Level 2 Diagnostic wrote:
I think the thing I dislike the most about Nolan's films is they're so damn self-serious and self-important, to the point of being completely joyless. He doesn't seem to have any interest in injecting actual FUN into his movies. I thought this was a deliberate choice in Batman Begins, to avoid comparisons to the campy Schumacher films, but it appears this is just the way his movies are.
Well, this is absolutely true. I mean, I like
it, but having seen most of Nolan's work, he takes a deadly serious approach to somewhat goofy ideas (Memento, Batman, Prestige, and Inception all have questionable underpinnings), and the aesthetic is, indeed, doom and gloom pretty much all the way through. I guess it's not for everyone, but except for the crumminess of Begins, and to a certain extent TDK, he hasn't actually disappointed me. The Prestige is pretty awesome because of its overserious approach--which is maybe even necessary given its central implausibility based on a Flash Gordon level of fealty to science.
(Now, I've never seen Insomnia or Following, but I don't suppose they're slapstick comedies either.)