^But it's a matter of period, not just quantity. There's a lot of good TNG material because it was a few years before the "wallpaper" policy fully kicked in. Most of the really interesting stuff is from the early seasons, and the most interesting stuff from later seasons is from the one-time guest composers. But DS9 came along five years later, so it was fully within the "wallpaper music" era. McCarthy got to cut loose with "Emissary," but I'm not sure how long it was before the more conventional scoring style settled in.