I found the score, like the rest of the movie, to be heavy-handed and lacking in elegance. The main theme was wonderful, but I found the composer lacked the ability develop fragments of it into sub-themes which would tie the entire score together.
The treatment of the TOS theme in the end-credits was like being hit over the head with a bat'leth
While showing promise and having a wonderful gift of melody, this composer has yet to develop into a Hans Zimmer, Howard Shore or Jerry Goldsmith.