I did like the allusions to
The Final Reflection in Marco Palmieri's story in the Vanguard anthology, but there can never be more than that, I guess. The use of the characters, perhaps, but they would be different - and probably poorer for their use in Ford-imitation. TFR is very much a piece of 1980s genre literature with its doses of dystopia and energy worries and its treatment of unreliable authorship; it also fits into that phase of books about games such as Iain Bank's The Player of Games - and like that book, it hasn't
quite dated, rather matured.
I'd really recommend reading Fredric Jameson's
Archaeologies of the Future, it helps place books like
TFR in their late Modernist context.