Re: Great Cinematography Moments
I've always like that Shore Leave sequence. The music is good then too.
If cinematography includes lighting, I will add two things that seem paradoxical. The red hue and shadows of the bridge lighting in season one; and the later splashes of pastels across the walls of sets.
Hey - how about the dolly shots from the point of view of Nomad, the Changeling?
Shore Leave is a good episode all around.
And that has nothing to do with Yeoman Barrows.
Just because it's futuristic doesn't mean it's practical.