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Old February 1 2013, 05:49 PM   #119
jefferiestubes8
Commodore
 
Location: New York City
streaming only? or next Trek series on linear TV?

With Netflix's House of Cards being released today there are some articles talking about the new business model and how it affects the creative side of storytelling. How would this apply to Star Trek if it were not on a linear TV channel?

But when streaming is available anywhere across the globe, there’s not even a reason to stick the half hour or hour-long models. You can have an episode that’s 20 minutes, an episode that’s 90 minutes.
I think 42-55 minutes would be a sliding area for each episode.

Beyond what’s on screen, there are significant new TV business practices looming with House of Cards, first and foremost being Netflix’s hands-off approach. Netflix isn't producing the show; it's simply operating as the company licensed exclusively for its service. So Willimon and the creative team had “virtual complete control and freedom.” Unlike nearly all new scripted television, they weren’t even getting formal notes from their ‘network’ in this instance.
Imagine VOY & ENT without UPN's executives.


No need for cliff hanger endings and “next week on” montages—ultimately House of Cards’ 13-episode first season will be available all at once.
All at once although 13 episodes and not 26.
It still allows for fans to watch as much as they want in a sitting. Would Trek fans pay for 13 episodes on a subscription basis like the Howard Stern Show on Sirius/XM Satellite radio even though they already pay for the Sirius radio service itself?
“On a lot of other shows, you have to play the ratings game. Even great shows in the first half of their first seasons may implement these artificial cliffhangers to keep people coming back because they’re fighting for their survival,” Willimon says.
Unnecessary and the question is what about foreign TV distribution? Would it still include these cliffhangers during the acts then?

That new structure carries with it narrative implications. The pacing of the two episodes Ars previewed is different from what we’ve been conditioned to accept with traditional cable drama. There’s no need to pad an individual episode with more or less content due to network run times and number of ads sold. Willimon says rather than thinking of individual episodes, the creative team approached it all as a “13 hour movie,” and that comes across in the first two hours.
This sounds like it would still allow character development rather than just action pieces each episode with character development "padding".


what you can and can’t do on American TV tends to be a bit more limited (thanks FCC!). On Netflix, though? It’s a new frontier with more potential for exploration.
Highly doubtful a Trek TV series would go beyond TV-14 for mature audiences.
SOURCE
http://arstechnica.com/business/2013...ix-experience/

The idea that CBS could make this an exclusive with their own unannounced streaming service for CBS-owned properties like their Nickelodeon is launching a Nick app for mobile devices. Technically they could launch a Star Trek app for a new Trek TV series streaming and they would control the advertising solely within it or they could license it exclusively via Hulu Plus.
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