41. Magnolia (A-)
Anderson's second big film. Too flawed to really be a magnum opus, but you could certainly argue for it as a singular artistic statement. It contains many scenes of incredible artistry and power; however, the connective tissue doesn't always hold together, and gradually you realize various things that didn't come together at the end (most notably the entire murder plot). Fascinating, nonetheless.
I do wonder whether Tom Cruise will be leading the protests against The Master
Home Video: 26 (+1)