GSchnitzer wrote:

number6 wrote:

GSchnitzer wrote:

A few semitones apart--so maybe three or four? So three semitones would require that the tape speed be increased by 25%. I think that would be a noticeable difference between what you heard and what you saw on the actor's lips.
|
At Most three semitones..Most likely less..
I believe the pitch variance to be more like 10-15%...or even less.
Have you ever heard Led Zep's "Song Remain's The Same?" The tape is pitched down just a semitone when Robert Plant is singing those silly high notes.. When played back he sounds pretty silly.
What I suspect they did was redub the Keeper voice at a slightly slower speed on the tpae machine, so that when it played back at sync speed, the pitch would be slightly higher.
It would have to be a small percent, otherwise the lip movement wouldn't line up. As such , the lip movement doesn't line up on a lot of the dialog throughout. Loads of passages were looped. Most of Majel's dialog was looped, as was some of Susan Oliver's dialog.
With the Keeper, I am certain that if they used this technique, they did it in small sections, so that lip sync inconsistancies would be less noticeable.
|
Ah, so now you are proposing that Throne's existing Cage-recorded dialog actually wasn't manipulatable and couldn't really be salvaged and all his dialog had to be re-recorded in 1966/67 while he delivered it at a slower speed but at normal pitch so that this newly recorded dialog could then be sped up to a higher pitch. Now you're talking. That's plausible. Throne was around and available anyway. But I just don't see how any of his recorded dialog from 1964/65 could have been used.
|
I'm not proposing that at all. I don't think he recut any of the Keeper stuff, except for the dialog germaine to the two parter. The similarities in inflection listening to the B&W and remastered versions lead me to believe that they took his dialog and redubbed it at a different speed to achieve the pitch. It's actually pretty easy...as easy as having a second machine recording. I have worked with Nagra tape machines.. This is relatively simple process.
What do you guys use for on set audio recording for PII?