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Old October 13 2009, 11:01 PM   #48
darkwing_duck1
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Location: the Unreconstructed South
Re: Favourite sci-fi/fantasy composer?

Harvey wrote: View Post
You might not like McCreary's scoring, but comparing his work to the sonic wallpaper that characterized the worst years of the Rick Berman era is just wrong.
Like Berman-Trek, nBSG has 99.9% "drone" for a score. Nothing stands out, nothing makes you sit up and take notice. "Minimalist" doesn't really do Bear's music justice...it's just irrelevant noise.

But it's obvious what you're really after is a more traditional swash-buckling space opera score as was found in the original series. And I can understand being underwhelmed by McCreary's work with those expectations.

Still, you must at least enjoy "Prelude to War" and a few other select tracks, no?
Like I said, the only tracks that I really enjoy are ones like the end of "Final Report" and the series finale where he adapts Phillips.

Kegg wrote: View Post
I'm in the middle ground. I don't find his work dull or lifeless in the slightest, but it's far, far from being original or different. McCreary just knows who to steal from, and how to steal well, and his choices are distinct enough from the typical space opera bombast that they're altogether welcome.
They add NOTHING to the material. They're just drums and drone and "filler". Good film/tv scoring is supposed to support what the viewer is seeing, adding emotional depth and tone and Bear just doesn't cut it.

I know he did it at Moore's insistance, but Moore obviously caught a case of "tin ear" from Berman with his "minimalist" musical philosophy.
There is an enormous difference between the bland nothing Berman espoused and the Glass-like minimalism McCreary has used. For instance, the latter calls attention to itself, which is the antihesis of Berman's 'wallpaper' strategy. I certainly would not consider the use of such music to be a tin ear - if anything, it's refreshingly attuned, if I may extend the analogy to an awful pun - but YMMV.[/QUOTE]

Obviously it does. Not only do I find it flat and uninspiring, but, as stated above, it completely fails to accomplish the primary mission of tv/cinema music: to support the visuals and dialoge by adding emotional texture to the material.

Put it this way: put up the nG theme and have a random person listen to it. Then put up Phillips. More people I would bet are going to recognize Phillips over nG because it has resonance and an appropriate tone and is memorable.
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