Captain Atkin wrote:
Union actors get paid for the work they do on these films. The union would most likely not allow them to be in the films otherwise. The rate of pay would be on the low end, as these are non-profit 'indie' films.
Sorry...you are making an assumption that is completely wrong. The current SAG union contract's requirements for members being employed by SAG signatory "new media" (on-line), whether new or derivative (based on another property), is pretty clear...and simple. The contract says it is up to the union member to negotiate what or if they will get paid. They are free to work for free if that is what they are willing to do. (For the production, there are paperwork requirements whether they get paid or not (because all hours worked count toward the member's benefits...believe me, I know...
If this is a television pilot, as implied, that is entirely different...they would hit the "low scale" union contract level.
However, if the production is also a WGA signatory, well, the WGA contract is much more specific and the writer's have to get a pretty penny for any and all work!
That's fascinating. A friend of mine was up for a role in Renegades
, but ultimately turned down because they weren't a member of SAG or AFTRA (yet.) At least, that's what they were told.
On topic: I had huge issues with Of Gods and Men
, mostly with story but also some with the production itself. I will say though I give the production props for getting finished as that must have been quite the herculean task, and I'm looking forward to seeing what they do with Renegades