Re: Fan Filmmaker's Primer
Can you comment on precisely how the synchronization process works? For example, should the peak of the clapping sound ever be offset by any number of frames from the frame on which the clapper strikes the slate, and if so under what circumstances? Is there ever any ambiguity regarding the frame on which the clapper strikes the slate?
Also, in a long scene, is drift in synchronization ever a problem?
“A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP” — Leonard Nimoy (1931-2015)