or characters of the original in a new and different direction, that offers a fresh angle or perspective on the ideas. Of course things are going to have to be changed when a work is adapted to a new medium or format. Often, characters will be dropped or added or combined or reinterpreted. It happens all the time.


Likewise if characters like Abomantion, the Leader, Maestro, etc can't work in a TV series, doesn't that mean missing is missing, a big something, if you grew up reading about them?
It's not missing, because it's still there in the original work. The adaptation is a new work, an alternative approach to the basic concept. It's the differences between versions that make them worth having. If they just copied each other exactly, that would be redundant.


But that was just one or two episodes?
The Trickster was in two episodes, yes, but supervillains were used throughout the second half of the series.

Most of the Flash TV show was just bland, I bought the DVD of the show and I think the show was pretty dull. It was not a very good show and that is why it was cancelled after a season what do you think makes it a quality program?
Actually it was cancelled for a variety of reasons, including the high budget it demanded, a bad timeslot that went up against stiff competition on NBC and FOX, and frequent pre-emptions by news reports. (I still remember how annoyed I was that half of the Bill Mumy episode was pre-empted by a half-hour of Dan Rather talking about the minor and ultimately harmless heart problem that then-president Bush had been hospitalized for that day. They cut to the news report at the worst possible moment, just after a gun had gone off between two wrestling characters and before we found out which one had been shot. It was pretty easy to guess, of course, but what an aggravating moment to pre-empt the show!)



Okay, but how many TV live action didn't have to leave things out or change things just to meet a TV budget?
Again, that doesn't matter. If you want something exactly like the comics, then just go read the comics. The point of adapting a work of fiction to a new medium is to attract a new, different audience, to expose the concept and characters to an audience that would never have experienced them in their original form. So of course it's not about pandering solely to the tastes of people who like the original version. It's about creating a new version that appeals to the audience of a different medium. Sure, it's good if you can create something that satisfies existing fans of the original as well as making the concept accessible to new fans, but the latter is usually more important -- particularly when you're adapting something like a comic book, which is read by thousands or at most tens of thousands of people, to TV or movies, which have audiences in the millions or tens of millions.


How many super hero TV shows have had great production values?
In comparison to other television shows of their eras? Several. The Adam West Batman had impressive visuals and production design and very impressive action for a 1960s sitcom, although the third-season budget was slashed and the production suffered. The Bixby Hulk was an elaborate production for its time with extensive location work and heavy stunt work making it a very expensive show. The Flash, as I've said, had cutting-edge VFX from some of the same people who worked on Star Trek: TNG; a superbly designed and executed Flash costume; and great set design. And I was quite impressed by the VFX on the short-lived 1991 Human Target series from the same producers as The Flash -- they did some extraordinary work with split-screen and doubling effects, rivaling the best work along those lines that had ever been done onscreen up to that time.
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