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Old September 18 2009, 11:42 PM   #56
SeerSGB
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Re: Why is Firefly's Cancellation So Unforgiveable?

stonester1 wrote: View Post
TheGallifreyanSith wrote: View Post
stonester1 wrote: View Post

Well...if it wasn't for those willing to assume such risk...we wouldn't have our beloved Star Trek, now would we?
And look what that turned into, eh? An over saturated piece of pop-culture that pretends to have depth and meaning but has rotted to the point that it barely, when it does, rises above the rest of the noise and clutter out there.
And that's one person's opinion, obviously MANY disagree. Others would say that a lasting franchise was produced that does the amazing feat of providing thoughtful, yet entertaining science fiction adventure that has stood the test of time and undergone multiple resurrections, the latest glorious one taking place this past summer.

So, 'Trek has lasted. By that logic I can say McDonald is a 5 star restaurant cause it's been around forever. As for the latest movie, it was a typical modern action flick that looked good, but that was about all it had going for it. It had about as much depth as Transformers The Movie (1985).



This is a risky business, ESPECIALLY if you are striving for quality. If one is risk averse, the entertainment world really is the wrong business.

As is anything involving creativity and ideas.
Who said that studios strive for quality? What ever gave you that ideal, outside creators spouting off about how their own products? All studios want is eyes on the TVs and asses in the theater seats. Give the masses what they want at the lowest cost for the widest audience and cash the fucking check. Quality has nothing to do with it.
Never?

If that's the case, then studios would only hire hacks that always aim for the lowest, widest denominator.

But it's clear that such a blanket statement is inaccurate at best.
Depends on how you define hack. I would firmly slot Whendon into the hack category. With the bulk of his success being on his name and the fact that he sells what tweens and teens want. Most of his work, stretching a prior metaphor further, is the television equivelant of a Big Mac with the realtive entertainment value of said's nutrtional value.
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